Now that you have spent many months teaching your mule to drive and he is doing so well, you have decided that it might be fun to show him in harness. So, what are that kinds of things that a judge looks for in a driving class of mules? Well, it’s basically the same as it is with horses.
The first and foremost consideration for a judge is your mule’s manners. His manners will exhibit just how safe your mule is for driving. As with people, a judge can get an overall impression from the expression on your mule’s face! An attentive and pleasant expression is definitely preferred. The expression on his face will reflect his overall comfort within a situation. If he is comfortable, he responds to minimal aids calmly, confidently, yet promptly. He should reinback easily upon request, and stand quietly at the halt with all four legs squared. His ears will be relaxed, but attentively turned to the driver most of the time. Ears that are rapidly in motion indicate anxiety and distraction.
A major contributing factor in your mule’s overall manners is his conditioning. If your mule has been brought along with a carefully planned exercise program, his muscle growth and strength will increase with little or no stress, as it should in most athletes. The mule that is conditioned in this way will have the strength to pull while maintaining a smooth, steady and effortless gait. He is comfortable in his work. Properly conditioned mules will not exhibit the tenseness that comes from overexertion, a tenseness that can inhibit his entire performance.
How can you tell if your mule is well-conditioned? Touching his body with your fingers at the neck, shoulders, barrel, loins, stifles and rump can tell you a lot. These muscles should be hard and not mushy to the touch. Standing behind your mule, you should begin to see considerable gaskin development. A driving class lasts approximately 20 to 30 minutes. If you condition your mule at the medium trot for 20 minutes straight, without any sweating or breathing hard, he should be able to handle the class with no problem. Another helpful hint is to condition him on uneven ground. Then, when he performs on the flat ground, it will seem a lot easier to him. Remember to condition slowly to avoid overexertion, muscle soreness or injury. If you condition your mule beyond what is expected in the class, you won’t have to worry about him being fit for class! And, as long as he is so well conditioned, be sure he is well-groomed as well.
Your mule’s way of going is another important consideration for the judge. In the driving class, your mule will be asked for the walk, collected trot, working trot and the reinback. The walk should be “regular and unconstrained, energetic, but calm with even and determined steps with distinctively marked four equally spaced beats.” In the collected trot, “the neck is raised, thus enabling the shoulders to move with greater ease in all directions, the hocks well-engaged and maintaining energetic impulsion not withstanding the slower movement.” The mule’s steps are shorter, but are lighter and more mobile. The working trot is a pace between the collected and extended trots. The mule “goes forward freely and straight, engaging the hind legs with good hock action, on a taut, but light rein, the position being balanced and unconstrained. The steps are
even as possible and the hind feet touch the ground in the foot prints of the fore feet.” The reinback is “a kind of walk backwards. The legs being raised and set down simultaneously by diagonal pairs, the hind legs remaining well in line and the legs being well raised.” The mule that is conditioned slowly with special attention given to core strength, straightness, balance and bend will begin to carry himself in good equine posture and exhibit these true gaits naturally after a period of practice time.
The next consideration is the appropriateness of the animal to the vehicle he is pulling. A smaller mule should never be used to pull a large wagon, nor should the larger draft mule be used to pull a pony cart! Select a vehicle that pulls easily for your mule and one that is proportionate to his size. The overall picture should be balanced and harmonious. Fifty percent of your total class score will include your mule’s manners, his conditioning, his way of going and the appropriateness of the general turnout.
Twenty percent of your total score is judged on you, the whip or teamster. Your hands should be held at waist level, about three inches in front of your body and about 10 inches apart. “A rein passes between the forefinger and middle finger of each hand and is held secure with pressure from the thumb; the whip is held in the right hand.” You should always sit in good posture and the use of your aids should be almost imperceptible. An expert Reinsman rarely exceeds a 12″ imaginary box around his hands. Your dress should be appropriate to the vehicle in which you ride.
For instance, a formal coach would require a more formal dress than would a two-wheel country cart. Dress must be conservative for the times. Western dress is permitted where appropriate. Hat, gloves, coat, tie, and a lap apron are required. A whip must be held in hand at all times! Always look where you are going, check the judge for instructions periodically and pay attention to spacing in the arena! The remaining considerations for a judge are the vehicle and the harness with each carrying 15% of your total score. The vehicle should be in good repair, appropriate size and style for your mule, and should fit him properly through the shafts and tugs. The harness should fit him as well as possible and should be adjusted correctly, especially the breeching so it can do its job in the reinback.
Often, it is difficult to find horse harnesses that will fit the lighter and smaller mules or donkeys properly, but you can approximate the size you need (i.e. pony, cob, horse, draft) and then make the necessary adjustments, or have a professional harness-maker help you. Your mule should be fastened snugly to the vehicle. Be sure that your collar or breast collar fits your mule properly as this can create soreness and make for a very unhappy mule! Adjust the breeching snugly enough to make your “brakes” effective! One of the most common mistakes made by beginning drivers is adjusting the breeching too loose. This makes it difficult for your mule to either slow down or back straight and evenly, and the resulting slack will make his transitions look abrupt and awkward!
There is a lot to consider as a driving judge, but judges are also human beings, and basically the judge is going to select those mules for placement in the class that HE would most like to drive. If you follow the guidelines that I have described, your Longears will be one of the judge’s favorites!
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
In 1986, when I first began using my mules in Dressage, you would never have convinced me that I would follow it up with jumping. I was fearful of jumping because of a few bad experiences I had with horses. However, once I took the time to learn to ride and train properly with Dressage and experienced the overall stability of a mule, my fear disappeared.
Nowadays, when people find out that I jump my mules and my donkeys, the response is often, “I didn’t know mules could jump!” Not only can mules jump, they are quite good at it. However, if a mule, donkey or any other equine is to have the strength and coordination they need for jumping, their training must be approached in a specific, practical and healthy way. Then they can learn to maintain good rhythm in all gaits between jumps, to jump only as high as needed to clear fences, and to adjust their strides to and away from jumps. Proper jumping training takes time and patience because there is much more to jumping than just making it over the fences.
If you speak to mule owners all over the world, you will hear at least one tale in ten about a mule jumping out of his pen. If they have the inclination, most mules have the ability to easily clear a fence up to and even over six feet high. The capability is certainly there, but in general, mules lack the motivation to expend the energy to actually jump out, especially when they are well managed.
The muscle structure of a mule and donkeys is a bit different than that of a horse—somewhat like the difference between the muscle structure of a ballet dancer and that of a a weight lifter. A mule’s muscle structure (like that of a ballet dancer’s) is comprised of longer, smoother muscle with less bulky areas, a trait inherited from the donkey. This gives him a slightly more streamlined appearance than that of a horse. And like a ballet dancer, a mule can spring his body effortlessly into the air using the muscles in his hindquarters, giving him the ability to jump either from a standstill or while in motion. For the weight lifter or the horse, this maneuver is not as easy due to their particular muscle structure. So when selecting a horse for advanced jumping, it is wise to select a breed or type of horse that has less bulk muscle and more smooth muscle, like the mule., and both need the thickness o bone to absorb the concussion on the landings.
When riding toward a jump, a donkeys or mule’s approach can often interfere with his coursework because his impulse is usually to gallop to the jump, stop and then spring over the top. Horses, on the other hand, tend to naturally do their coursework more smoothly and in stride. The mule and donkey can learn to jump in stride if given the correct schooling to overcome his instinctive way of going.
Regardless of the mule’s inherent strength and endurance, in the beginning of jumping training, he will lack the muscle development and stamina required to negotiate a course of jumps effortlessly and in stride. Like any other living creature, he can only strengthen the muscles that he uses, so it is up to you to make sure he is doing specific exercises that pinpoint the correct sets of muscles so he can do his job over the jumps, between the jumps, before and after the jumps.
These three tasks require different postures that need to be supported by different muscle groups, so work on training and strengthening the specific exercises as outlined in DVD #7 of my Training Mules and Donkeys series. A proper conditioning program of exercises for your mule ro donkey will strengthen the muscles needed for jumping and will prepare him for a more polished performance. This is also a good opportunity to fine-tune all the muscles in your own body as you fine-tune those of your mule or any other equine.
While training your equine to jump, you must ask yourself some very important questions. Does my animal possess the strength of body to carry him from the hindquarters with sufficient impulsion, rhythm and balance? Can he readily lengthen or shorten his stride to accommodate the distance to his fences? Are these adjustments easily made, or does my equine tend to throw his weight onto his forehand during transitions between gaits and over fences? Remember, the animal that is well schooled in jumping will carry his body with ease and make smooth transitions from an uphill balance.
There are a series of exercises that will help to build your prospect into a beautiful, stylish and exciting jumper, but it will take time and patience— there just aren’t any shortcuts. Taking the time and exercising your patience will produce not only an animal that jumps properly, but one that is also strong and confident in his abilities. This can come in mighty handy later on when you find yourself in more demanding jumping situations. Having taught your equine to jump safely, you will have a more pleasurable and stress-free ride.
When initially riding a mule over jumps, you will notice the slightly “different” way that he feels in action, compared to a horse. If you are used to jumping horses, this may seem a little odd at first but you will soon find that the mule feels more sure and stable. To me, a mule seems more balanced and stronger throughout than does a horse, and so the chance of taking a misstep or crashing a jump is lessened. Should a loss of balance or error occur, the mule is usually able to more quickly recover than the horse, making for a safer ride.
For those of you who still don’t believe that mules can really jump, all I can say is, believe it! More than a few retired cavalry officers have personally told me about Hambone, the infamous jumping mule from Fort Carson, Colorado. They’ve also told me about jumping their mules Roman-style, which means standing with one foot on the rear end of each of a pair of mules while doing patterns and jumping obstacles!
Today, mules are jumped in all kinds of events, from Combined Training to Hunter/Jumper classes. Jumping mules adds excitement and variety to training events and events where mules jump in competition under saddle against each other, and even against horses. Coon hunters often display the mule’s natural ability to jump from a standstill by jumping them in-hand over fences, either on hunts or at shows, and some mule owners even try their luck at Fox Hunting.
When mules are actually being used for coon hunting, they are typically smaller mules that can be ridden. When they come to a fence, most of which are barbed wire, the hunter will take the blanket, lay it over the fence for safety’s sake and thengo to the other side of the fence and ask the mule to jump it. When this is a class at a show, it is staged very much the same way, but you will see more larger mules on display. By any standards, the mule’s capacity to jump is unquestionable, and there is no doubt he will continue to climb the ladder of equine success. The mule will often exceed people’s expectations, but in most cases he will out-perform his horse counterparts. Hambone proved this to be true when he jumped so well, won against the competition and got mules banned from competing against the horses again!
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITEDand A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
In the past, mares unsuitable for improved horse-breeding programs were the mares used for mule breeding. Looks and conformation were of little concern, since the animal that was produced had limited use for draft and farm work. In 1967, with the founding of the American Donkey & Mule Society, a new type of mule began to emerge—the American Saddle Mule—limited only by the imagination in his uses. As the mule’s popularity grew, so did the need for more carefully organized breeding programs to try to produce only the most superior mules in overall appearance and athletic ability.
In what I refer to as Phase I of our Lucky Three Ranch breeding program, my mother, Joyce Doty, successfully bred attractive, athletic and versatile mules at Windy Valley Mule Ranch in Healdsburg, California, between 1973 and 1979. They were bred for pleasure, work and show from 60 head of assorted breeds of mares. These mares included Arabians, Thoroughbreds, Tennessee Walkers, Morgans and Draft horses, but no Warmbloods.
We learned that the jacks would produce a stronger and more durable offspring, but that the heavy-boned Mammoth Jacks were not necessarily producing the most athletic—or the most attractive—saddle mule offspring. It seemed that the smaller, more refined Large Standard (48″ to 56″) and Standard Jacks (40.01″ to 48″) were better for the production of Saddle Mules. This led to Phase II of our breeding program.
Little Jack Horner, a Large Standard, was the last jack born at Windy Valley Ranch before its dispersal in 1979. In 1980 I brought him to my new Lucky Three Ranch in Colorado to become the sire supreme. My main focus was on the production of attractive, athletic, amiable and multiple-use saddle mules that would be suitable for the widest variety of uses. Beginning in 1982, Little Jack Hornerwas used with a number of different breeds of mares, including Quarter Horses, Appaloosas and a Half-Arab/Half-Quarter Crossbred. Over the next six years, as the offspring aged and matured, their abilities were quickly recognized. They excelled in all events at the shows and gave the Lucky Three its current reputation for breeding only the best.
In late 1985 I began taking a special interest in Dressage and Combined Training—the Breed shows no longer held a challenge for me. Our Quarter Horse, Appaloosa and Arabian mules competed against horses in Dressage and Combined Training and our mules were quite competitive. They were exceptional in their gaits, responsive, submissive and lovely to watch. Only two real major problems became apparent if we were to continue on this path: 1) The mules were a little too small (only14.2 to 15.3 HH) and, 2) the Quarter Horse influence caused them to be built slightly downhill, creating problems with overall balancing. It was time again to revise our breeding program.
Midnight Victory (or “Vicki,” as she was nick-named), a Trakehner cross, was born just before midnight on June 21, 1990. I had seen only one Trakehner-bred mule in my entire life, and it was the most elegant and refined mule I had ever seen, with conformation to spare. And now I had one!
Vicki was everything I have always bred for in a mule, exhibiting quality in her looks and her movement, and in and the kind of intelligence that is exalted by horsemen and women everywhere. She was the product of 17 years of selective breeding, which, in the case of the hybrid mule, can be a very lucrative and frustrating business. Frustrating because of people’s preconceived ideas about mules, because of the close attention that must be paid to selection of the right jacks and mares, and because of genetic considerations when breeding, such as Neonatal Isoerythrolisis (a condition that occurs when the mother’s blood is incompatible with her foal’s—similar to the RH negative factor that can occur in human mothers and babies).
Why a Trakehner cross? We spent years breeding donkeys before we finally got Little Jack Horner, a sire that predictably throws refined, attractive and athletic offspring, as well as producing some of the top halter mules in the country. Crossing him on Warmblood stock seemed like the natural thing to do next. We did need to be careful in choosing the type of Warmblood mare that would make the best match.
The Trakehner horse was carefully bred as a versatile and durable animal, with refinement and elegance in mind. Today, this horse plays an important role in the evolution of the mule from an ugly duckling into another beautiful swan in the American Horse Show ring.
After careful consideration of refinement and movement, we decided that the Trakehner would be the best cross. We feared that some of the other Warmblood breeds might produce too heavy an animal, something we had spent the last 17 years breeding out. In using caution and a careful breeding program, the Lucky Three Ranch was well on its way to producing the best in Sport Mules. Heartier and more athletic than their Thoroughbred and Trakehner dams, they were capable of performing in more versatile ways than were ever before imagined.
Phase III was the most exciting phase of the Lucky Three Ranch breeding program. The size and “downhill” problems had been solved, and the offspring made our dreams come true and their “presence” known. My deepest gratitude goes to all the conscientious people in the Thoroughbred and Trakehner industries for their special attention to selective breeding programs that have made it possible for us to produce such a lovely and remarkable hybrid.
It’s hard to put your finger on it, but there’s just something a little more special about Vicki. She is way above average when it comes to mules and she definitely commandsyour attention. She embodies the spirit of free expression and an almost eerie reincarnation of a perfect dream…with long ears! Could this “presence” be something genetic, passed down through the ages of Trakehner (and possibly Arabian) breeding? It would seem so.
The mules of Lucky Three Ranch are living proof of what quality breeding produces. They are elegant, first-class animals that are easy keepers, inexpensive eaters and loyal, personable companions—you need only feast your eyes upon these mule offspring to be convinced!
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com
Many of you know me as the foremost authority on the contemporary saddle mule, but what you may not know is how I earned such a title. Most of us who have become trainers began by riding and showing. Through our success, we gained recognition and subsequently clients who brought their animals to us for training. Our success with their animals posed a question for each of us at a critical stage in our careers and we had to make a decision whether we were going on the road to do clinics or something different. I opted for something different!
Instead of going on the road to do clinics, I thought long and hard and decided to do an equestrian correspondence training course instead. I opted for this after considering that when I went to clinics as a student, I was one of 20 people and only got limited attention during those clinics. When I put into practice at home what I had learned at the clinics, I realized that I had only received the highlights of training and it was full of holes! When I tried to contact the clinicians to ask a question, I was either answered by someone in the office, or not answered at all. The clinicians were most often too busy and out of touch. The one thing I didn’t realize by making this decision was the incredible learning opportunity I had opened up for myself that I could, in turn, pass on to my clients.
I did my resistance-free video training series in as much detail as I could possibly muster. Each video represents a year’s worth of training, but as we all come to know, you can never know everything. The more you learn, the more you learn what you don’t know. I did learn fairly quickly that the relationship between equine and owner is unique to those individuals. That is, I realized it made more sense that I teach people how to train their own animals. After all, you wouldn’t ask someone to go out and make a friend for you? The relationship is truly your own and I adopted the policy that as a trainer, my responsibility would be to guide people through the process of training their own animals for the best possible results. This has proven to be true far beyond any expectations that I might have had!
This decision afforded me more time at home where I could communicate with others and help them with their animals. It also afforded me more training time with my 30 head of mules, horses and donkeys. I have always done the training of my own animals myself. I had an assistant for awhile who kept the old school masters and other broke mules exercised from time to time. However, the actual training of the mules I did solely by myself because I wanted to keep learning new things that would enhance my training program and make it better. The new things I learned I documented in the form of books, videos and television shows. What began as a quest to train and show mules in every equestrian discipline expanded beyond my wildest dreams!
When they told me mules would not work well in a snaffle bit, I learned how to make that work. When they said they were not suitable for Dressage, I based my entire training program on those principles. When they told me not to give food rewards, I paid my mules for their efforts with a generous reward of crimped oats. When they told me not to talk to my equines, I spoke three languages to them: verbal language, body language and “touch” language. I can truthfully say that today I realize that it wasn’t the mules that were so stubborn, but rather…it was me! This positive kind of stubbornness did pay off, as I was to soon discover.
Beginning with the “A B C’s” (walk, trot, canter, whoa, back), my verbal language with them evolved over time into actual conversations. The tone of my voice indicated my pleasure or displeasure with their actions. Calling their names and then stating a command prompted their immediate attention. When working with multiple animals, phrases like “Get back on the rail!” and “Stop kicking your brother!” initiated a positive response and validated my expectations that they could indeed understand what I was saying beyond the normal commands. I watched their reactions to the tour guests we had at the ranch as they walked through the barn and met these animals. If a guest made a remark, the animals responded with an appropriate show of emotion. If it was a snide remark, they would lower their heads and splay their ears in a most dejected way. A positive remark would elicit a show of attention with ears perked toward the person who made the comment. This has shown me that they do understand English, even if they cannot speak it!
Body language is probably the most important of all the “languages.” These animals will mirror you and react to what your body is telling them. If you position yourself in front, you can turn them or stop them. If you walk up to them in an aggressive way, they will show fear. If you go to a gate or the stall door and wait with an inviting attitude, they will come to you. Of course, learning accurate body language is a responsibility that we must put upon ourselves to really be effective. I just watched the reactions of my animals to everything I did and said. If I received a negative response, I would change my approach until I got it right. When I got it right, so did they!
“Touch” language is simply how you touch your animal whether it is with your hand, a grooming tool or a whip. Touch needs to be empathetic but firm enough to do the job. Touch is a powerful tool. It can be soothing and relieve anxiety. It can be pleasurable or painful. Touch can indicate direction depending on how it is used. We begin with imprinting, or touching of the foal all over its body, but this is not the beginning and end of imprinting. Imprinting sets the stage for the kind of interaction you and your equine will have during your entire life together and can often bridge a gap of misunderstanding when the other two languages are not working. Never was this more apparent to me than just recently!
Little Jack Horner had gone through my entire training series right along with my mules and had learned everything that I taught them. He may not have made it to Fourth Level Dressage, but he made it to Second Level Dressage with gait lengthening and lateral work. He overcame his “donkey” behaviors and gave a phenomenal performance, jumping four feet in exhibition at Bishop Mule Days. His Reining was accurate though somewhat limited by his donkey conformation. Still, he could always elicit a supportive laugh and a wide grin! He competed successfully at dressage driving shows and won world championships in driving at Bishop Mule Days.
Little Jack Horner was to star yet again in the making of my biography, our latest Those Magnificent Mules documentary project. I doubt that I had driven Little Jack Horner in fifteen years. In fact, since he turned twenty, he had not done much but take part in more sedate roles in our TV shows and videos with an occasional bareback ride around the ranch. At 30 years old, I wasn’t really sure how he would react to being hitched to the Meadowbrook cart again after so many years, so I thought I had better do a dress rehearsal.
During the dress rehearsal, I discovered that Little Jack Horner didn’t know what to do once I put on the harness. He was tied in the tack barn and when I tried to ground drive him forward, he just backed up until he was out of the building, then he went forward to the hitching area. I was rather puzzled. Still, I went ahead and hitched him to the cart and we stood there for some photos before I backed him from the hitch rail. I verbally asked him to go forward…nothing. I did not have my driving whip with me, so I used the end of the reins on his fanny to move him forward which he then did, but kept going straight until he ran into the fence and stopped.
I thought this was very strange, so I asked my ranch manager to get my driving whip. With the whip in hand, I began to talk to him with the whip. A simple tap to the side and he turned from the fence. Another tap in the middle of his spine sent him smartly forward at an animated walk. Another tap to the other side turned him the other way and we were soon doing figure eights, stopping, backing and driving as if there was never a problem at all. During the film shoot, he did all these things and even offered several hundred feet of trot before he was too tired to continue.
It was during this experience that I realized that Little Jack Horner had become deaf and could not hear one word of what I was saying, even when I was yelling. I was sitting in the Meadowbrook cart, he had blinders on his harness bridle and could not see me, so verbal language and body language were of no help to him at all. Lucky for us, we still had the “touch” language that we had developed between us and we thoroughly enjoyed the experience of driving yet again.
It is evident to me that every detail that I had taken the time to learn in our 30-plus years together culminated in the results I see now with all of my equines. We have learned so much about each other! Now that we are all a lot older, a lot slower and a lot less coordinated, we are still afforded the luxury to continue to learn and grow together in a safe and enjoyable way. It doesn’t get any better than this!
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
Meredith shares her expertise in breeding jacks to horse mares and jennets, selecting the premiere jack for your mule foal, selecting good quality mares for producing excellent mule babies, what to expect, how it all comes together.
A donkey jack can be your best friend or your worst enemy! Because he is a donkey, he possesses all the wonderful characteristics particular to donkeys—intelligence, strength, easy maintenance, suitability for many equine sports and, probably most important, an innate affectionate attitude. You must, however, realize that he is still an intact male, often governed by the hormones in his body. When nature takes over, the jack’s conscious thought is greatly diminished and he can become quite hazardous to your health. The jack’s aggressiveness is often masked by his sedate and affectionate attitude, but it can arise in a split second and do more damage than even a stallion. Usually, there is an awkwardness, or indecisiveness, in an agitated stallion that will allow you time to get out of the way, but the jack reacts strongly, swiftly and right on target, allowing you little or no time for retreat. By keeping a few simple things in mind, you can greatly reduce your chances of injury when handling jacks.
First, try to keep your jack in a comfortable atmosphere. Jacks can be great worriers, particularly about their mares and jennets. Ideally, you should keep the jack well out of sight and smell of the females, but this is not always practical. If he must be near females, make sure your jack has a roomy area, free of refuse and debris, and adequately fenced. The fences should be high enough to discourage his leaning over the top and strong enough to bear his weight on impact. Also, they must be constructed so that there are no protrusions that could cause him injury. If females (or other animals) are present, the jack may run back and forth along the fence and catch his head on anything that is protruding. Hot wires along the inside of a weaker fence will often serve this purpose. However, a hot wire used alone is not sufficient. If your jack becomes frightened, he could run through an electric wire before he even knows that it is there. Giving him a clean, comfortable area where his limits are clearly defined will help him to be a calmer and more manageable animal.
Always make sure your jack’s pen is cleaned daily and that he has free access to clean water, a trace mineral salt block and good grass hay. If he gains too much weight with free choice grass hay, then simply limit his intake to two flakes at each feeding in the morning and evening. He can have a limited amount of oats during one feeding a day (preferably in the evenings), mixed with an appropriate vitamin supplement such as Sho Glo, and one ounce of Mazola corn oil (I suggest this particular brand—other brands of corn oils are not the same) for management of his coat, his feet and his digestive tract regularity. During feeding times, you should check him from top to bottom for any new changes to his body like cuts, bruises, lameness, etc. This is also a good way to reinforce his acceptance of being handled all over and to solidify your relationship with him. This consistent management practice paves the way for good manners in the jack, because he then knows with no uncertainty that you are a true friend and really do care about his well-being.
Many people opt to keep jacks in solitude, but this is not really good for them. Being a natural herd animal, they need social interaction. When they don’t have company nearby, jacks can become depressed (donkeys have actually been known to die from depression—they can stop eating and simply give up). To remedy this, jacks can be pastured or penned next to other animals, as long as the fencing is adequate between them. Of course, you also need to take into consideration the personality types of the animals involved, as well as being careful to make sure they are compatible. This can fulfill their need for companionship and keep them happy in confinement. As long as there are no cycling horse or donkey females around, jacks can be pastured next to mules of both genders. I had my own jack, Little Jack Horner, penned next to our teaser stallion for many years and they actually liked each other! We never had any trouble with them at all.
You can spend more time with your jack by using him for more than just breeding. Animals, like people, always do better when they have a regular job to do that affords them some purpose in life beyond propagation. Some sort of job will give your jack an alternative purpose, which can help to diffuse his obsession with the female. It will also attend to the strength of his core muscles that surround the skeletal system and vital organs and teach him self-discipline. And it affords more time for you to develop your relationship with him, have fun together and to deepen the bond between you, which helps the jack to develop a healthy mental attitude. There are many jack owners who use their jacks for riding and driving, as well as for breeding. This is an excellent and actually the best plan, but if you lack the time or inclination to use your jack this way and wish to use him exclusively for breeding, you should still take some time—at least two or three days a week—to work on halter training and groundwork, such as ground driving, for manageability. Teach your jack to walk, trot, whoa and stand still on the lead. During these sessions, keep a positive and relaxed attitude, with more emphasis on your rapport with him than on his performance. Be his friend so he has something to look forward to besides females and breeding, and he will have a much better attitude overall.
When he is flawless with his leading training, you can get him used to the bridle and a surcingle or lightweight saddle, and then move on to ground driving. Lunging is not as important, since most donkeys do not like to lunge. I suppose they don’t see much purpose in going around in a circle more than once to come back to the same place over and over again. Taking the time to properly train your donkey jack at halter and in the drivelines will enhance his obedience, and will make him more comfortable and relaxed. During the breeding process, it can even speed up his readiness.
When using your jack for breeding, develop a routine that he can count on every time. When you go to the stall or pen to catch the jack, wait for him to come to you at the gate or stall door, and then reward him with oats when he comes to you. Then put on the halter, ask him to take one step backwards, and then reward him again (which is very important to prevent him from running over you and barging through the gate or out the door). If you are going to breed him, the mare should first be prepared. Next, once you are both out the door, ask him to whoa and square up all four feet. Then you can lead him to the breeding area, where you can then tie him to the hitch rail a little ways away from the waiting mare. By being consistent in your manner of going from the stall to the breeding area, the jack will learn not to be pushy and aggressive toward you.
When in the breeding area, your jack must be taught patience and obedience. If the mare is left to stand just out of reach until he is ready to breed, he may consider this a tease and may become anxious and unruly. To clarify your intentions to him, you can take the cloth you used to clean the mare and place it over the hitch rail near your jack’s nose. This way, he can get a good, strong scent of the mare, which will more quickly ready him for breeding and substantially decrease his anxiety time. If he is an indifferent jack, this can actually increase his interest in the female and, in turn, shorten the actual breeding process time. The fact that you brought him the scent allows the jack to believe that it is your decision when to breed and not his and that he must remain obedient. Let him cover the mare only when he is fully ready and make him walk to her in a gentlemanly fashion. If he becomes too aggressive and starts to drag you just return him to his place on the hitch rail, hold him there for a minute, reward him when he stands still and then re-approach the mare.
Just to be on the safe side with your jack while breeding, use either a muzzle or a dropped noseband (snugly fit low on his nose)—this will prevent biting injuries to you or to the mare. When he is finished, make him stand quietly behind the mare while you rinse him off. Allow him that last sniff to the mare’s behind, and then take him back to his stall (or pen), ask him to stand still while you remove the halter and then let him go. That last sniff appears to be an assertion of his act and of his manhood. If you try to lead him away before he sniffs, he might not come with you and he might become even more aggressive toward the mare. Remember to do things with your jack in a routine way, and always with safety in mind—this will allow him to relax and use the manners he has learned. NOTE: Women who are menstruating should never handle jacks or stallions during that particular time, since the scent can trigger aggressive and dangerous behaviors in these animals.
When you are around a jack, you must always be alert and know what he is doing at all times. A jack can be the most adorable, loveable, obedient guy in the world, but you must realize that his natural instincts can arise at any time and, although he may not do it intentionally, he can severely hurt you just the same. And when observing a jack from the other side of the fence, always remember that he can come over the top of that fence, teeth bared, so don’t ever turn your back to him or become complacent around him!
Lastly, when putting on or taking off any of his headgear, watch your fingers—when a jack knows the bit is coming, he often opens his jaws to meet it (with anticipation of the bit on a bridle), and your fingers can easily get in the way. Rather than a standard lead rope, it is advisable to use a lead shank with stallions and jacks for the best control. However, I discourage running the chain of a lead shank either through the mouth or over the nose. The correct position for a lead shank is under the jaw. Run the end of the chain through the ring on the near side of the halter noseband, then under the jaw, then through the ring on the opposite side of the noseband, and then clip it to the ring at the throatlatch on the right side of his face. This gives you enough leverage to control him without the halter twisting on his face. If you have spent plenty of time and done your homework during his leading lessons, your jack will learn to be obedient on the lead shank, even during breeding.
Retired jacks still need regular attention and proper maintenance to stay healthy into their senior years. Donkeys that do not receive good core muscle maintenance throughout their lives will often begin to sag drastically in the spine as they age. Their gait then becomes stilted, because their balance and strength are severely compromised. They can no longer track properly while moving or square up correctly when at rest. This can lead to irregular calcification in the joints, depression because they don’t feel well and premature health problems. On the other hand, the jack who has had a consistent and healthy management and training routine will enjoy longevity. If you keep these basic management and safety factors in mind, you and your jack can have a long, happy and mutually rewarding relationship!
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, VIDEOS #9 & #10 and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
In the final part of this article, the ins and outs of riding precautions and safety will be pinpointed, along with many other crucial details and tips that will help you become not only a better rider, but a better, more understanding equine owner.
As previously discussed, it is human nature to want to just get in the saddle and ride and do all of the glamorous, exciting things with a newly purchased equine that we see others do. The good riders make riding look so easy, and there’s a reason for that—they’re good equine owners. They make sure that their equine is comfortable in what he is learning, they painstakingly go through the training processes for as long as it takes, and caution, safety and courtesy are always top priorities.
Here is a checklist to go through each time BEFORE you ride:
When you mount your equine, do it in an open area away from buildings, fences and other animals.
Mount with deliberate grace and don’t just plop yourself onto his back.
After riding, take the reins over your equine’s head, always being careful to clear his ears.
Run up your stirrup irons on English saddles when you dismount.
If your equine is energetic, lunge him before riding.
Know the proper use of spurs and crops and don’t use them until you’re sure that you really need them.
Keep small animals under control around your equine.
Wear protective gear when riding and if you ride at night make sure to have the proper reflectors and keep to the walk.
Never ride off until ALL riders are mounted and, when mounted, never rush past other equines. If you need to pass, keep it to the walk.
When riding in a group in an open area, you can ride abreast, but when you are riding single file, always keep an equine’s-length between you and the animal ahead of you.
While riding, maintain a secure seat and stay in control of your equine at all times.
Don’t ride in the open until you are familiar with the equine you are riding.
If your equine becomes frightened, use your voice first to try to calm him. If necessary, dismount and politely introduce him to whatever is spooking him. When he calms down, you can remount.
When riding, always watch for small children and animals.
Hold your equine to a walk going up and down inclines, and NEVER fool around while riding.
(NOTE: I don’t recommend riding along paved roads at all these days. Although you and your equine may be in control, motorists don’t always pay attention while they are driving—which can lead to disaster.)
If you must ride along a road:
Do not ride bareback, use good judgment, ride single file and ALWAYS use a bridle.
If there are two or more riders, be sure to maintain sufficient space between equines.
Avoid heavy traffic, but if you must be in heavy traffic, dismount and lead your animal.
When riding on the shoulder of a road, remain alert for debris.
Always obey ALL traffic laws and ride with the traffic, not against it.
When trail riding, here are some important tips to remember:
If you are an unskilled equestrian, be sure you are riding an equine that is well trained.
Do not engage in practical jokes or horseplay along the trail.
Stay alert and think ahead while you ride, and avoid dangerous situations whenever possible.
Be courteous when riding on a trail. If you meet someone on a narrow incline and cannot pass safely, the one who is coming down the trail should back up the trail to a wider spot when possible.
Ride a balanced seat and don’t just let your equine wander along or graze while on the trail.
If you ride alone, tell someone where you will be and bring a cell phone in your pocket—but ALWAYS keep it turned off while riding your equine—any cell phone noise could easily frighten him, possibly causing a major disaster.
If you are going for an overnight ride, bring a halter and lead, hobbles, clean saddle blankets, horseshoe nails and matches, and make sure your equipment is all in good repair.
Don’t offer water to your equine while he is hot and sweaty. Let him cool down first and then offer a few sips of water at a time.
Always tie your equine in a safe place, using a halter and lead rope tied in a safety knot.
Be very careful with cigarettes, matches and fires.
Get to know the terrain ahead of time and bring maps with you.
Know the laws, rules and fire regulations on government trails.
Be sure your equine is in proper condition for the ride and is adequately trimmed or shod.
Use extreme caution in wet or boggy areas and always ride at the safest gait.
Avoid overhanging tree limbs and be sure to warn other riders behind you about any upcoming obstacles on the trail.
Good habits are built through repetition and reward with regard to consideration for your equine. Eventually, the good habits that are being taught will become the normal way that your animal will move and react to you and to his environment. The details outlined in this article can help contribute to the behavior shaping of your animal, which will determine, as he ages, how willing and obedient he will be in all situations.
Owning an equine is serious business! It is as serious as raising children. With the increase of the human population, there are a lot of metropolitan ideas and products being sold with incredibly creative marketing techniques, but choosing which ones are actually beneficial and not just a sales pitch can often be quite daunting and the wrong choice could get you in trouble with your equine. What kinds of feed work best? Does your equine need supplements or does he do better on a more basic nutrient approach? Has your veterinarian done a baseline test on your equine to determine what supplements are needed if any? What should you use for rewards? What training techniques work best? It is best to consult with rural equine professionals and people who have actually successfully worked with equines during their lives to help you make these determinations. Knowing the right things to do with your equine may seem confusing, but it is really only a matter of learning the “rules of the road.” You would need to do the same in order to be able to drive and properly maintain a car. Once you have learned the routine, it’s easy. Even with all the new and improved ways of doing things, one thing always rings true…KISS…keep it super simple!
It’s so important to have as much knowledge, information and trusted advice as you can get, so that you can make sound, informed choices for both you and your equine partner. Take things slowly and in small steps that you both can easily manage—then you will reach your goals because you’ve developed a firm foundation. When you do your homework up-front, there’s nothing to be afraid of and you’ll be graced with years of unconditional love and pleasure from your equine friend and companion.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
There has been a lot of discussion since the early nineties around using donkeys for small livestock protection and predator control. Donkeys can certainly be a formidable opponent for cats and dogs and other smaller animals. One needs to be careful about who the donkey is pastured with since it is in their nature to pursue and sometimes kill animals that are smaller and weaker than them. This is true in all donkeys, although some individual females tend to be more maternal and are not apt to go after smaller livestock. The males will always be more aggressive than the females and do not make good guardians for smaller livestock.
The other thing to consider is whether or not they have been raised with the livestock they are expected to guard. When raised with the other livestock, they will feel more a part of that “family” and are less likely to do them harm. A donkey that is going to be expected to guard livestock, but was not raised with them, should be carefully introduced to them “over the fence” for several weeks. Then if all seems to go well, you can introduce them in the same pen and watch for any signs of aggression. If there are signs of aggression after a few weeks of being separated, then they probably will never really get along. You must remember that a donkey is NOT a predator, nor a prey animal that will necessarily get along with other livestock. Donkeys prefer to be in a herd with other donkeys. They do not like being alone either. Donkeys have a strong sense of “family” and prefer to be with their own kind. When forced to be with other species, they will blend, but grudgingly.
There are three basic sizes of donkeys: Miniatures, Standard Donkeys and Mammoths. Our American donkeys are further identified by their height when being described rather than specific breeds. This is because they are so interbred from being turned loose during the time of the Spanish explorers. There are no real purebred donkeys in America other than the descendants of the original Andalusian donkeys that were bred from George Washington’s stock at Mt. Vernon. One must go to Europe to see the original BREEDS of donkeys. American donkeys are identified as: Miniature Donkeys (36” & under), Small Standard Donkeys (36.01” to 42”), Standard Donkeys (42.01” to 48”), Large Standard Donkeys (48.01” to 56”) and Mammoth Donkeys (Males 56” & over; Females 54” & over).
Miniature donkeys are not suitable guardians for livestock at all. They are too small and can fall victim to predators themselves. They simply cannot defend themselves. Standard donkey jennets are the most sought after for predator control, however, keep in mind that they are PREY animals and can fall victim to predators that are fairly large, or predators that run in packs. Mammoth donkeys are simply too slow to react. They lack the quickness and athleticism that it takes to combat a predator. Donkeys will never be able to guard against such predators as bears and mountain lions.
Good ranch dogs that are bred for guarding sheep and other livestock are a much better choice for guardianship. They are quick, clever and always on the alert. Their barking can alert the farmer as well. They can even move the livestock to a safer location on their own and will often chase off a predator pretty easily with their confusing way of attacking.
As with all livestock, donkeys need to be provided with adequate shelter from the elements, whether heat or cold, must be provided trace mineral salt blocks and clean, fresh water. Their time on pasture will need to be monitored for optimum health which will often clash with the grazing needs of sheep, goats and other smaller livestock. Donkeys are desert animals and really easy keepers. It is not uncommon when they colic or founder on too much, or too rich, grass. They cannot be on pasture 24/7.
Donkeys will need regular trims and must therefore, be reasonably trained. They will require vaccinations twice a year and regular worming. If they are not trained to accept these things, most veterinarians and farriers will be averse to handling them until they are. It takes time and patience to gain the trust of your donkey before you can actually consider him trained.
I have found it better to be smart about livestock control and not make it so easy for the predators. As I said, guard dogs bred for herd management are a much better choice.
“Some of the most important roles of sheep and cattle herding dogs, and herding dogs in general are:
Protecting the herd from predators
Keep the animals grouped together
Help with moving the herd
Keeping the herd within a perimeter
Best sheep herding dog breeds are:
Border Collies
While they might not be the best apartment dogs, border collies are one of the best sheep herding dogs.
The border collie is a medium-sized herding dog breed originated in the Anglo-Scottish border of Northumberland, bred for herding livestock, particularly sheep.
Border collies normally reach a weigh between 30 and 55 pounds once they are fully grown. Their high energy level, along with their intellect, devotion, and loyalty to their owners, propels border collies to the top of the best herding dogs.
German Shepherds
This breed was originally produced for herding sheep, but because of their intelligence, docility, strength, and trainability, they were later introduced to many other jobs. At present, German shepherds are utilized as police dogs, in search and rescue activities, as service dogs in assisting people with disabilities, and more.Because German shepherds have been used since their origins as sheep herding dogs, we can say that they have this activity in their DNA, therefore, making them excellent for grazing sheep and cattle.
Australian Shepherds
Australian Shepherds (also known as Aussie), despite its controversial name, are a dog breed with origins in the United States and not Australia as many people believe.
The reason this dog breed originally appeared is to help farmers and ranchers herding their livestock. They did their job extremely well ever since.
Belgian Sheepdogs
Belgian sheepdog is a medium-sized herding dog with origins in Belgium. This breed is also known as Belgian shepherd or Chien de Berger Belge.
The members of this breed can be further classified into four separate varieties based on coat type and color:
Groenendael
Laekenois
Malinois
Tervuren
Like any shepherd breeds, the Belgian sheepdog was and is still used in herding sheep, cows, and other livestock. That’s because they are highly intelligent, agile, high energy level, and other qualities that a good herding dog should have.
Shetland Sheepdogs
The quality that most highlights the Shetland sheepdogs is their tremendous loyalty and a very strong bond with the family. Hence, making this breed a very good choice for an affectionate family dog.
Old English Sheepdogs
Old English sheepdog (also commonly known as shepherd’s dog or bob-tailed sheep dog) is one of England’s oldest sheep herding dogs.
They are massive, muscular dogs with a strong bone structure. Their bodies are covered by dense fur that helps them to quickly adapt to the cold mountain areas.
Welsh Sheepdogs
Welsh sheepdog is a herding dog breed from Wales, United Kingdom.
This breed can have either a short or long coat, which enables them to also withstand cold climates. Besides, they have longer and stronger legs than border collies, which enables them to easily accommodate almost any terrain.
Miniature American Shepherds
Miniature American shepherds were traditionally used for herding smaller stock such as goats and sheep, but are nowadays very popular house pets and very frequently in canine competitions of agility, intelligence, and skills.
Rough Collies
One of the most famous rough collies was Lassie, the canine character loved by everyone in the TV series with the same name.
Rough collie (also known as long-haired collie) is a medium to large size dog breed with a short or beautiful long coat, that has its origins in Scotland, United Kingdom.
Based on the coat type, there are two distinct variations of this breed:
Rough-coat collies
Smooth-coat collies
Even though today we can mostly see these pups in dog shows and canine beauty contests, rough collies were incipiently utilized for herding sheep in various regions of the UK.
Bearded Collies
Bearded collie (also known as beardie) is a breed of dogs with roots in Scotland. Because of their long, double-coated fur, people often confused them with old English sheepdogs.
They gained the nickname of “bouncing beardies” due to their unique way of facing stubborn ewes, through barking and bouncing on their forelegs.” (1)
One should NEVER use mules as a guardian as they WILL be dangerous to smaller livestock and other smaller or weaker animals, even older mules! However, I have discovered that when my mules are pastured next to the smaller animals, predators give them a wide berth and thus, skirt the pens where the smaller animals are kept.
Since miniature donkeys and mules are always at risk, I add another element of safety for them by lining their pens with metal grating over the stock panels. Then, everyone is also brought in every night and turned out for a limited amount of time during the day. This gives me the opportunity to monitor their diet, check for injuries twice a day and keep them safe overnight. All my equines are taught to come in from turnout upon request. They know there is always a crimped oats reward awaiting them.
Wooden barns and wire fences can be easily torn down by larger predators. So over the years, I slowly replaced all of my wood barns and wire fences with metal barns, steel panels and vinyl fencing with hot wires on the top. I also run hotwires on the bottom of the vinyl fencing in areas where animals are likely to come through by climbing underneath. The way my barns and pens are laid out, the mule and large donkey pens surround the miniatures’ housing accommodations. It is not uncommon to see large “cats,” bears, coyotes and other predators in the foothills of Colorado where I live. It is even getting worse as more developments are built in the mountains and drive these predators off the mountains in the wintertime.
In summary, I do not recommend using donkeys as guardian animals. We need to remember that they are PREY animals themselves and can be grossly injured in any altercations with a predator. I think there are better choices for livestock guard animals and setting up the environment in which your livestock (donkeys included) is kept. These two considerations will promote the health and welfare of your livestock, and cost you a whole lot less in the long run!
Taken from “10 Best Sheep Herding Dog Breeds” October 31, 2020 at PetBlog.org/sheep herding dogs
You have introduced your donkey to some lateral techniques both in the arena and over obstacles, and you are perhaps discovering that he is a lot better at some things than he is at others. You might find that he quits trying and goes through the bridle, going straight instead of laterally. You must understand that lateral work is very taxing for your donkey’s muscles and will tire him quickly. When he gets tired, he will “run through the bridle” and refuse to move laterally. This will usually happen at the trot, but rarely at the walk. If you find your donkey behaving in this manner, it is best to go to walk and perform only one correct lateral move, then end the lesson there and resume it on another day when he is rested. Lateral work should really be done only once or twice a week at most. There should be at least three days between lateral sessions.
This lesson will teach you some lateral exercises under saddle that will help your donkey be more responsive laterally. Up to this point, we have been schooling what is called leg yields, or lateral moves, on an angled track. We have begun movements to introduce the side-pass, which is a lateral move, only straight sideways. This is even more difficult for your donkey than the leg yields, since it requires a higher degree of crossing over from his legs. You may have found difficulty in negotiating the side-pass obstacles previously mentioned. First, check to make sure that the placement of your side-pass rail near the fence is correct. It should be about three quarters of your donkey’s length from the fence and lay parallel to the fence so that when he stands with his nose six inches from the fence, the ground rail lies directly under the middle of his barrel, equal distance from the front and rear legs. When you lay out the “T” poles, there must be room for him to swing his shoulders or haunches around to the next pole without touching them. If these steps are done correctly, it should minimize any problems. While ground-driving your donkey, your assistant can help steady him from the front. After some repetition, he should begin to comply easily.
In the beginning, when riding your donkey over these obstacles, your assistant can help to “show” your donkey what is expected, but then you are on your own. Using the next four exercises will help to clarify lateral moves to your donkey and make them easier for him to negotiate.
Begin on the rail and spiral down to a smaller circle in three revolutions. Then leg-yield back to the larger circle. The first you will do is the spiral, as described before, with just a few modifications. Begin at the trot on a large circle and spiral down gradually to a smaller circle. When your donkey is losing momentum, slow to the walk and spiral down to the smallest circle he is able to do. Keep him walking and begin to spiral back out, using your reins and legs to move him more sideways back onto the larger circle. Use your crop at his shoulder and hip to encourage him to move more sideways at the walk. Do it this way a few times. Once he understands what is expected, you can pick up the trot as the circle becomes larger and yield at the trot to the largest circle. Each time he finishes the cycle, remember to reward him for his efforts. When he is performing well at the walk and trot, we can vary this pattern just a little more. Ask him to canter the larger circle while you begin to spiral down. At about the halfway point, ask him to slow to trot and finish the spiral as small as he can manage at the trot; then start spiraling back out to the larger circle. At the halfway point, pick up the canter and finish onto the largest circle. You can ask him to move laterally at the canter by cueing him as he is in suspension. In others words, when his front legs are out in front, he is on the ground and you would give the release on your reins and legs; when his front legs come back toward you, he is in suspension and you would pull back on the reins and squeeze with your legs. To get the sideways movement, you would pull back ever so slightly harder on the rein in the direction of travel, while maintaining the bend with a steady inside rein. This movement requires timing and coordination and will take a lot of practice, so don’t get discouraged. Just keep trying and you will soon get the right results.
The next exercise is to side-pass the donkey along the fence line. This is just like the ground pole by the fence, only without the pole. Walk along the rail and, as you come out of the corner on the short side, put your donkey at a 45-degree angle to the rail with a partial turn on the forehand. Then ask him to maintain the angle all the way down the long side of the arena. Bend him away from the direction of travel. Keep the inside rein slightly shorter and steady, while giving tugs and releases on the outside rein and kicking him behind the girth on the inside. If he moves his shoulders and not his haunches, hold the front steady, move your leg way back on the inside and kick again, asking him to move his haunches over. Then he will probably move his haunches and not his shoulders, at which point you can keep the haunches steady by locking them between your two legs, well back behind the girth. Then you can move his front quarters sideways by holding the inside rein steady and shorter, pulling and releasing the outside rein in the direction of travel, while tapping him on the inside shoulder with the crop to encourage the movement. In the beginning, you may find yourself going down the rail first haunches, then shoulders, then haunches and so on, but if your persist, he will eventually get it. You need to be alert to when he does respond correctly and lighten your cues so he knows he is performing correctly. And of course, reward him often to let him know that he has done it correctly. Nothing works better than positive reinforcement!
The next exercise is to leg-yield your donkey from the corner of the arena to the center of the hourglass pattern. Do it just as you practiced it before—make a circle at the second cone and stop him, move his hindquarters parallel to the rail, then ask him to move sideways and forward to the center gate cones. When you arrive at the cone gate, straighten him, walk forward a couple of steps, then finish that side of the hourglass in a straight walk, then trot as he becomes more proficient. When you have completed half of the hourglass, you can go on to the next second cone on the short side of the arena and repeat the exercise. Just remember to stop and reward him for each half of the hourglass. As he learns, you can go longer between rewards. In the next exercise, you will go through the hourglass as usual, but when you reach the cone gates, you will circle around towards the rail, stop at the cone gates, move his hindquarters over and yield from center to corner. When he reaches the corner the first few times, stop and reward him then continue around to the center from the other side and repeat. As before, reward him for each completed move in the beginning. As he gets better, you can start rewarding him less often after completed successions. Always begin by walking until there are absolutely no problems, then he is ready for these exercises at the trot. Any time the trot goes awry, go back and school at the walk again. If he gets too strong with you, you may have to ask him to back a few steps before proceeding. Just make sure that if you ask him to back, you do it slowly, kindly and meticulously.
These exercises should help to improve your donkey’s negotiation of all kinds of different lateral movements and will greatly improve his side-passing ability. But remember, always take things slowly and build one thing upon another. Don’t do anything any faster than you can do it right. You are not only negotiating movements and obstacles; you are also conditioning your donkey’s muscles and tendons to perform properly and strengthening them while in motion. So you’d better do it correctly, or you could cause extreme soreness, crookedness and other side effects that will inhibit his performance and affect his overall health. Be kind to your donkey and he will reciprocate!
Does the Lucky Three Ranch participate in filming? Since my parents gave me a Brownie camera when I was five years old, I have been fascinated with taking pictures. They also gave me a diary after I learned to write. When I got older and began my interaction and training with mules in 1973, I always documented those interactions with my mules and donkeys in pursuit of learning the best way to manage and train them. I wanted to give them the best opportunity to exceed people’s expectations of them and dispel the old rumors. I kept diaries, wrote articles for international equestrian magazines from 1982 to present day, took photographs and video of every lesson, clinic and show to document their progress. I consolidated a group of articles in 1993 and published my first hardbound book, TRAINING MULES AND DONKEYS: A LOGICAL APPROACH TO LONGEARS.
I worked with three different production companies from 1997-2017 producing my 10-tape video series (first in VHS and later upgraded to DVDs). By 2009, I had published two more hardbound books, A GUIDE TO RAISING & SHOWING MULES and DONKEY TRAINING, and another manual, EQUUS REVISITED with a matching DVD.
From 2005-2007, I published five hardbound children’s books for a series for kids followed with corresponding DVDs and a coloring book. At the same time we did a lot of video short pieces such as TEACH YOUR MULES AMAZING THINGS and began the TRAINING TIPS series (67 TIPS).
By 2017, I decided that the production companies were not doing justice to my brand considering their exorbitant costs. So, Lucky Three Productions, L.L.C. was born when my crew decided that we could probably do everything they were doing and could probably do it better…and we DID! We do EVERYTHING with two guys and three girls at the ranch working remotely with our graphics artist, two videographers, our JASPER Mascot & Social Media/Website person. Since then, we have flourished and produced eight documentaries, a total of 126 TRAINING TIPS, 31 LONGEARS MUSIC videos, 195 MULE CROSSINGarticles and 4 LONGEARS DIARY series that are all posted under TRAINING on my website at luckythreeranch.com . There is much more educational and fun LONGEARS things and biographical information to peruse.
Instead of making every new project a singular production, and shooting for that only, we shoot photos and video of everything we do every day, keep diaries, log everything and then use the materials for multiple projects going forward, shortens the time need to do the various projects because there is very little shooting pieces that we need and significantly lowers the cost of production. This expands the use of everything we do from articles, to training tips, to advertising, to social media to new video projects and anything else we might dream up. If you can dream it, you can do it! You just need to learn how to be super-organized and efficient about the way that you work…and still continue the training with the equines as needed to add to our intellectual property library. As we all age and the ranch work changes, there are always new things to shoot and film.
How do you select the animal(s) for the scenes? By temperament and disposition. All my equines are able to do whatever I ask for the filming that we do and for the people that will ride them. Ours is a complete training and exercise program that builds up their core balance and strength at the skeletal level for ultimate performance, and instills confidence & ability.
When working with the Longears, we do not set up the filming to get the perfect shots. We actually do everything at the time the equines are learning so people will know what to expect. This kind of training takes time and precision in communication with the animals to produce the results one would need for getting them to do anything and everything perfectly. And, it is a never-ending process! All the filming and documentation we do is to undeniably validate the integrity and quality of our management and training program. With this kind of foundation, the Longears training is impeccable and they are ready, willing and able for photos and filming.
Training Mules & Donkeys is our brand and we now have our own production company, Lucky Three Productions, L.L.C., and self-published…
31 – Meredith Hodges Training Mules and Donkeys TV Shows – on RFD TV for 11 years
3 – Hardbound Training Books:
1)Training Mules & Donkeys: A Logical Approach to Training
2) A Guide to Raising & Showing Mules
3) Donkey Trainin
3 – Softbound Training Manuals (Produced in English, French, German & Spanish
1) Training Without Resistance (Corresponds with Videos #1 through #7)
2) Equine Management & Donkey Training (Corresponds with Videos #8 – #10)
3) Equus Revisited (Critique of Natural Horsemanship Principles)
– The Equine’s Skeletal Structure – Developing Your Hands
– The Equine’s Skull – Choosing the Right Bit
– How to Make the Elbow Pull – The Elbow Pull for Good Posture
– Multiple Uses of the Elbow Pull – Building Coordination through Obstacles
– Obstacles under Saddle
11 – Training Videos that correspond with the manuals listed above
Foal Training – Preparing for Performance: Driving
Preparing for Performance: Groundwork
– Basic Foundation for Saddle – Intermediate Saddle Training
Advanced Saddle Training – Jumping
– Management, Fitting and Grooming – Donkey Training: Introduction and Basic Training
– Donkey Training: Saddle Training and Jumping
– Equus Revisited
Give Your Equine the Athletic Edge (VOD)
Teach Your Mules Amazing Things (Video Shorts)
Housekeeping
Chess Game– Classroom
Magic Show – Paratroopers
Trampoline
Documentaries:
1) Lucky Three Ranch & the Road to Bishop 6) Making of the Jasper Carousel
2) The Bishop All-Stars 7) Lucky Three Hay Production
3) The Bishop Experience
4) Walk On: Exploring Therapeutic Riding
5) Rock and Roll: Diary of a Rescue
Jasper the Mule Children’s Series
1) Jasper: The Story of a Mule (Book, Video & VOD)
2) Jasper: A Christmas Caper (Book, Video & VOD)
3) Jasper: A Precious Valentine (Book, Video & VOD)
4) Jasper: A Fabulous Fourth (Book, Video & VOD)
5) Jasper: A Turkey Tale (Book, Video & VOD)
6) Jasper: An April Mule’s Day (Book)
7) Jasper Goes to Bishop (Coloring Book, Video & VOD)
My lifetime mission has always been to prove that mules could do everything that horses could do in all kinds of recreational equestrian disciplines to further their use in modern America. As I learned more about Longears’ personalities and abilities, I began to develop my own unique training program, utilizing my observations and my background in Behavior Modification. Over the next ten years, guided by the resistance-free training techniques of Richard Shrake and merging the knowledge of many other trainers from multiple equestrian disciplines (such as Major Anders Lindgren of the Swedish Olympic Team in Dressage, Rick Noffsinger in Driving, Bruce Davidson, Denny Emerson and Jim Graham of the US Olympic Team in Combined Training, Steve Schwartzenberger and Al Dunning in Reining and some of the very best Western trainers like Tom Dorrance, Ray Hunt, Buck Branaman, John Lyons, Pat Parelli and Clinton Anderson) I used only the very best theories and techniques they had to offer. I combined them into a comprehensive management and training program that I called Training Mules and Donkeys.
My evolving techniques proved successful in showing my animals in both Horse and Mule Shows. In 1984 Lucky Three Sundowner became the World Champion Bridle Reined Mule at Bishop Mule Days in Bishop, California. He then became the World Champion 3rd level Dressage Mule in 1992, and again in 1993, while working at home at 4th Level Dressage.
During the 1970s and early 1980s, most competitive equestrian events were closed to mules and donkeys. In 1986 I lobbied the United States Dressage Federation (U.S.D.F.) Convention, wrote campaign letters, and held forums and discussions with various breed organizations in an effort to change the U.S.D.F. rules to include mules and donkeys in competition. Mules were eventually limited to schooling shows only, and not allowed at the upper levels in the U.S.D.F. shows that were governed by the A.H.S.A. I diligently worked with other mule enthusiasts to get mules accepted by the A.H.S.A. On January 18, 2004, mules were finally accepted by the A.H.S.A., now called the United States Equestrian Federation (U.S.E.F.). The rule was approved with consideration. Mules were now accepted in the Dressage Division of the U.S.E.F.
In 1990 my Sire-Supreme jack donkey, Little Jack Horner, jumped four feet in exhibition at Bishop Mule Days, winning a Special Award and making him the only formal jumping donkey in the world.
HOLLYWOOD MULES & THEIR TRAINERS
The film titled Hollywood Horses focuses on the great Silver Screen Movie Horses from the old Hollywood movies, westerns, frontier epics, and the Trainers Cowboys, Wranglers and rental stables.
Information on Hollywood’s movie stable owner Fat Jones, and others including Glen Randall, Corky Randall, Tom Sweet, Ralph McCutcheon, Jack Lindell, Les Hilton, Kenny Lee, Denny Allen, Dave Richardson, and two women who ran a business together, Stevie Myers and Joan Edwards. Many have since passed away – and in several instances, their children, are running the remaining stables. Fat was in business until his death in 1963. Then it was sold to Dyke Johnson whom is NOT related to actor Ben Johnson. Ben also started out as a wrangler and was Fat’s son-in-law.
This is a tribute to the old horses and the popularity they enjoyed from the 1930’s to the 1960’s. The Californian local history of the San Fernando Valley where the rental stables were located and many films were shot. In the early days, before large trailers were used to haul the horses to their location, wranglers and cowboys would round them up herding them to the movie sets. The old western cattle driving technique met the modern world of motion picture making.
What attributes are desired in film animals? They must be manageable, but they will also need to have attributes that are complementary to their roles in the script.
How are the animals paid and who receives the payment? The animals are leased from various stables with their trainers that are in the business of making them available to Hollywood Producers. The stable receives payment for the loan of the animals.
Are there rules regarding how often the animal(s) get a break and for how long? The animals would be governed by each State’s animal advocacy groups like PETA, ASPCA, Humane Society, etc.
MULE AND DONKEY TRAINING FOR FILM
Donkeys and horses are frequently used over mules in films because they are easier to train for specific roles.
Mules are often found in the background of numerous films
Mules have specific likes and dislikes when it comes to people so actors with an “attitude” could have problems with them.
Horses frequently have more “starring” roles in films.
Rumors about Longears supersede the reality of their true character and skill.
Training horses for movie roles is a fascinating process that combines equine expertise, patience, and creativity, but much of the training used is “Old School.”
Here are some key steps involved that are used primarily with horses. They don’t always work well with mules the way they execute the training. You MUST train mules the way that horses SHOULD be trained. That is probably why the mules don’t seem to have very many leading roles.
Desensitization:
Horses need to become comfortable with unusual sights, sounds, and props they’ll encounter on set. Trainers gradually introduce them to things like cameras, lights, costumes, and loud noises.
Basic Obedience: Horses must respond to cues reliably. They learn commands like “walk,” “trot,” “canter,” and “stop.” Rein pressure, leg cues, and voice commands play a crucial role.
Stunt Training: For action scenes, horses learn to perform specific movements, such as rearing, bucking, or falling. Stunt doubles may handle these challenging sequences.
Trick Training: Horses can learn tricks like bowing, nodding, or lying down. These add flair to character interactions.
Mounted Actors: Horses must adapt to different actors’ riding styles. They practice working with specific performers to build trust and coordination.
Trail Exposure:
Movie sets often involve outdoor locations. Horses train on trails, bridges, and uneven terrain.
Crowd Scenes: Horses learn to remain calm amidst crowds, crew, and other animals.
Transportation Training: Loading onto trailers or standing still during transport scenes is essential.
Emotional Scenes: Horses can convey emotions. Trainers work on expressions like fear, curiosity, or relaxation.
Safety Measures: Trainers prioritize safety, using protective gear and ensuring horses are comfortable.
Remember, each horse has its own individual personality and learning pace. Patience, positive reinforcement, and understanding contribute to successful equine performances on the big screen!
People might be surprised at the number of films where you can find mules and donkeys. Mostly, they were used as “stand-ins,” but as time passed and the old rumors became diluted, they claimed their place in the film industry. Here are some of the more popular movies that were produced with Longears starring roles, but there are even more where they are shown in a positive light.
Any unusual moments on film that you would like to share?
When we were filming and doing the narration for Jasper: The Story of a Mule with Animator, Bill Melendez, our narrator, Lee Horsley and I went for a ride on my mules. He had a scar on his face, so I asked him about it. During a shoot, he was thrown to the ground when his horse tripped and fell. He was rushed to the hospital, treated for a broken nose and jaw, and then had to return to the set to finish his shoot right afterward. That was when I discovered how merciless Hollywood could be…it’s all about the money! I think Lee decided that day that he’d rather ride a mule!
LONGEARS MOVIES. Mules may not have played a lot of starring roles, but they have always been “Stand-ins” in the background of historic movies and hold a very special place in people’s hearts that know them. Rumors have it that mules and donkeys are stubborn and not a pleasant animal to ride. Their history actually proves otherwsie. They have an incredible sense of self-preservation and will not be forced to put themselves at risk. When treated with a polite attitude and the right approach, there is no better equine as a companion…they wil keep you SAFE if you are willing to listen to them!
OBJECTIVE BURMA! (Errol Flynn – Merrill’s Marauders – Parachute Mules into Burma 1945) Objective Burma is a gripping war drama film that was released in the year 1945. The movie stars the legendary actor Errol Flynn in the lead role, along with James Brown and William Prince. The film is directed by Raoul Walsh and is considered to be one of the best war movies of all time. The movie takes place during World War II in the year 1942. A group of American soldiers, led by Captain Nelson (Errol Flynn) are sent on a mission to destroy a Japanese radar station in Burma. The mission is considered to be one of the most dangerous military operations of the time and the soldiers have to face numerous obstacles along the way.
The film begins with the soldiers being dropped off by the Allied Forces near the Burmese border. They trek through the dense jungle, where they have to fight off various enemies and dangerous animals. Finally, they reach the location of the radar station and successfully destroy it.
However, things take a turn for the worse when a group of Japanese soldiers spot the Americans and decide to retaliate. In the ensuing battle, many of the American soldiers are killed or captured by the enemy forces. Captain Nelson, along with a handful of soldiers, manages to flee and seek refuge in the jungle.
The remaining soldiers are faced with the daunting task of trying to make their way back to their base, which is located hundreds of miles away. They have to navigate through the treacherous jungle, evade the enemy forces that are pursuing them, and survive without proper food and water.
As they journey deeper into the jungle, the soldiers come across a tribe of friendly Burmese people who agree to help them on their journey. Together, they face numerous challenges and obstacles, including hostile Japanese troops, natural disasters, and unpredictable terrain.
Throughout the movie, the soldiers are confronted with the brutal reality of war and are forced to rely on their training and instinct to survive. The performances of the lead actors, especially Errol Flynn, are remarkable and bring a sense of authenticity and credibility to the film.
In conclusion, Objective Burma is a timeless classic that captures the true essence of war. It showcases the bravery and courage of the soldiers who fought for their country, as well as the hardships and struggles they had to endure. The movie is a poignant reminder of the sacrifices made by those who fought in World War II, and it remains a must-watch for anyone interested in war movies.
MULE TRAIN (Gene Autry 1950) The film was released on February 22, 1950, by Columbia Pictures. Prospectors have discovered a natural cement mine that yields material of astonishing durability. But greedy contractor Sam Brady enjoys a monopoly on the transportation of crushed rock, which is being used to build a local dam. U.S. Marshal Gene Autry, however, discovers that Brady has used this method before, and his dams always burst shortly after construction, flooding entire towns. Despite Brady’s power, Autry campaigns to have the new dam made of cement.
FRANCIS THE TALKING MULE (Donald O’Connor 1950-56)
The book and film series focused on the exploits of Francis, an experienced Army mule, and Peter Stirling (played by Donald O’Connor), the young soldier whom he befriends. Francis then stays with Peter through civilian life and back in the military. In the original 1950 film, the mule identifies himself to the commanding general as “Francis…123rd Mule Detachment…[serial number] M52519.” With a plot device like the later series Mister Ed, Francis would usually talk only to Peter, thus causing problems for his nominal “master.”
As the titles indicated, each film had a different setting or gimmick, exposing the world-wise mule and the naive GI to race track excitement, the world of journalism, and many branches of the military, from West Point to the WACs to the Navy. The basic plots were fairly similar, however. Stirling, with the sage but sardonic advice of Francis (gleaned from overhearing generals plan strategy or from discussions with other equines), would triumph over his own incompetence. However, inevitably he would be forced to reveal that his adviser was a mule, and be subject to mental analysis (sometimes more than once per film) until the grand reveal, when Francis displayed his talent (usually either to individuals, or to a large group). Some of the Francis films had animated trailers.
Francis (1950) a.k.a. Francis the Talking Mule
Francis Goes to the Races (1951)
Francis Goes to West Point (1952)
Francis Covers the Big Town (1953)
Francis Joins the WACS (1954)
Francis in the Navy (1955)
Francis in the Haunted House (1956)
The mule who appeared on-screen was a female named Molly, selected because she was easy to handle. She was purchased from Ed Frazier in Drexel, Missouri. According to author Pauline Bartel, Universal Studio paid $350 for the animal but made millions from the film series. Mollywas trained by Les Hilton, an apprentice of Will Rogers; Hilton went on to train Bamboo Harvester, the horse that played Mister Ed. To create the impression that the mule was actually talking, Hilton used a thread fed into the animal’s mouth which would cause Molly to try to remove it by moving her lips, the same technique used for Mister Ed.
DEATH VALLEY DAYS (Stanley Andrews as “The Old Ranger”, first host of Death Valley Days 1952-1970) Death Valley Days is one of the first anthology series to appear on television, featuring different characters and stories each episode.[5] The stories were based in fact, all within the legends and lore of California’s Death Valley. Style varied by episode, with some being drama and others comedy. Most were human-interest stories of miners and homesteaders in Death Valley, where borax was mined.As the series continued on the air, episodes began to focus on nearly any portion of the American West, not just the Death Valley country. Most episodes portrayed events in the late 19th century, the heyday of the “Old West”. Some, however, were set in much earlier times, especially the Spanish colonial era, and a few recounted stories from the early 20th century. Each of the 452 television episodes was introduced by a host. The longest running was “The Old Ranger,” a character played by veteran actor Stanley Andrews from 1952 to 1964. While the series followed the anthology format, with all new stories and characters in each episode, the series utilized many character actors over its 18-year run.
GUNSMOKE (James Arness & Ken Curtis & Mule Ruth 1955-1975) Curtis remains best known for his role as Festus Haggen, the scruffy, cantankerous, and illiterate deputy in Gunsmoke. He joined the regular Gunsmoke cast in 1964, superseding the previous deputy, Chester Goode, played by Dennis Weaver. While Marshal Matt Dillon had a total of five deputies over two decades, Festus held the role the longest (11 years), in 304 episodes. Festus was patterned after “Cedar Jack” (Frederick Munden), a man from Curtis’ Las Animas childhood. Cedar Jack, who lived 15 miles south of town, made a living cutting cedar fence posts. Curtis observed many times that Jack came to Las Animas, where he would often end up drunk and in Curtis’ father’s jail. Festus’ character was known, in part, for the nasally, twangy, rural accent which Curtis developed for the role, but which did not reflect Curtis’ actual voice.
LEGEND OF THE LOST (John Wayne 1957) Legend of the Lost is a 1957 Italian-American adventure film produced and directed by Henry Hathaway, shot in Technirama and Technicolor by Jack Cardiff, and starring John Wayne, Sophia Loren, and Rossano Brazzi. The location shooting for the film took place near Tripoli, Libya.In Timbuktu, experienced guide Joe January (John Wayne) reluctantly joins a Saharan treasure hunting expedition led by Paul Bonnard (Rossano Brazzi), a man obsessed with confirming his dead father’s claim to have found a lost city. Dita (Sophia Loren), a woman of dubious reputation, becomes infatuated with Paul and his willingness to overlook her past. She invites herself along, despite Joe’s protests. During the tough, dry ordeal, Joe and Dita become attracted to each other, raising tensions.Just as they run out of water, they stumble upon the ancient city and a well. There, they find three human skeletons, a woman and two men. It becomes evident that Paul’s father had found his woman in the arms of his guide, killed them and then himself. There is also no obvious treasure to be found. Paul’s faith in his father is shattered and he becomes drunk.However; they find the treasure after Joe deciphers the clues left by Paul’s father in his bible. They load it and prepare to leave in the morning. Paul makes an attempt to seduce Dita; she rejects him and he gets into a fight with Joe, who protects her. Joe and Dita wake up to find that Paul had sneaked away during the night, taking all the animals, supplies and treasure with him and leaving his companions to die.Joe and Dita pursue him on foot and eventually catch up. Paul is unconscious from dehydration. While Joe and Dita dig for desperately needed water, Paul regains consciousness. He buries the treasure and attacks Joe from behind with a knife. Dita shoots and kills Paul. When they spot a caravan approaching in the distance, Joe and Dita are saved.
MR ED (1961-1966 The horse Bamboo Harvester portrayed Ed throughout the run. Ed’s stable mate, a quarter horse named Pumpkin, also served as Bamboo Harvester’s stunt double for the show. Pumpkin later appeared again in the television series Green Acres.Bamboo Harvester’s trainer was Les Hilton. To create the impression that Ed was having a conversation, Hilton initially used a thread technique he had employed for Lubin’s earlier Mule films; in time, though, this became unnecessary. As actor Alan Young recounted: “It was initially done by putting a piece of nylon thread in his mouth. But Ed actually learned to move his lips on cue when the trainer touched his hoof. In fact, he soon learned to do it when I stopped talking during a scene! Ed was very smart.”
BRIGHTY OF THE GRAND CANYON (Joseph Cotten – January 1966) Based on the novel Brighty of the Grand Canyon by Marguerite Henry (New York, 1953).
DINGUS MCGEE (Frank Sinatra, George Kennedy – Mules Pulling Stagecoach 1970) Hoke Birdsill rides into Yerkey’s Hole demanding the law take action because Dingus Magee has robbed him. Since no law exists, the mayor, Belle, who also runs the town’s bordello, sees to it that Hoke himself becomes the new sheriff. Dingus keeps getting away with his crimes, helped by Anna Hot Water, his young Indian companion, but when he tries to steal from Belle, he finds Hoke has beaten him to it. Hoke and his mule enjoy being on the other side of the law, so Dingus turns the tables, becoming sheriff to go after him. After being rivals for so long, Dingus and Hoke eventually team up, burning Belle’s brothel to the ground.
TWO MULES FOR SISTER SARA (Clint Eastwood & Shirley Maclaine 1970) Just after the American Civil War, a former soldier named Hogan rides up on a naked woman about to be raped by bandits. He kills the bandits and discovers the woman is a nun, Sister Sara, who is raising money to assist Mexican revolutionaries fighting French occupying forces. When Sara requests that Hogan take her to the Mexican camp, he agrees, as he had previously arranged to help the revolutionaries attack the French garrison in exchange for half the garrison’s treasury.As the duo heads towards the camp, evading French troops all the while, Hogan is surprised that the nun swears and drinks whiskey. While on their way to destroy a French ammunition train, Hogan is shot at by Yaquis and seriously wounded with an arrow. Sara is able to tend to his wounds, and she is able to set the charges that Hogan detonates to destroy the train. Eventually the two reach Juarista commander Col. Beltran’s camp. Sara begs the local villagers for money needed to purchase dynamite for the assault on the garrison. In the lead-up to the attack, Sara reveals to Hogan that she is not a nun, but a prostitute posing as a nun because she is wanted by the French for her support of the revolutionaries. Although Hogan is shocked, the two team up to infiltrate the fort and let a squad of revolutionaries in through a trapdoor, while two other squads attack the gates and a fourth act as sharpshooters.Expecting the French army to be drunk for Bastille Day, they instead find that the train’s destruction has put the garrison on high alert. Hogan and Sara infiltrate the fortress by Hogan posing as a bounty hunter who has captured Sara and is turning her in for the reward. The ruse works, and Hogan and Sara engage the French commanding officers while the garrison’s gates are breached for the Mexican revolutionaries to swarm through. A battle ensues; the French are defeated, and the Mexicans capture the fort. As promised, Hogan receives half the riches. Now wealthy and with his job completed, Hogan sets off with Sara, with whom he has fallen in love, to open a gambling house in San Francisco.
GUS (Don Knotts & Tim Conway 1976) Low-ranking football team The California Atoms are at a constant loss until they recruit a new player – a mule named Gus. It turns out that Gus is an amazing placekicker with a 100-yard field goal ability! Just as the Atoms begin to leave their losing streak in the dust, crooks attempt to kidnap their new star. Whether it’s a surefooted race to the goal posts or a riotous chase down the supermarket aisles, the action in this Disney favorite is sure to make your family cheer!
MULE FEATHERS (Rory Calhoun & Don Knotts 1978) A preacher travels with a telepathic mule In this Western comedy, a sagebrush flim-flam man makes a career out of swindling naive settlers and pulling off the occasional train robbery.
THE APPLE DUMPLING GANG (& RIDES AGAIN– Don Knotts, Tim Conway & a mule named Clarise1975) Set in the Wild West in the year 1879, a slick gambler named Russell Donovan (Bill Bixby) comes to the town of Quake City en-route to open a casino in New Orleans. In Quake City, Donovan meets his old associate, John Wintle. Wintle is leaving for San Francisco that night and asks Donovan to sign for valuables coming in on tomorrow’s stagecoach. Donovan accepts a down payment and promises to pick up the valuables. The next day, Donovan realizes he has been duped into taking care of three little orphans, Bobby, Clovis, and Celia Bradley. The stagecoach driver Magnolia “Dusty” Clydesdale (Susan Clark) explains that Wintle is in fact the children’s relative and their legal guardian. With him gone and Donovan promising to care for the “valuables”, they are now wards of Donovan. The town’s sheriff, barber, Justice of the Peace, and judge Homer McCoy (Harry Morgan) tells Donovan that he is legally obligated unless he can have someone else take custody of the children.
THE POSTMAN (Kevin Costner 1997) In a post-apocalyptic world in 2013, an unnamed nomad wanders the scattered communities of the Utah flatlands, trading performances of long-forgotten Shakespearean plays for food and water. At one town, the nomad is forced at gunpoint into the ranks of the Holnists that killed his mule. This neo-feudalist militia, brand him on his shoulder with their symbol, a figure 8. The Holnists, under their leader, General Bethlehem, are the de facto authority in the area, collecting tribute and recruits from local towns. When the nomad escapes, he takes refuge in a long-deceased postman’s mail vehicle.With the postman’s uniform and mail bag, he arrives in the settlement of Pineview claiming to be from the newly-restored U.S. government. He convinces Pineview’s leader, Sheriff Briscoe, to let him in by showing a letter addressed to elderly villager Irene March. The postman inspires a teenager named Ford Lincoln Mercury, who asks to be sworn in as a member of the postal service and even helps him to reactivate the long abandoned post office in the town. When the postman leaves for the town of Benning, he carries a pile of mail left at the post office door by the townspeople.In a recitation of King Henry V’s speech prior to the siege of Harfleur, the postman rallies himself and his followers to war. The mounted carriers and Holnists meet across a field. Not wanting any more carnage, the postman instead challenges Bethlehem to a personal hand-to-hand duel, with their troops as witnesses, which is his privilege due to once having been a member of Bethlehem’s troops. The postman wins the fight but spares Bethlehem’s life to maintain morale.Thirty years later, the postman’s grown daughter Hope, accompanied by other public figures and servicemen (including postal workers), speaks at a ceremony unveiling a bronze statue by territorial waters in St. Rose, Oregon, in tribute to her father, who has recently died (1973–2043).
MULE PEOPLE (Ted Faye – Gold Creek Productions 1997) People who appreciate mules are a unique breed of folks. In this video you’ll get to know some of them at Bishop Mule Days in Bishop, California. You’ll meet eleven-year-old Cameron Brooks along with trainers Cindy Powell and Jerry Villines whose mules, they all claim, can do anything a horse can do…only better. Hang onto your hats for a wild ride with Ron “Tash” Hudson. Then share in the poignant climatic moments as Mr. Jensen has to sell his pride and joy. His 20 well-trained mules, and all of his wagons. If you didn’t know any before, after watching this video, you’ll be glad you met these…Mule People.
MULE FOR SALE (Ted Faye – Gold Creek Productions 2003) Join the fun and excitement of the world’s largest mule auction. Filmmaker Ted Faye takes you on a journey to Dickon, Tennessee where Dickie and Rufus Reese carry on a family tradition: The Reese Brothers Mule Auction. Find out why people buy mules, what they are used for and where the mules end up. We follow a mule from the time it is brought to the auction to the time it is sold. Discover the story of the mule and meet the people who buy and sell them. An intriguing look at the event that few have experienced first-hand.
LONGEARS EVERYWHERE (Video Mike Kerson 2004) Bishop Mule Days with Jerry Tindell & Video Mike: Twitchell, Von (Actor), Shields, Bonnie (Actor), Kerson, Mike (Director) Format: DVD
HOOVES AND ROSES (Video Mike Kerson 2006) Pasadena Tournament of Roses Parade
LOVE THOSE LONGEARS (Video Mike Kerson 2006) Video Mike is passionate about equines – and all his love and respect for both the critters and their people shines through in this video. Every year Video Mike produces an action-packed Bishop Mule Days Highlights video, and each year he chooses some aspect of the week-long event for a more in-depth look.
MULES ON SNOWSHOES (Video Mike Kerson 2006 ) Bill Balfrey’s family came to the remote Northern California town of Etna by covered wagon in the 1850’s. As Bill was growing up, he made friends with the Smith brothers, Bill and Ralph, who, in the early 1900’s, delivered the mail by mule train from Etna to Sawyers Bar and points down river. Come along with the two Bills, Ralph and others as they take us back to a time when tunnels had to be hand-dug through the 10-foot snowdrifts, the mules wore snowshoes, and the mail was delivered!
CHASING THE RAINBOW: ADVENTURES OF THE DESERT PROSPECTORS (Ted Faye – Gold Creek Productions 2007) The last great Gold Rush in America played out in the deserts of Nevada and California. It began with those who roamed the barren hills seeking their fortune. Most traveled with their tools, some food, a blanket and a jackass. They were called single-blanket-jackass-prospectors. Most never made the fortune they sought, but many discovered something else: freedom and a kind of peace in the wilderness and every now and then, some wild times in the local towns. This the story o those who spent their lives “Chasing the Rainbow.”
TOMMY AND THE COOL MULE (Grant Barker & Ice T 2009) Tommy Braxton’s father goes to war and never returns, forcing Tommy to become the man of the house and help support his mom and sister. Tommy makes a friend and finds a way to save his family’s farm when he meets Jackie-A – a talking mule. Against all odds, Tommy and Jackie-A triumph in a race over the other bullies and their horses in the country stock show, in a spectacular display of resolve and determination that caps off a winning family adventure!
SEASONS: A YEAR IN THE LIFE OF A PACK STATION (Video Mike Kerson 2010) Follow the Virginia Lakes Pack Outfit through springtime preparations, competing at Bishop Mule Days, and on to the summer pack season. You’ll ride with guests, scientists, and government work parties into the spectacular Eastern Sierra Wilderness, and experience back country life at its finest. You’ll meet the people who work at the pack station, as well as the guests. Take a look behind the scenes as problems are solved, crises are met, and the crew lives the disappearing life of the back country. With the coming of autumn, the pack station gets ready for winter, and the cycle begins again.
HITCH UP YOUR MULE & THE HIDDEN TRAIL (Ted Faye – Gold Creek Productions 2010) Hitch up your mules, mule-skinner Bobby Tanner of Bishop, California shows how to hitch up a 20-Mule Team. Bobby has revived the art of driving a long line of animals with a single rope called a jerk line, which is tied to a lead mule. The Hidden Trail is an expedition to the China Lakes Naval Air Weapons Station in the Mojave Desert to retrace the historic route of the Twenty Mule Team from Death Valley. Ruts from the original Twenty Mule Team can still be seen.
BISHOP MULE DAYS (Video Mike Kerson 2011-2019) At 4000’ elevation, Bishop is nestled between two beautiful mountain ranges midway between Los Angeles, California and Reno, Nevada on U.S. Highway 395. Bishop is the center for recreational activity in the Eastern Sierra. In addition to the packing activities specific to the region, there are activities such as fishing, hiking, hunting, and fantastic sight-seeing of fall colors, mountains, creeks, and high desert. World class skiing is also available on nearby Mammoth Mountain in Mammoth Lakes, California.Mule Days is a six-day event that takes place each year Tuesday to Sunday the week before Memorial Day. Mule Days is held on the Tri-County Fairgrounds in Bishop, California. Our 14-show event begins with preliminaries on Tuesday through Thursday and features event finals, comic events and packing events Friday through Sunday. Video Mike Kerson has been filing this from 2011-2019.At 4000’ elevation, Bishop is nestled between two beautiful mountain ranges midway between Los Angeles, California and Reno, Nevada on U.S. Highway 395. Bishop is the center for recreational activity in the Eastern Sierra. In addition to the packing activities specific to the region, there are activities such as fishing, hiking, hunting, and fantastic sight-seeing of fall colors, mountains, creeks, and high desert. World class skiing is also available on nearby Mammoth Mountain in Mammoth Lakes, California.Mule Days is a six-day event that takes place each year Tuesday to Sunday the week before Memorial Day. Mule Days is held on the Tri-County Fairgrounds in Bishop, California. Our 14-show event begins with preliminaries on Tuesday through Thursday and features event finals, comic events and packing events Friday through Sunday.
PALOUSE THRESHING BEE (Video Mike Kerson 2012) The Palouse Empire Threshing Association holds an old-fashioned wheat threshing bee in Colfax, Washington – the heart of the Palouse. Using only authentic, original equipment and raft animals, the public is treated to a day of living history, featuring the majesty of draft horses and mules.
THE TWENTY MULE TEAM OF DEATH VALLEY (Ted Faye – Gold Creek Productions 2012) This program will show you how the Twenty Mule Team rose from a mundane means of transportation to become a national icon. Using spectacular, original color film, archival footage, photographs and reenactments, this documentary brings to life the Twenty Mule Team of Death Valley.
HISTORY OF THE ARMY MULES (2013) Just outside of Fort Brag on a ranch in Lumber Bridge North Carolina there are two brothers mules unaware of how their lives are about to change forever. These animals the embodiment of strength hardiness and perseverance are about to embark on a journey that will lead them through the gates of the world’s Premier leader development institution. They are about to take their place in history as the new generation of mascots for the corps of cadets at the United States Military Academy at West Point. The tradition of mules as mascots for the Army dates back to 1899. Mules were an obvious choice. The mule reflects the long-standing usefulness of the animal in the United States Army, enabling soldiers to perform military operations, transporting guns, supplies and ammunition. Strong, hardy and durable, the mule is the perfect symbol for the corps of cadets. Not much was known about the official mules until 1936 when Mr. Jackson, named for Thomas J. Stonewall Jackson, arrived from Fort Royal, Virginia. Starting with him there have been 15 official mules: Poncho, Hannibal 1, K.C. MO, Trotter, Hannibal 2, Buckshot, Spartacus, Ranger I, Blackjack, Traveler and Trooper. At time this video was made, the members of the current and now retiring mule Corps are Raider, Ranger I and General Scott.We bid farewell and honor them for their service and now, as the Legacy continues, the two new mascots embark on their Journey several hundred miles north to West Point’s hallowed grounds just outside the greatest city in the world. They will be entering into a story of tradition where their presence represents inspiration, strength and steadfast perseverance They will help to reinforce the motto of duty, honor and country that continues to sustain the corps of cadets and the long gray line. Currently, those who have been added are: Ranger II, Stryker, Raider, Ranger III and Paladin.
STORM RIDER is a 2013 American drama film written and directed by Craig Clyde and starring Kevin Sorbo, Kristy Swanson and C. Thomas Howell. It was filmed in Wallsburg, Utah.Cast:
Kevin Sorbo as Sam Fielding
Kristy Swanson as Jody Peterson
Danielle Chuchran as Dani Fielding
Jacob Buster as Jordan Fielding
Darien Willardson as Kevin Winslow
Sam Sorbo as Vanessa Fielding
Terence Goodman as Cameron Winslow
C. Thomas Howell as Mitch
Sarah Bernstein as Brooke
Jacque Grey as Marie Houghton
Amanda Swanson as Addy Jane
Joey Miyashima as Sheriff KikuchiEdwin L. Carpenter of The Dove Foundation gave it a positive review, writing that it “is well worth your time.” Tracy Moore of Common Sense Media gave the film two stars out of five.
THE MULE (Clint Eastwood 2018) The Mule is a 2018 American crime drama film starring and directed by Clint Eastwood, who also produced with Dan Friedkin, Jessica Meier, Tim Moore, Kristina Rivera, and Bradley Thomas. The screenplay, written by Nick Schenk, is based on the 2014 The New York Times article “The Sinaloa Cartel’s 90-Year-Old Drug Mule” by Sam Dolnick, which recounts the story of Leo Sharp, a World War II veteran in his 80s who became a drug courier for the Sinaloa Cartel. Toby Keith contributed the theme song “Don’t Let the Old Man In”, which reached number 41 on Billboard’s Country Airplay chart and became Keith’s highest-charting single since “Drunk Americans” reached number 27 in early 2015.
LOST SEA EXPEDITION (Bernie Harberts 2019) The true story of a lone 14-month wagon voyage across America. Filmed by Bernie Harberts, it is a tale of water and desert, loneliness and companionship. Lakota, Christian and secular beliefs about the origin of a land. Harberts, his mule and his lens capture the essence of the American West. The Lost Sea Expedition is the story of a solo mule wagon voyage across America. Because mule Polly and I (Bernie Harberts) traveled alone, without a film crew or chase vehicle, It took a lot of people and communities to turn the experience in to a series for Public Television. This is where we thank them. The credit list is ongoing. If you were part of the Lost Sea Expedition series and didn’t find yourself on the list (hey, some days I forgot to hook Polly’s traces chains too…) then drop us a line.
TWO SINNERS AND A MULE (Cam Gigandet 2023) Two ladies of pleasure were kicked out of town and run across a Bounty Hunter shot to hell. After nursed back to health, the ladies decide he needs their help to track down, Gila Grimes, a ruthless, murdering bandit, for half of the bounty.
Mules and donkeys are working their way into the hearts of many people in this new Industrial Age. Horses have been used for so many films for decades, but the unique character of mules and donkeys are drawing attention from everyone…everywhere!
Now it is time for your donkey to learn to move laterally. Lateral movements are essential to the overall balance and posture of your donkey. It will improve muscle strength throughout his body and will reduce the risk of injury or soreness while he is being ridden or driven.
You can begin his lateral work on the drivelines in the large arena. Begin by driving your donkey through the hourglass pattern (after review). As he approaches the first corner cone, ask him to circle it and then turn down the centerline instead of moving down the short side to the next cone. Let him move straight for a few steps, and then, with your assistant at his head, ask him to move forward and sideways away from your circle. The centrifugal force from the circle should send him onto the diagonal with little resistance and your assistant will be in front to keep him from just running forward. If he is to move laterally to the right, you should make a small circle to the left and drift out and onto the right diagonal. If he is to move laterally to the left, you should circle to the right and allow him to drift out and onto the left diagonal. As your donkey is on the circle, maintain the bend with a shortened inside rein. As he comes up the centerline, maintain the bend as he moves forward on the straight line, then begin to give distinct pulls and releases on the outside rein to encourage him to follow it, and back this up with a light tap of the whip on his opposite hip if he does not begin to move diagonally. As he begins to walk diagonally, so should you—step for step. Pull the outside rein in unison with his front legs, pulling back when the outside leg comes back, allowing freedom for the front leg that is to cross over. It takes a little coordination, so don’t be discouraged if things aren’t working well the first few times. Just keep practicing and you will eventually get it, and so will your donkey!
As he gets better at the lateral walk this way, you can add various patterns, which will increase his lateral response. And above all, do not forget those verbal commands: “Haw-over” for left and “Gee-over” for right. You have made it easy for him by asking him to perform the lateral response out of the circle. Another circular lateral response is the spiral. Have him walk in a large circle and spiral down to a very small circle. Then ask him to gradually work back onto the larger circle again by spiraling out in a yielding fashion. Watch his legs to make sure he is crossing over properly.
Now it is time for him to listen even more carefully to your rein and whip cues. You will begin to ask him to change his bend for you before he moves laterally. Walk the perimeter of the arena and this time, you will circle on the second corner. When he has completed the circle and his nose comes to the diagonal track, ask him to halt and move his hindquarters over until he is parallel to the long-side rail. Then give the proper cues for the direction in which you wish to travel, as designated earlier. This exercise helps promote good listening skills on the part of your donkey and more increased coordination for yourself. There are several different variations on this theme. The first time you will want to cross the long diagonal (see diagram), allowing your donkey all the time he will need to complete the lateral exercise with the least amount of angle.
As he becomes more adept, you can teach your donkey to cross the short diagonal from the corner to the middle of the long side of your arena. Then proceed straight through the next corner to the second cone and repeat (see diagram).Always be sure to stop, correct the bend, and then proceed—one step at a time if necessary. He can learn to cross two short diagonals by circling at the middle of the rail on the long side after the first short diagonal, then proceeding laterally to the corner. Two short diagonals would create a change of lateral direction, so be sure to execute your cues very concisely with pauses between your transitions. Circle, halt, move hindquarters, move laterally, halt at the center of the long side, change to the bend of the new circle, complete circle, halt, move hindquarters, move laterally. Take it one segment at a time, one step at a time.
Next you will ask him to move laterally through the hourglass pattern, with a change of direction in the center of the arena. Move into the short side of the arena, pass the first cone and go on to the second corner. Circle at the second cone and halt, move his hindquarters over until he is parallel to the long side then proceed laterally to the center cone gate. At the gate, circle around the cone nearest the rail from which you began, halt, move his hindquarters and continue laterally to the next corner, which should be on the same long side on which you started (see diagram). Continue around the cone, across the short side to the next cone, and repeat as before to complete the hourglass. Use an assistant to help direct your donkey in the beginning and fade out the assistant as your donkey understands and complies with your wishes. Do all of these exercises at the walk until he is impeccable. Then you can drive him through them at the trot with slows and halts in appropriate places.
If your donkey is large enough and seems to react better when you are in the saddle, you can begin these exercises mounted and teach him the ground-driving afterwards. Donkeys are very different in the way they each learn. The other consideration is your own skills. Handling drivelines is sometimes really tricky and you may be better with reins, legs and a crop than you are with drivelines and a whip. The important thing is that you give your donkey a clear message as to what is expected, so he can learn easily and without resistance. Just remember that, when you are riding, your cues need to be just as clear as they are when you drive him. You need to tell him verbally what is expected at each segment of the exercise and make clear pauses through transitions. Use your assistant whenever necessary to minimize resistance at any particular stage and reward your donkey lavishly for his honest attempts.
Once he has learned to drive and ride laterally in the arena, you can take your donkey to the obstacle course to put these movements to work. Begin with your assistant aiding you first in side-passing a log placed near the fence (to discourage your donkey from going forward), then a log in the open and side-passing a “T.” Try backing through two barrels in a figure-eight pattern using turns on the forehand and haunches to negotiate the pattern. Finally, teach him to move appropriately while you are opening and closing a gate, both on the drivelines and under saddle. Once he gets the idea on each obstacle, you can eliminate the assistant and ask him to take more responsibility for himself. He should be able to do everything he learns both under saddle and on the drivelines. There is no rule as to which he needs to learn first, but he should learn both under saddle and on the drivelines to be as responsive as he can possibly be, either in harness or under saddle.
If your donkey has any problems with the trot after the previously described exercises, it will probably be in the hourglass pattern while under saddle. If he has difficulty maintaining the trot through the turns and serpentines through the middle, and continues to bulge either one way or the other, you can try one more thing to help him. Have your assistant ride a seasoned animal through the pattern ahead of you while you follow a few strides behind. Don’t ride too close, or too far away. Your donkey should be more than willing to follow. After all, doing things with friends is always more appealing.
When his trot work is going well, it is time for your donkey to learn to canter. Begin with a complete review in the round pen—lunging at the walk and trot, ground-driving at the walk and trot, turns at the walk and trot, and riding at the walk and trot. Then dismount and try lunging, first at the trot, then ask him to “Canter.” Use the same cues you did at the walk and trot. Give the verbal command first, then shuffle your feet while raising both of your arms, one pointing in the direction in which you wish to travel, and the other one raised behind you, with the whip in-hand. If he does not comply, then lightly tap the whip to his gaskins once just above the hock, then tap it harder on the fence behind him. He should begin to canter. Even if he canters only two steps, stop him, reward him and then try again. Don’t keep asking for more right away, because he will only get frustrated and stop. If you are patient and consistent, he will canter farther each time. Once he canters fairly well while lunging, you can skip ground-driving and go straight to riding him at the canter. Have your assistant stand in the center of the round pen with the lunge whip and “lunge” him while you ride and cue from his back. Sit very quietly and with a very loose rein, allowing him to canter until you say “Whoa.” Make sure you and your assistant are exactly in unison with your verbal commands, since you do not want to confuse the donkey. If, after a few sessions, he positively refuses to canter, fear not. You can try something else first, and come back to cantering later.
If your donkey hasn’t cantered in the round pen, go back to his lesson at the trot and allow him to succeed and be rewarded. Then take him into the large arena and allow him to follow an experienced animal through the hourglass pattern and along the perimeter of the arena at the walk and trot. Afterwards, go to the perimeter of the arena and have your assistant begin to canter out of a short side and down the long side. Encourage your donkey to follow. If he does not want to canter, slow him down through the short side and encourage him again on the next long side. If he wants to canter but is cutting the corner, let him. It is more important at this stage to get the canter than it is to stay on the rail. Be sure to call out your verbal commands repetitively as he learns to canter. You will say “Canter-Gee” for right and “Canter-Haw” for left. These are really important commands, as donkeys are more responsive to verbal commands than they are to your legs and reins. Let him canter for as long as he will, then stop and reward him. He will go longer periods of time as he gains strength and coordination. Make your circles as large as possible, at least fifty feet in diameter.
When he is cantering—or loping—easily around the arena, you can begin to facilitate control at the canter by varying your exercises. Have him trot the short sides and canter the long sides of the perimeter of the arena. Be sure he is picking up the proper lead in each direction (more on leads in discs #5 and #6 of my DVD training series, Training Mules and Donkeys). Pick up the lead in the corner each time to help him. Then you can trot the hourglass to the corner of the short side, pick up the canter and canter a circle, half of the arena, come back where you started, trot, and resume the pattern. Just be sure your circles are large enough to encourage good balance. You can ask him to trot along the rail, do a turn on the haunches and canter away on the correct lead. This will help him to learn to canter without the use of a corner. Take him out into the open on the obstacle course and let him canter for some longer distances, both in a straight line and in very large circles. If he breaks to the trot at any time during any of the aforementioned exercises, do not let him continue on at a fast trot. Slow him to the walk, then halt, regroup and begin again. You want to always maintain control.
As your donkey canters more and more, he will become better balanced and better coordinated. He will become stronger and be able to carry the canter for longer periods of time, so don’t get in a hurry. He will DO as he is ABLE. This is the nature of the donkey. When he is cantering easily and is obedient through his transitions from walk to trot to canter and from canter to trot to walk, you can begin to teach him to change leads and negotiate smaller circles. Begin in the large arena and review his previous lessons, ending with turns on the haunches along the rail. Designate a circle in the middle of your arena, and, starting along the rail, pick up a canter, make a full circle, ride along the rail a short distance, then ask him to stop, do a turn on the haunches into the rail and resume the canter on a circle the opposite direction and repeat. This will help him to be more prompt into the canter.
Next, you will circle at one end of the arena, taking up half of the space. After about two or three circles, straighten your donkey as he rounds toward the middle of the arena. Ask him to trot through the center on a straight line, then pick up the opposite lead and circle once or twice in the other half of the arena. Ask him to “Canter-Gee,” “Canter-Gee,” “Canter-Gee,” and “Trot-Trot.” “Trot-Trot,” and “Canter-Haw,” “Canter-Haw,” and so on. If he misses the change of lead, just stop him and start again, only this time, bring him to a walk in the middle, then pick up the trot and canter as you round the new bend. If he gets strong and tries to rush, you may even have to stop him in the middle, walk, then trot, then canter on the new bend. Remember, you do not want to teach your donkey to run through any of your cues! That’s a really tough habit to break. Don’t canter for too long and be sure to reward him after every lead change at the end of at least one circle following the change. Neither do you want him to change leads and stop.
The most important thing is to reinforce the verbal commands. Donkeys can be very dead-mouthed and very dead-sided, but they have the most acute hearing you’ll ever perceive and they rarely miss a verbal command. If your donkey is well schooled in his verbal commands, you will never need to set him up for his lead changes—he will always take the one you call for, even if it is a counter-canter. The same goes for every other command. If you want to stop and he is cantering, don’t forget to speak in order: “Canter, Canter, Trot, Trot, Walk and Whoa!” If you say “Canter,” then just “Whoa,” you will produce a sloppy and resistant transition, since donkeys aren’t into sliding stops, although they can do small sliding stops (Lucky Three’s Little Jack Horner was able to slide for fifteen feet). Even professional reining trainers will tell you that an equine has only so many good stops in him, and it is not advisable to do such strenuous and abrupt movements too often. So be concise with your verbal commands and try not to leave any out when “conversing” with your donkey.
While in the open, after he is getting more adept at the canter and he’s changing leads fairly easily and accurately, you can begin to teach him to change leads on a straight line. You will need a large open area, as you will be doing fairly big circles off each side of the straight line. Step One: Begin at walk, then trot (don’t forget your verbal commands!), then canter-haw, small circle, then straight for a few steps, trot-trot, then canter-gee, small circle, straighten, and repeat on the straight line. . Step Two: Ask for the new lead without the circle. If he starts rushing and ignoring your aids, just have him come down to walk, then trot, then canter again. If he doesn’t quite get it, go back to the exercise with the circles. You can add an interim step, provided he does not get too bent. You can begin on the straight line at the canter, ask for the trot and slightly bend him onto a new circle, then bend him back to the straight line once he has the lead. Be careful with this, though. If he is too committed to the circle, you can throw him off balance and defeat your purpose.
Now you can go back to the round pen and lunge at the canter. Many times, donkeys are just not comfortable with the size of a round pen canter circle. It seems to worry them because they are so sensitive to even the slightest loss of balance when trying to perform. I think you will find that your donkey, after learning to canter in a more open space, is more than willing to accommodate you in the round pen. By the same token, we have not bothered with the lunge line in the round pen and in the open for the same reason. After your donkey is sufficiently broke to saddle or harness or both, he will lunge very nicely on the lunge line.
With the hectic schedule of spring and summer slowly tapering into fall, thoughts of cool, refreshing mountain streams, the sight of a massive bull elk, or the quiet majesty of the rugged mountain peaks on a relaxing trail ride, mountain hunt or pack trip begin to ease their way into our minds. What better time to share with your mule or donkey? What better place for him to show you what he was born to do? A mountain trail ride or pack trip are both perfect ways for you to get to really know your Longears and strengthen the bond between you.
Mules are remarkably strong and durable animals, making them excellent mountain partners. The cupped shape of their hooves allows them to track the rough mountain terrain with much more surefootedness than their counterpart, the horse. A mule’s superior intelligence and strong sense of survival help him to carefully negotiate the placement of his feet, insuring the safest ride possible. This is both important and comforting to know when heading for the mountains. The mule’s strength and endurance are sometimes unbelievable, but always dependable. On a hunting trip, he will take you through rough mountain terrain for days then pack out the “elk of your dreams” with the greatest of ease.
Around the campfire, he is wonderful company on those lonesome mountain nights. His blatant curiosity can make for some fun—and funny— situations, and his loving ways will win your heart. But first and foremost, he is a reliable companion when the going gets tough.
A few years ago, some close muleskinner friends of mine decided to take a hunting trip into the Rocky Mountains. Packing in, the weather was beautiful with warm temperatures, calm breezes, and not a cloud in the sky. After setting up camp and tending to their horses and mules, the hunters set off tracking elk. Hunting was good, but after a few days, the evening brought with it an unpredictable snowstorm of incredible intensity. The hunters crawled from their tents the next morning to discover their camp buried in more than four feet of snow!
With no chance of the storm lifting, the hunters packed up what they could on their horses and mules and quickly got under way. Since time was of the essence, tents and much of their gear had to be left behind. As they left the campsite, the snow deepened and the terrain underneath was steep, rocky and treacherous. They had gone only a short distance when the snow became so deep and the terrain so hazardous that the horses refused to go one step farther. Anxiety was high when the horses could not blaze a trail out. The hunters were worried they wouldn’t make it off the mountain alive.
In the face of this great danger, my friend asked his trusted mule, Goliath, to break trail for the others. With slow, careful, deliberate steps, this well-trained, loyal mule led them all down the mountain to safety. Once there, they freed their trucks and trailers, which were buried in snow, loaded them up, and made their way back to the lowlands to safety. The storms on the mountain worsened and it was spring before the hunters could return for the rest of their gear, but they were eternally grateful to Goliath the mule for leading them safely down the mountain!
There are many stories like this one, where mules and donkeys have emerged as heroes in precarious situations. However, if you prefer not to take risks like my hunter friends, there are other less daunting activities you can enjoy with your donkey or mule.
Why not take your longeared companion along to the mountains for a hike or a picnic? He would thoroughly love just being with you in those beautiful surroundings. While you walk the trails, enjoying the marvels of nature, your donkey or mule can carry the lunch essentials. While you enjoy the wildflowers or try your hand at fishing a mountain stream, you can be confident that your Longears will enjoy the peaceful solitude and be able to stay out of serious trouble at the same time.
If you question taking excursions such as these with your longears because of a lack of training, there are fellow Longears lovers who can help you. All over the United States, excellent mule trainers are available to help beginners. A Longears lover once told me that his love for burros and mules began years ago when he found Dusty, a three-month-old wild burro caught in a blizzard. He took her home and cared for her, and, a year later, he entered her in the National Western Fall Classic Donkey and Mule Show. He and Dusty were awarded the title of Reserve Champion Donkey of the Show! Ever since, he has sought to help others enjoy Longears and horses in any way he can. In addition to breaking and training wild mustangs at his Medicine Bow Stables, he has included free clinics for burro owners to teach them how to handle and care for their animals.
We are fortunate to be able to share our time with such intelligent, tough and durable equines as our beloved mules. But you should also remember to do your part in the relationship. Be patient and willing to take the time to allow your relationship to grow and for training to become solid before you indulge in the challenges that trail riding can present. Plan ahead and scout the locations where you desire to ride. With the growth of urban populations, open areas that welcomed riders in the past are not as numerous as they once were. Many areas now welcome hikers and even bicycles, but not equines. Find the designated trails and camp grounds that will accept equines when planning your treks.
Even a ride that is planned to be short can turn into challenge if the weather changes suddenly, so be sure to plan for the worst case scenario. Tack up your equine in comfortable tack and equipment that fits like a glove. I like to ride with a crupper because it will hold the saddle in the correct placement when adjusted correctly and will allow for full range of movement, particularly behind when climbing uphill. If you use a breast collar, make sure it is loosely fitted so it does not pull your saddle forward and into the shoulder blades. Be sure to pack your saddle bags with the barest necessities for any ride far from home: Compass, water, rain gear, a Swiss Army knife, buck knife, hoof pick, lighter, fence pliers, Granola Bars or Trail Mix, a sleeping bag, a warm coat, Bear Spray and a First Aid Kit (at the very least Gauze, Vet Wrap and Neosporin).
If planning an overnight trip, you will probably need a pack mule, or horse, to carry the extra food and additional necessities you will need like tents, blankets, sleeping bags, more food, extra clothes, High Lines and extra halters, and food for your equines. Lots of places will not allow your equines to graze in the parks, but some do. I do not like using picket lines where the equine is tied low with a halter, or with a rope around a foot. I do not like to use hobbles either (Mules can run off in hobbles with no trouble at all!). It is too easy for equines to get tangled up or injure themselves when they are restricted this way. They can get sprained tendons and ligaments, or severe rope burns that will leave them scarred for life. I prefer to bring their favorite horse “friend” along and tie the horse, and mules that tend to wander, to a High Line. Most of the mules can be allowed to run free and won’t leave your camp with the horse there, but do not leave halters on them. Again, they could become tangled up and injure themselves. If you have spent adequate time during training to build a solid relationship with your mules, they are much less likely to wander off and get lost. They will choose to stay near you.
If you can, choose a place where you can establish a base and park your truck and trailer. You can then tie them on a High Line during the evening and put them back into the trailer for the night. This might be better if you are an area where there are a lot of large predators. Just don’t leave the truck and trailer windows open so a predator can get in. Stock trailers are the best for this purpose since they also have more room in them and are fully enclosed. Any food that could be attractive to predators should be mounted high in a tree, at least 50-100 yards away from your camp and your equines.
Getting the proper in-depth training for your donkey, or mule, can only enhance your relationship with them and in turn, they will enrich your life. This year, why not take the time to really get to know these remarkable animals by letting them share in the fun, be it hiking, hunting, packing, or picnicking. The life you enhance may be your own!
By walking your donkey through all the different phases of training, and before going on to the trot, you have given yourself and your donkey an opportunity to learn to negotiate and perfect your movements before you ask for speed. This allows for a lot more perfection of coordination to take place, so things are less likely to fall apart when you do add a little speed. This is the most obvious difference between mules or horses and donkeys. Horses and mules are difficult to slow down in training because of their flight instinct and are better equipped to handle walk, trot and canter all at once, moving from a confined area to more space and, ultimately, through obstacles. Donkeys, however, with their freeze instinct, get worried and won’t move if they are overwhelmed and confused. For this reason, their training is approached a little differently.
By now, your donkey should be walking really well in the round pen, both lunging and in the drivelines, on straight-aways and turning. He should be walking the hourglass pattern and the perimeter of the larger arena, circling at the cones in the pattern, doing circles off the wall on the perimeter of the arena, and crossing straight diagonals for changes of direction. He should be walking through straight-forward obstacles and getting in and out of your trailer. He should be moving away from pressure a lot more easily through the turns on the forehand and haunches while on the lead line.
Next, you will ask our donkey to begin to do his turn on the haunches while on the drivelines. This will take place in the round pen. You have already asked for the reverse and smooth turns with which he should be familiar. Now, you are going to ask him to plant a pivot foot through the turn. Do this by simply keeping the outside rein a little tighter than you did for the reverse along the rail. Hold your donkey’s head and neck straight with the outside rein while giving pulls/releases in the direction of the turn and backing it up with your driving whip on the opposite side. As he completes the turn, be sure to give a full release and ask him to walk out promptly afterward. It shouldn’t take long for him to get it. After he understands with the drivelines in the round pen, you can mount him and walk him through it, paying attention to the correct rein and leg cues. Then you can move to the open arena and practice along the rail, first on the drivelines and then under saddle.
Once he has learned the turn on the haunches in the round pen, he can also learn his turn on the forehand on the drivelines. This is a little more difficult, as he will want to try the turn on the haunches. Ask him to “Whoa”” along the rail. Then, keeping your reins taut and even, take a step to the side, away from the direction you wish him to turn. The rein will tighten on that side and will drape around his hip. You will have the sensation of pulling his hip around with the rein. If you are turning right, ask him to “gee around” and give short tugs on the direction rein, while keeping him straight with the other taut rein by holding steady. He will probably want to pull forward the first few times, but hold him as steady as you can, and if he doesn’t want to move his haunches over, just tap him LIGHTLY with the driving whip on the direct rein side. After a couple of tries of “gee-around,” ask him to “haw-around” and track left. Have patience and he will eventually get it. When he is doing fairly well at executing his turns on the haunches and turns on the forehand on the drivelines, you can progress to doing them under saddle. Just remember to keep things slow and accurate. Speed will only bring confusion and resistance at this point. It is better to opt for perfection at a slower and more controllable pace. When you are both more practiced and coordinated, you can add speed.
Your donkey should be willing to trot in the round pen with just his tack. Up to this point, he has learned his turns at the walk both on the drivelines and under saddle in the round pen, in the open arena and over obstacles. Now he will learn to trot on the drivelines and under saddle. Begin with the usual review, then after he has lunged at the trot, put on the drivelines and drive him at the trot. If he gets balky, your assistant can trot ahead of him with the treat bag and no lead line. Initially, if he goes too fast, just slow him down easily by giving the command to “Whoa” and create a drag on the lines. Your assistant can help if necessary by stepping ahead of him with her arms up, as you did when you were lunging him. Have him go around only as many times as he is willing in the beginning, and reward him for his efforts.
When he has complied on the drivelines, you can then mount him and try him under saddle. Your assistant should remain in the middle with her lunge whip and back up your verbal and leg cues with action from her whip. After a few hesitations, your donkey should understand what you want and be happy to comply. Just remember not to overdo and your assistant should stop using the whip when the donkey is complying with your cues. Also, remember to stop him any time there is resistance—regroup and then try again. This will let him know that you wish to halt any time there is a problem. When we get into lateral moves, this will be of the utmost importance with your donkey. He needs to learn to not just bully his way forward and out of a difficult situation. If there is a problem, most donkeys will attempt to evacuate the scene in slo-mo! It is better to teach them right from the beginning to stop and wait.
When he trots well in the round pen, you can begin to add trot to your sessions in the open. Always review first then add the new movement at the end of his lesson. After the review, begin by having him trot through the hour-glass pattern on the drivelines with your assistant, then without. It will be shaky at first and you may feel like you’re riding a drunken sailor! Just be sure to make your rein and leg cues as subtle as possible to prevent over reactions and keep him encouraged forward with a loose rein as he is going forward. Learn to vibrate the reins rather than pulling—this helps to minimize over-reactions. Soon, your donkey will be doing the pattern smoothly on your commands alone.
When he has learned the pattern well, he can progress to the perimeter of the arena at the trot. Do this only AFTER he is going well in the pattern, or you may find the pattern impossible after he learns the trot on the perimeter. After he has learned to trot smoothly and obediently without interruption, you can vary both of these exercises by walking part of the pattern, then trotting some, then walking again. Do the same on the perimeter of the arena. It is best to walk the short sections and trot the longer ones. For instance, in the hour-glass, walk the short side of the arena and trot out of the corner through the cone gates to the next corner, then walk the short side and repeat the trot out of the comer, through the cone gates in the middle of the next comer. On the perimeter, he would walk the short sides and trot the long sides. When he is exhibiting good control, you can then add circles at various points along the way: around the cones in the hour-glass and along the long side of the arena and in the comers. Always end his sessions with the walk, halt, then back.
Using the trot on the obstacle course requires that you be very definite about where and when you do it, so plan ahead. You may ask him to trot straight over ground poles or a tarp, but he must be willing to stop immediately on the other side. In the beginning, having your assistant waiting with a reward on the other side will help to encourage him to comply. When you take her out of the picture, be ready to treat him for good behavior yourself while ground-driving and under-saddle. When your donkey has completed an obstacle, he should always be willing to stop and wait for your next command for as long as it takes. This is the foundation for learning to stand quietly both in harness and under-saddle. This means that you, too, must learn to approach him slowly and quietly from behind while in the drivelines and to sit quietly when halted under-saddle until you present his reward and ask him to move on.
When executing the mailbox, bridge or tractor tire, you would trot to it, halt, then execute the obstacle and trot away. This teaches them to be careful about executing more difficult maneuvers and to listen carefully to your cues. Always stop for a reasonable amount of time in the middle of obstacles like these, as you need to have time to pull mail out of the mailbox, check for loose boards on a bridge and, later on, execute the turns on the forehand and haunches while in the tractor tire. This keeps your donkey alert! When he is listening well and responding accordingly at the trot, you can add the turns on the forehand and haunches while in the tractor tire. He would do his turn on the forehand with his front feet in the middle of the tire, and his turn on the haunches with his hind feet in the tire. Cue him the same as you normally would, just don’t let him step out of the tire and reward him lavishly for even just a couple of steps in the beginning. He will give you more as he understands what you are asking of him.
Trot him into the straight back-through, halt and back out. You can even add an angled back-through at this point, as he is now ready to begin to move his shoulders and haunches while moving. Just be sure to lead him through, drive him through and then ride him through at the walk. Then you can do it at the trot. Start leading and ground-driving over raised obstacles such as cavaletti, using the same formula we have established: Lead and walk with the assistant behind with the driving whip, then without the assistant; ground-drive and walk with the assistant, then without the assistant; and ride at the walk with the assistant, then without the assistant. Finally ground-drive and ride at the trot with the assistant, and then without the assistant.
The donkey is an animal that was born for no other purpose than to serve. If he understands what you are trying to convey, he has the innate desire to please. Remember this and be patient with your donkey. Each individual learns at his own pace, but rest assured, he will never forget what he has learned!
I remember back in 1982 when summer came and we had to search high and low for shows in which we could compete with our mules! As they say, “You’ve come a long way, baby!” Mule shows are now so numerous that it is becoming very difficult to decide which ones to attend. Years ago, our mules were not necessarily welcome at horse competitions, and today that has changed as well – making our decisions about where to compete is even more complicated. It is truly amazing to see the tremendous growth in popularity of the mule over the past 30 to 40 years, but then I guess it was inevitable given all their redeeming qualities! It really isn’t that unusual that people would begin to prefer mules once they received accurate and truthful information about them. Granted, you have to be smarter than the mule in order to train one, but once you train one properly, you have a wonderful companion and a top competitor in the equine world. More and more, the criticism of mules has changed to general curiosity and a willingness to learn more about these unique animals. Many people have taken a great deal of time and effort to bring these animals into the public eye. To name them all would take volumes, but their work is certainly appreciated!
As I said, there are many all-mule and donkey shows that you can attend in most states across the U.S. Most of them are held in conjunction with State Fairs. However, there are others that are promoted with horse and mule races as well. The American Donkey & Mule Society sponsors a National Mule and Donkey Show that floats from state to state. The 1992 A.D.M.S. Nationals were held in conjunction with the South Carolina State Fair. There were some truly lovely mules to see in our eastern United States.
Breed shows are another place you will see mules today. In many places, you will see mules competing in their classes sandwiched between classes for anything from Draft Horses to Arabians and Saddlebreds. Many of these breed shows not only included a mule division, but allowed mules to compete in their Open Classes as well against the various horse breeds. In 1991, our own Lucky Three Mae Bea C.T. competed in an Open English Pleasure class of primarily Saddlebreds and American Show Horses to sixth place of 20 entries. It is nice to know that the judges were taking mules seriously, as well!
The American Driving Society has been quite supportive itself! They encourage mules to participate in the many facets of driving that they offer, from pleasure, to fun events to actual marathon driving. In these shows, the mules are allowed to compete directly with the horses. Shows such as these tend to really test the knowledge and expertise of the trainer and the conditioning and response of the animals. Integrity in progressive learning is encouraged while stark competitiveness and politics take a back seat. This type of situation is much more appealing to the novice who wants to learn and improve his and his animal’s skills.
The United States Dressage Federation is another group that has encouraged mules to come and compete in their schooling shows, giving mules the opportunity to train and show with the best that Horsemanship has to offer. Showing was limited to non-A.H.S.A. (American Horse Show Association) shows, but nevertheless, quite adequate and beneficial for our mules. It is understandable that they should not compete with horses and riders that are competing for National and International Championships, and sometimes for Olympic recognition. It could offset the points system drastically should a mule compete, being ineligible for such events anyway. The A.H.S.A. has stated that these championships are horse competitions.
The United States Combined Training Association left it up to each region to decide whether, or not, to allow mules to compete and some areas are more tolerant than others. Dressage and Combined Training offers the ultimate in fitness and conditioning of both animal and rider. Because it requires so much physical exertion and skill, everyone is accustomed to discussion on gross errors and wrecks with little or no embarrassment. This makes for a great learning environment with a lot of positive social interaction. We have had a lot of fun for three years competing with the Mountain States Combined Training Association and the Windy Wyoming Combined Training Association. They were a great group of folks from the organizers to the competitors. When Lucky Three Mae Bea C.T. came in second in 1992 in the Open Novice Division at the Abbe Ranch Horse Trials in Larkspur in June, organizer Susan Farmer presented our ribbon and warmly said, “We’re not prejudiced here! Congratulations!” I think it is more important to these folks to see that people enjoy the sport and more over, to continue to want to participate and learn. This makes for attainable long term goals, and even more… it makes for long term friendships.
If you are not really the competitive type, but enjoy the simpler side of showing in gymkhana events and pleasure classes, there are a lot of small Open Shows that you can attend sponsored by various saddle clubs across the U.S. They will usually let the mules compete right along with the horses. Learning and having fun are again the key issues here.
The mule has been proving his worth now, more than ever in Competitive Trail Riding and Endurance Racing. When you talk about Competitive Trail Riding in Colorado, you have to give credit to Cee Wolf who really excelled with her mules in this area of equine athletics, even at 80 years of age! She is another lady who has done great promotional work for mules! I would like to thank the millions of people who have given of themselves, that mules might be seen for whom they really are… a truly wonderful companion and a magnificent athlete and performer!
By now your donkey should be getting much better at his turns on the forehand and haunches on the lead line. He should be leading easily at the walk and trot and squaring up while stopped. He should be lunging at the walk and trot in the round pen, and ground-driving at the walk in the round pen, both straight and through turns and reverses. He should be walking and trotting with a rider in the round pen, without the assistant. He should be both ground-driving and walking with a rider through the hourglass pattern and on the perimeter of the larger arena. Now you are going to ask for a little more detailed control by asking him to walk over and through some very straight-forward obstacles.
Set up some obstacles in a confined area. Obstacles might include a tarp, four ground rails, a bridge, a straight back-through, a mailbox and a tractor tire. Your donkey should have been led through these obstacles as part of his leading training, so he should be familiar with these obstacles. Now you can begin to ask him to negotiate these obstacles more on his own by first ground-driving him through them, then (if he is large enough) by riding him through them. Begin by reviewing his turns on the forehand and haunches. Then attach the drivelines and have your assistant lead him as you drive him from behind. Start with something simple such as ground poles, a tarp or a bridge that he can easily walk over. If he is negotiating the tarp or bridge, ask him to “whoa” when he is standing on it with all four feet, reward him and then proceed. If he is negotiating the ground poles, walk over them. Once he is on the other side, stop him immediately and reward him. Then proceed. Then have your assistant lead him to the mailbox while you ground-drive him, and have him stop parallel to it. Reward him for stopping, then have your assistant open and close the mailbox and reward him again for standing still. Then proceed. Walk him through the parallel poles and stop him. Reward him. Then ask him to back out of them. Reward him again. Then proceed to the tractor tire. Make sure your assistant walks through the tire and not around it, because the donkey will do exactly as he sees her do! Once on the other side of the tire, have your assistant stop and allow the donkey to put his two front feet in the tire and halt. Reward him. Then proceed forward and allow him to walk through the tire to the other side and halt. Reward him again. Your assistant will be giving the treats, since you will need to maintain the drivelines.
After he has negotiated all of the obstacles with the assistant leading him, it is time for him to negotiate them on his own. Have your assistant stand on the ending side of the obstacle while you ground-drive him through exactly as you did before, stopping in the appropriate places. Whenever you stop, have your assistant come to him and reward him, then have her go back to the starting position, where she will reward him again as he completes the obstacle. If you have any problems with him at all, have your assistant come back and lead him through it again, then try to ground-drive him through again on his own. Do not try to bully him into doing it. This will only cause resistance and a failure to understand how to properly negotiate the obstacle.
Once your donkey is going smoothly and obediently through the obstacles on the drivelines, you can ride him through (if he is large enough). Begin as you did with the drivelines and have your assistant lead him through first or ride through ahead of him on a schooled animal that he likes, stopping in the appropriate places and rewarding him each step of the way. Depending on how willing your donkey is, this could be the next lesson, on the very same day. Each time you go to the obstacle course, repeat this entire process each time, first on the drivelines with the assistant, then without, ride with the assistant leading, then ride through the obstacles without her. It will not be long before he is going well, as donkeys learn things quickly and thoroughly, although they do have off days and may decide not to comply with a particular obstacle on that particular day. Tomorrow, it may be an entirely different story and he may have no trouble at all with any of them. It’s just the nature of the donkey to “change things up a little” from day to day. They like to keep us honest and on our toes. This is why I have included a separate section in my Training Mules and Donkeys series just for donkeys that is designed to be used WITH the other DVDs. Do the obstacles in a different order each time to prevent your donkey from anticipating and ignoring your cues, and be sure that you are cueing him properly for each obstacle, making your movements as light as possible.
If you encounter resistance at any obstacle, just stop, have your assistant come back and lead him through again. Then try it again. If you encounter only mild resistance at any obstacle, try to straighten your donkey out and repeat the obstacle again without the assistant. For instance, let’s suppose your donkey goes through the parallel poles, but won’t stop for the back. Stop him as soon as you can after the poles and ask him to back. Then go forward again in a large circle and come back through again and try to stop him in the middle, between the poles, then back. Give him every opportunity you can to succeed on his own and be sure to reward him for it.
Often, a donkey will create resistance by sticking his nose out and pulling his head to one side. If this becomes a perpetual problem, you can use the elbow pull to help to keep him straight and to discourage this kind of resistance. Take a 12-foot length of 3/8″ rope with snaps on both ends. Fold it in half and drape it over his poll. Run the two ends through the snaffle bit rings from the outside toward his mouth, down between his legs and over the back on each side. Tie it off with his head pulled to a level where his poll is about six inches above his withers. This is called an “elbow pull” and instructions on how to make and adjust it are included in my Equus Revisited DVD. This will keep him from sticking his nose out and will encourage good posture as he goes through the movements. It is a better way to deal with this problem than it would be to use draw reins (as shown in photos), as draw reins need to be held and adjusted in your hands. Draw reins can too often produce an over-reaction, even in the most experienced hands. Do not use the elbow pull in any other part of his training until he has learned to trot well, both in the round pen and in the open. This comes later than the walk work we are doing now.
To vary the routine and to keep things interesting while cultivating the best responses in your donkey, you should spend one day in the round pen, the next day in the open area doing the hourglass, and the next session on the obstacle course. Be sure to include a review of turns on the forehand and haunches, and ground-driving both straight and with turns preceding each session. And always, before you ride off and immediately after mounting, ask your donkey to bring his head to your knee on each side by offering a treat and vibrating the rein on that side. This encourages light responses in your donkey. Don’t drill your donkey every day. He only needs clear and consistent lessons to learn well, and he needs rest in between so as not to establish any soreness or side effects from using muscles he hasn’t used before. Don’t worry, he will not forget what you have taught him, and even if you have three days or three weeks between lessons, he will be right where you left him! Herein is the beauty of training a donkey or mule.