As discussed in Parts 1 and 2 of this article, there are many more things to think about before purchasing an equine than you could have ever imagined—from the actual purchase of the equine to the management considerations you need to be aware of on a daily basis. It is so important to always keep in mind that an equine is not an inanimate object like a car that you can tune up, drive (or, in this case, ride) at will, and then put back in the garage until the next time. In fact, the equine was not anatomically designed to be ridden at all. The idea of riding was a completely human decision.
In order to more clearly understand this concept, let’s take a closer look at the equine anatomy. The equine is designed with interlocking vertebra in the spine that have long bony “fingers” called spinus processes,which protrude in varying lengths from the interlocking vertebra. The spinus processes“fingers” support the musculature that surrounds the super spinus ligament, which runs the full length of the back. The highest point of the spinus processes is at the withers, where the spinus processes bones are at their longest. They then taper down toward the croup, becoming shorter as they line up across the back. This is a body design that was intended to carry the weight below the spine and not on top of it. Everything in the equine’s mind and body supports this position and, when we train, if we do not pay attention to re-programming the muscles, tendons and ligaments to support the additional weight above the spine in a way that is painless and clearly understood by the equine, they become uncomfortable and even sore, and bad behaviors are almost certain to arise.
If you keep the equine anatomical structure and his mental reactions to stimulus in mind, the way to build adequate musculature to carry a rider or pull a vehicle is really quite simple. Equines have a natural willingness to please and become resistant only when they are frightened, hurt or confused by the way they are being asked to do something. Training does not only take place during lessons in your arena or round pen—lessons begin the moment you are within earshot of your animal, so when you go to get your equine from his pen or stall, approach with the attitude that you are visiting a friend. Don’t’ just barge into his living space and try to “catch” him—rather, call out his name and say hello in a cheerful voice. Stand at the gate or door and offer a handful of oats, and when your equine comes to see you, let him know you are happy to see him too. Stroke his neck before you put the halter on your equine, and then give him his oats and let him invite you into his space. It won’t be long before he anticipates your arrival and “talks” back to your “Hello.” If you want to make a friend, you first need to be a friend!
Here are some important techniques to remember each time you approach your equine:
Be polite and considerate in your approach and your equine will be more willing to want to go with you. An equine that is “herd bound” and won’t leave his pasture buddies has simply decided that his equine counterparts are nicer to be around than the humans who “use” him, but if your animal feels good when he is with you, he won’t mind leaving his equine companions.
When you want to pet your equine, let him see that your hand is moving toward him, but keep movements low, slow and non-threatening.
Stroke his neck, going with the grain of the hair, and never against it.
Touch his head and other sensitive areas only after you have gained his confidence. Note the way he responds to your touch and alter your touch accordingly. If he flinches, you might be touching him either too lightly and tickling him or you could be touching him too strongly and it hurts. Use the flat of your hand and don’t “poke” at him.
Many people are familiar with imprinting their foals, but what they may not realize is that the purpose of imprinting is not just to get the foal used to human touch and smell. It is, in reality, the first steps in learning
about your equine’s entire body, and then adjusting the way you touch him so that you give him pleasure every time you touch him (except during brief disciplinary actions).
Most of us want to ride and do the more glamorous things that we see people do with equines right away, and we become impatient for the end result and don’t pay adequate attention to the smaller details that lead up to our fantasy. But it is imperative to always remember that equines are very much like young children and need to learn in a slow, logical and sequential way.
Ask yourself these questions:
How are you leading your animal after you catch him? Are you maintaining good posture?
How do you groom your animal, and how is the grooming received?
Are you being polite and considerate in the way you use the grooming tools?
How is the tack being put on?
Every movement sets the stage for how your equine’s body is being conditioned. So when you are leading your equine, make sure that you are holding the lead rope in your LEFT hand, are that you are moving in good posture yourself. Be sure that you are keeping your equine’s head at your shoulder, that you are pointing in the direction of travel with your right hand and that you are matching your equine’s steps while being clear in your intentions during movement transitions.
Remember: Square up your animal every time he stops to cultivate a new habit of good postural balance through repetition. Be cautious when leading your equine through narrow openings like gates and doorways. Make him allow you to pass through first every time. When you need to make a turn, always take one step forward first and then turn the animal on a gradual arc away from you—don’t make any abrupt movements.
Here are some important points to remember when learning to deal with tack and your new equine:
When approaching with tack and equipment, allow the equine to smell and inspect it before you put it on him, and then reward him for staying calm.
When putting on the bridle, be aware of how you take it over the animal’s ears so as not to hurt him.
When saddling, make sure stirrups and girths are put up and not flopping. Be polite and let the girths and stirrups down easily on each side.
Then ease the saddle onto your equine’s back, being sure not to tighten the girth all at once. Rather, come back several times and tighten just a little bit more each time until it is snug, but not tight.
When needed, cruppers are used on riding equines in order to keep the saddle in the correct position on the equine’s back. Make sure you know how to properly place the saddle over his center of gravity (so the girth lies four inches behind the forearm) and then adjust this piece of equipment.
Breeching is an assembly of straps across the rear quarters of the equine and is fine for packing and driving animals, but it can inhibit the hindquarter range of motion on a riding animal. A crupper is preferred for a riding animal to hold the saddle in place for extreme trail riding, etc.
If you have a double rigging on your Western saddle, always make sure that the front girth is done first and pulled snug—NOT tight—and that the back girth lays against the body and is just snug enough to keep the back of the saddle from flipping up, but it is not too tight.
Check your girth periodically when riding to make sure it stays snug enough so that the saddle does not roll toward you on the equine’s back when you try to mount.
Never use bridle reins or drivelines to tie your equine. When tying your equine, always use a halter and lead rope, and tie to a stout post (NOT fence rails) with a safety release knot.
Always untie your animal before removing the halter.
Coming up next, the fourth and final installment of Owning an Equine Is Serious Business features a discussion of beginning riding, with many valuable details, tips and safety rules and checklists that you can actually take with you while you are working with your new equine.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
As discussed in Part 1 of this article, there are many realistic and very important steps to choosing, housing and caring for an equine. Let’s begin at the beginning … BEFORE you make a purchase.
TIP: Before you buy your equine, take the time to educate yourself with books and DVDs. Knowledge is your most powerful tool.
Here is a checklist of things to consider BEFORE you buy:
Consult with knowledgeable professionals who can help you get started on the right foot.
Pick your equine for not only his particular athletic potential, but for his compatibility with your own personality.
Carefully choose your vet and farrier ahead of the time of your purchase.
When you are ready to buy, bring along a qualified professional to look at any animals in which you may be potentially interested.
When choosing your equine, ask the seller to demonstrate to you what the equine does, and then ask if you can ride him, doing the same moves yourself to make sure the animal will perform for more than just the seller.
Check the animal for any unsoundness and signs of tranquilizers or other drugs.
Ask the owner to load and unload the equine into and out of a trailer.
Make sure registration papers and health records are in order and up to date.
Get a pre-purchase exam from your veterinarian.
Once your animal is home, make sure that:
He has adequate shelter, good nutrition and a routine he can count on.
There is a safely fenced, two-acre area per equine for turnout, along with adequate shelter from the elements.
He is given feed that is appropriate for normal growth.
Feeding is done at the same time each day, both in the morning and in the evening—without fail.
You visit the barn twice every day in order to check your equine from head to tail, making sure that he has not injured himself and that he is not getting sick.
Become familiar with the first signs of possible illness:
Is your equine eager to see you—alert and attentive, with bright eyes and ears perked in your direction—or is he sullen and lethargic?
Does he go after his food immediately and chew with regularity?
Does he appear to have been rolling on the ground? (If so, is he still eating well?)
Is the manure a healthy color and consistency, and is there the usual amount of manure and urine? (If there is an abrupt change in amount or appearance, call your veterinarian.)
Is your equine sweating? (If he is, is it just the weather, or is it an elevation in his temperature?)
How is he moving? (Does he have regularity of gait, or is he exhibiting any lameness?)
Check the eyes, ears and nostrils for discharge or any other irritations. (If there is any discharge, is it clear and minimal, or is it thick and yellowish or bloody?)
Check the hooves for any cracks, stress rings or abnormalities in the foot. (How fast is the foot growing? Is the foot growing faster or slower than usual? Is he maintaining the proper angles in the feet? Prepare for farrier visits accordingly.)
Check the water and trace mineral salt block. (Is the water clean and free from debris? Has the salt block been used? If so, how much?)
To keep flies and other insects under control:
Feed the right kinds of healthy feed.
Keep water sources clean and fresh.
Daily—clean all stalls, pens and sheds so that they are free of manure, and add fresh bedding of straw or shavings, as needed.
Periodically—clean your barn with a disinfectant.
Keep all tack and equipment clean.
Each time you leave the tack room, spray for any residual flies, using a household spray made specifically for flying insects.
Keep manure collection piles well away from the barns and your house. (I suggest having manure hauled away weekly). Putting manure on pastures will only invite weeds to take over.
Regularly groom once a week to remove excess hair, mud, etc. This will help to eliminate places on your animal (including his legs), that may be a target for egg-laying insects.
For sores, scabs or bumps, use Neosporin. If these are severe, use Panalog—also called Animax or Dermalone—by prescription from your vet.
Do not clip the hair inside the ears.
Do not clip the hair on the legs (unless you absolutely must for showing).
Use Johnson’s baby oil on the manes and tails.This helps to keep the flies at bay and will also keep other animals from chewing on each other’s manes and tails.
Use Farnam brand Tri-Tech 14 fly spray once a week (it lasts the longest). This helps to control bugs and insects that can pester your equine, especially during warm weather. (I have found that herbal remedies do not seem to work as well.)
Use fly masks that have holes for the ears for those equines that have sensitive skin and/or are sentive around the facial area. The fly masks that have ears built in often do not comfortably fit donkeys and mules.
Farnam Super Masks will usually fit most equines.You can find them in most tack and vet stores.
NOTE: To further prevent the infestation of parasites, fields and pastures should be harrowed in the spring and the fall, and between hay cuttings.
Finding a good veterinarian and farrier is paramount to the health of your equine. You will need to find out which vaccinations are needed for your area, and schedule the spring vaccinations accordingly. If you are not a skilled, experienced equine person, it is best to have your veterinarian administer these vaccines for you, as sometimes certain animals can have adverse reactions to them. (Many inexperienced owners administer shots and other medications because they want to save money, but this can often result in adverse reactions and, consequentially, higher vet bills.)
Don’t be afraid to ask questions and encourage your veterinarian to help you to learn veterinary maintenance that you can do yourself. Most good veterinarians are happy to do this, as it frees them up to tend to the more serious cases in their practice. I would be suspicious of a vet who is reluctant to discuss the health of your equine with you.
Here’s a “health support team” checklist:
Is the vet you are using allowing you to ask questions about your equine?
Is he or she asking you questions about your equine, as well?
Is there open communication between you and all the members of your equine’s support team?
Do the vet, farrier, equine chiropractor, massage therapist and any other professionals involved in the welfare of your equine communicate well with each other?
NOTE: The overall focus should always be the health of the equine patient, including a cooperative effort from his health support team.
Now that you have a good idea of what it takes, on a daily basis, to properly manage your equine and his environment, you’re well on your way to reaching your goal of being a knowledgable, responsible equine owner. In Part 3 of this article, we will cover the responsibilities associated with your equine in preparation for future athletic activities.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
While many of us were growing up, we were barraged with a deluge of ideas and attitudes about equines that were conveyed to us via multiple forms of media and educational sources. The role models of yesteryear were movies like, My Friend Flicka, books like The Black Stallion or Black Beauty, and TV shows like The Lone Ranger and Hopalong Cassidy. The most commonly known mules were “Francis,” who appeared in the Francis the Talking Mule series, and another mule known as “Ruth,” who appeared in the TV show, Gunsmoke. Those of us who tried to apply the management and training practices portrayed in the movies and books discovered that the things we saw on television and read in books covered only a fraction of what was really necessary, and the things that were shown and written about didn’t always work the same way in reality as they did in fiction.
Like many equine lovers, I was convinced that, when I got older, I would be able to have as many horses of my own as I wanted. I thought I would build a one hundred-stall barn and rescue all the abused horses in the country that I could. Surely, one hundred stalls could house almost all of them! Even into my early twenties, I believed this could happen. I honestly thought that all I needed was a patch of fenced grass and a shed out of the weather, and this simple solution would sufficiently provide for an equine. I was soon to discover the responsibility of health and finance that would burst my fantasy bubble and force me to deal with the hard realities of a life with equines. Once you confront these realities, you begin to really understand what is meant by “horse poor!” But more importantly, you discover how many important responsibilities there are when you own an equine.
Horses, mules and donkeys are living creatures with complex bodies that require not only proper nutrition and training but adequate space and the right kinds of fencing and housing. The standard rule of thumb is that you need two acres of land per equine, just for grazing. And, since equines cannot graze indefinitely without putting their bodies at risk for colic and founder, they also need space away from the lush green grass in the pastures. In addition, they cannot graze on just any kind of pasture. There are some grasses and plants that are toxic to equines and ingesting any of these potential hazards can result in sickness, paralysis or even death. It is important to familiarize yourself with the indigenous plants in your particular area that could be a potential hazard to your equine’s health and make sure they are removed from your property or, at the least, removed from the areas where your equine could gain access.
There is no substitute for proper management. Ideally, all equines should be kept overnight and fed in a dry paddock or stall where their feed can be monitored. They should be gradually exposed to pasture in the springtime. Begin by turning them out for only an hour per day to start, and then work into more time, adding one hour to turnout time per week until their bodies are accustommed to the pasture intake. They can remain on pasture during the day as their weight will tolerate, but I have found that a maximum of five hours of pasture time per day is ideal. Anything over five hours tends to start adding unhealthy weight. This routine is easy to do if they are kept up overnight and fed morning and evening in either a separate area that is nothing but dirt, or in a stall and run. Multiple animals can be kept together overnight in a dry lot, provided that they are compatible by size, gender and type, and there is enough space to put out buckets for their crimped oats mix and grass hay—the buckets should be spaced at least 16 feet apart. Contrary to popular belief, alfalfa and other hot feeds are not really good for equines.
Before the industrial age and the onset of urban sprawl, equines were more independent, and many roamed free on the open range. Horses were kept in bands, or remudas, and rounded up when it was necessary to use them for ranch work and herding cattle. Most often, the abuse of horses in literature was portrayed, as in Black Beauty, on the busy streets of the cities, where they were overloaded or overworked in harness. Abusive training practices that were done in the more rural areas were deemed necessary and normal for the breaking of horses and mules. These equines were considered “wild” and hard to tame. Few people ever thought that perhaps the resistance they encountered from the equine was due to the approach and handling by the trainer. Because the donkey is a more placid animal, he was deemed stubborn and, thus, more harmless than his equine counterparts, so he subsequently became the mount of choice for ladies and young beginning riders. The harsh breaking of horses and mules was accepted in this country as a necessary evil when in reality, it was really only a contest of strength among men, and a peculiarity of the New World. The art of Classical Horsemanship and a more humane method of training equines had been present in Europe for nearly a hundred years prior to the time of the American cowboys.
Throughout history, classically trained horsemen and women were aware of the value in the careful upbringing of the horse (or mule) as a useful and economically valuable animal that was beneficial to their civilization (particularly in the art of warfare). Horses were brought up in as close to the conditions of the wild as possible, but, with the encroachment of urbanization, the space to run free became less and less available. Classical Horsemanship is still practiced today and allows young horses to grow slowly, while formal training is kept to a healthy minimum. Young equines are ridden only after they have done plenty of body building groundwork and have reached the age of four. Today, equines must live in a completely different environment than they once knew, so we all need to understand that what we read about in books and see in movies and on television is no more than entertainment, and not an accurate portrayal of the reality of owning an equine.
Equines have unjustly become a commodity of our capitalistic system—they are treated more like a product to be bought and sold and less like the living and breathing creatures that they are. People buy and sell equines like cars, expecting them to be “tuned up” and stay that way for unskilled owners. Unsuspecting owners are often sold a “bill of goods” by practiced salespeople—animals and the responsibilities associated with them can easily be misrepresented to an unskilled buyer and, quite often, equines do not meet the unrealistic expectations of an inexperienced equine lover. Unless a buyer has family or a friend in the horse business, there is no reason they should know all the responsibilities that come with being an equine owner. But even if you do not have equine experience, if you plan to own an equine, you still have a responsibility to educate yourself as thoroughly as possible, so that you can give your equine partner the best care possible.
Remember: Be prepared to develop a lifestyle with your new equine that includes reliable routine, regular visits from your selected equine professionals and positive interaction with your equine on a daily basis.
The responsibility of maintaining an equine may seem overwhelming at first, when all you wanted to do was get a horse, pony, mule or donkey to ride or drive. But if you are a willing student and consistent in your own behavior, it soon becomes a pleasure to care for such a deserving partner in life. In Part 2 of this article, you will get a comprehensive list of best practices for the care and management of your new equine.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
You have introduced your donkey to some lateral techniques both in the arena and over obstacles, and you are perhaps discovering that he is a lot better at some things than he is at others. You might find that he quits trying and goes through the bridle, going straight instead of laterally. You must understand that lateral work is very taxing for your donkey’s muscles and will tire him quickly. When he gets tired, he will “run through the bridle” and refuse to move laterally. This will usually happen at the trot, but rarely at the walk. If you find your donkey behaving in this manner, it is best to go to walk and perform only one correct lateral move, then end the lesson there and resume it on another day when he is rested. Lateral work should really be done only once or twice a week at most. There should be at least three days between lateral sessions.
This lesson will teach you some lateral exercises under saddle that will help your donkey be more responsive laterally. Up to this point, we have been schooling what is called leg yields, or lateral moves, on an angled track. We have begun movements to introduce the side-pass, which is a lateral move, only straight sideways. This is even more difficult for your donkey than the leg yields, since it requires a higher degree of crossing over from his legs. You may have found difficulty in negotiating the side-pass obstacles previously mentioned. First, check to make sure that the placement of your side-pass rail near the fence is correct. It should be about three quarters of your donkey’s length from the fence and lay parallel to the fence so that when he stands with his nose six inches from the fence, the ground rail lies directly under the middle of his barrel, equal distance from the front and rear legs. When you lay out the “T” poles, there must be room for him to swing his shoulders or haunches around to the next pole without touching them. If these steps are done correctly, it should minimize any problems. While ground-driving your donkey, your assistant can help steady him from the front. After some repetition, he should begin to comply easily.
In the beginning, when riding your donkey over these obstacles, your assistant can help to “show” your donkey what is expected, but then you are on your own. Using the next four exercises will help to clarify lateral moves to your donkey and make them easier for him to negotiate.
Begin on the rail and spiral down to a smaller circle in three revolutions. Then leg-yield back to the larger circle. The first you will do is the spiral, as described before, with just a few modifications. Begin at the trot on a large circle and spiral down gradually to a smaller circle. When your donkey is losing momentum, slow to the walk and spiral down to the smallest circle he is able to do. Keep him walking and begin to spiral back out, using your reins and legs to move him more sideways back onto the larger circle. Use your crop at his shoulder and hip to encourage him to move more sideways at the walk. Do it this way a few times. Once he understands what is expected, you can pick up the trot as the circle becomes larger and yield at the trot to the largest circle. Each time he finishes the cycle, remember to reward him for his efforts. When he is performing well at the walk and trot, we can vary this pattern just a little more. Ask him to canter the larger circle while you begin to spiral down. At about the halfway point, ask him to slow to trot and finish the spiral as small as he can manage at the trot; then start spiraling back out to the larger circle. At the halfway point, pick up the canter and finish onto the largest circle. You can ask him to move laterally at the canter by cueing him as he is in suspension. In others words, when his front legs are out in front, he is on the ground and you would give the release on your reins and legs; when his front legs come back toward you, he is in suspension and you would pull back on the reins and squeeze with your legs. To get the sideways movement, you would pull back ever so slightly harder on the rein in the direction of travel, while maintaining the bend with a steady inside rein. This movement requires timing and coordination and will take a lot of practice, so don’t get discouraged. Just keep trying and you will soon get the right results.
The next exercise is to side-pass the donkey along the fence line. This is just like the ground pole by the fence, only without the pole. Walk along the rail and, as you come out of the corner on the short side, put your donkey at a 45-degree angle to the rail with a partial turn on the forehand. Then ask him to maintain the angle all the way down the long side of the arena. Bend him away from the direction of travel. Keep the inside rein slightly shorter and steady, while giving tugs and releases on the outside rein and kicking him behind the girth on the inside. If he moves his shoulders and not his haunches, hold the front steady, move your leg way back on the inside and kick again, asking him to move his haunches over. Then he will probably move his haunches and not his shoulders, at which point you can keep the haunches steady by locking them between your two legs, well back behind the girth. Then you can move his front quarters sideways by holding the inside rein steady and shorter, pulling and releasing the outside rein in the direction of travel, while tapping him on the inside shoulder with the crop to encourage the movement. In the beginning, you may find yourself going down the rail first haunches, then shoulders, then haunches and so on, but if your persist, he will eventually get it. You need to be alert to when he does respond correctly and lighten your cues so he knows he is performing correctly. And of course, reward him often to let him know that he has done it correctly. Nothing works better than positive reinforcement!
The next exercise is to leg-yield your donkey from the corner of the arena to the center of the hourglass pattern. Do it just as you practiced it before—make a circle at the second cone and stop him, move his hindquarters parallel to the rail, then ask him to move sideways and forward to the center gate cones. When you arrive at the cone gate, straighten him, walk forward a couple of steps, then finish that side of the hourglass in a straight walk, then trot as he becomes more proficient. When you have completed half of the hourglass, you can go on to the next second cone on the short side of the arena and repeat the exercise. Just remember to stop and reward him for each half of the hourglass. As he learns, you can go longer between rewards. In the next exercise, you will go through the hourglass as usual, but when you reach the cone gates, you will circle around towards the rail, stop at the cone gates, move his hindquarters over and yield from center to corner. When he reaches the corner the first few times, stop and reward him then continue around to the center from the other side and repeat. As before, reward him for each completed move in the beginning. As he gets better, you can start rewarding him less often after completed successions. Always begin by walking until there are absolutely no problems, then he is ready for these exercises at the trot. Any time the trot goes awry, go back and school at the walk again. If he gets too strong with you, you may have to ask him to back a few steps before proceeding. Just make sure that if you ask him to back, you do it slowly, kindly and meticulously.
These exercises should help to improve your donkey’s negotiation of all kinds of different lateral movements and will greatly improve his side-passing ability. But remember, always take things slowly and build one thing upon another. Don’t do anything any faster than you can do it right. You are not only negotiating movements and obstacles; you are also conditioning your donkey’s muscles and tendons to perform properly and strengthening them while in motion. So you’d better do it correctly, or you could cause extreme soreness, crookedness and other side effects that will inhibit his performance and affect his overall health. Be kind to your donkey and he will reciprocate!
Does the Lucky Three Ranch participate in filming? Since my parents gave me a Brownie camera when I was five years old, I have been fascinated with taking pictures. They also gave me a diary after I learned to write. When I got older and began my interaction and training with mules in 1973, I always documented those interactions with my mules and donkeys in pursuit of learning the best way to manage and train them. I wanted to give them the best opportunity to exceed people’s expectations of them and dispel the old rumors. I kept diaries, wrote articles for international equestrian magazines from 1982 to present day, took photographs and video of every lesson, clinic and show to document their progress. I consolidated a group of articles in 1993 and published my first hardbound book, TRAINING MULES AND DONKEYS: A LOGICAL APPROACH TO LONGEARS.
I worked with three different production companies from 1997-2017 producing my 10-tape video series (first in VHS and later upgraded to DVDs). By 2009, I had published two more hardbound books, A GUIDE TO RAISING & SHOWING MULES and DONKEY TRAINING, and another manual, EQUUS REVISITED with a matching DVD.
From 2005-2007, I published five hardbound children’s books for a series for kids followed with corresponding DVDs and a coloring book. At the same time we did a lot of video short pieces such as TEACH YOUR MULES AMAZING THINGS and began the TRAINING TIPS series (67 TIPS).
By 2017, I decided that the production companies were not doing justice to my brand considering their exorbitant costs. So, Lucky Three Productions, L.L.C. was born when my crew decided that we could probably do everything they were doing and could probably do it better…and we DID! We do EVERYTHING with two guys and three girls at the ranch working remotely with our graphics artist, two videographers, our JASPER Mascot & Social Media/Website person. Since then, we have flourished and produced eight documentaries, a total of 126 TRAINING TIPS, 31 LONGEARS MUSIC videos, 195 MULE CROSSINGarticles and 4 LONGEARS DIARY series that are all posted under TRAINING on my website at luckythreeranch.com . There is much more educational and fun LONGEARS things and biographical information to peruse.
Instead of making every new project a singular production, and shooting for that only, we shoot photos and video of everything we do every day, keep diaries, log everything and then use the materials for multiple projects going forward, shortens the time need to do the various projects because there is very little shooting pieces that we need and significantly lowers the cost of production. This expands the use of everything we do from articles, to training tips, to advertising, to social media to new video projects and anything else we might dream up. If you can dream it, you can do it! You just need to learn how to be super-organized and efficient about the way that you work…and still continue the training with the equines as needed to add to our intellectual property library. As we all age and the ranch work changes, there are always new things to shoot and film.
How do you select the animal(s) for the scenes? By temperament and disposition. All my equines are able to do whatever I ask for the filming that we do and for the people that will ride them. Ours is a complete training and exercise program that builds up their core balance and strength at the skeletal level for ultimate performance, and instills confidence & ability.
When working with the Longears, we do not set up the filming to get the perfect shots. We actually do everything at the time the equines are learning so people will know what to expect. This kind of training takes time and precision in communication with the animals to produce the results one would need for getting them to do anything and everything perfectly. And, it is a never-ending process! All the filming and documentation we do is to undeniably validate the integrity and quality of our management and training program. With this kind of foundation, the Longears training is impeccable and they are ready, willing and able for photos and filming.
Training Mules & Donkeys is our brand and we now have our own production company, Lucky Three Productions, L.L.C., and self-published…
31 – Meredith Hodges Training Mules and Donkeys TV Shows – on RFD TV for 11 years
3 – Hardbound Training Books:
1)Training Mules & Donkeys: A Logical Approach to Training
2) A Guide to Raising & Showing Mules
3) Donkey Trainin
3 – Softbound Training Manuals (Produced in English, French, German & Spanish
1) Training Without Resistance (Corresponds with Videos #1 through #7)
2) Equine Management & Donkey Training (Corresponds with Videos #8 – #10)
3) Equus Revisited (Critique of Natural Horsemanship Principles)
– The Equine’s Skeletal Structure – Developing Your Hands
– The Equine’s Skull – Choosing the Right Bit
– How to Make the Elbow Pull – The Elbow Pull for Good Posture
– Multiple Uses of the Elbow Pull – Building Coordination through Obstacles
– Obstacles under Saddle
11 – Training Videos that correspond with the manuals listed above
Foal Training – Preparing for Performance: Driving
Preparing for Performance: Groundwork
– Basic Foundation for Saddle – Intermediate Saddle Training
Advanced Saddle Training – Jumping
– Management, Fitting and Grooming – Donkey Training: Introduction and Basic Training
– Donkey Training: Saddle Training and Jumping
– Equus Revisited
Give Your Equine the Athletic Edge (VOD)
Teach Your Mules Amazing Things (Video Shorts)
Housekeeping
Chess Game– Classroom
Magic Show – Paratroopers
Trampoline
Documentaries:
1) Lucky Three Ranch & the Road to Bishop 6) Making of the Jasper Carousel
2) The Bishop All-Stars 7) Lucky Three Hay Production
3) The Bishop Experience
4) Walk On: Exploring Therapeutic Riding
5) Rock and Roll: Diary of a Rescue
Jasper the Mule Children’s Series
1) Jasper: The Story of a Mule (Book, Video & VOD)
2) Jasper: A Christmas Caper (Book, Video & VOD)
3) Jasper: A Precious Valentine (Book, Video & VOD)
4) Jasper: A Fabulous Fourth (Book, Video & VOD)
5) Jasper: A Turkey Tale (Book, Video & VOD)
6) Jasper: An April Mule’s Day (Book)
7) Jasper Goes to Bishop (Coloring Book, Video & VOD)
My lifetime mission has always been to prove that mules could do everything that horses could do in all kinds of recreational equestrian disciplines to further their use in modern America. As I learned more about Longears’ personalities and abilities, I began to develop my own unique training program, utilizing my observations and my background in Behavior Modification. Over the next ten years, guided by the resistance-free training techniques of Richard Shrake and merging the knowledge of many other trainers from multiple equestrian disciplines (such as Major Anders Lindgren of the Swedish Olympic Team in Dressage, Rick Noffsinger in Driving, Bruce Davidson, Denny Emerson and Jim Graham of the US Olympic Team in Combined Training, Steve Schwartzenberger and Al Dunning in Reining and some of the very best Western trainers like Tom Dorrance, Ray Hunt, Buck Branaman, John Lyons, Pat Parelli and Clinton Anderson) I used only the very best theories and techniques they had to offer. I combined them into a comprehensive management and training program that I called Training Mules and Donkeys.
My evolving techniques proved successful in showing my animals in both Horse and Mule Shows. In 1984 Lucky Three Sundowner became the World Champion Bridle Reined Mule at Bishop Mule Days in Bishop, California. He then became the World Champion 3rd level Dressage Mule in 1992, and again in 1993, while working at home at 4th Level Dressage.
During the 1970s and early 1980s, most competitive equestrian events were closed to mules and donkeys. In 1986 I lobbied the United States Dressage Federation (U.S.D.F.) Convention, wrote campaign letters, and held forums and discussions with various breed organizations in an effort to change the U.S.D.F. rules to include mules and donkeys in competition. Mules were eventually limited to schooling shows only, and not allowed at the upper levels in the U.S.D.F. shows that were governed by the A.H.S.A. I diligently worked with other mule enthusiasts to get mules accepted by the A.H.S.A. On January 18, 2004, mules were finally accepted by the A.H.S.A., now called the United States Equestrian Federation (U.S.E.F.). The rule was approved with consideration. Mules were now accepted in the Dressage Division of the U.S.E.F.
In 1990 my Sire-Supreme jack donkey, Little Jack Horner, jumped four feet in exhibition at Bishop Mule Days, winning a Special Award and making him the only formal jumping donkey in the world.
HOLLYWOOD MULES & THEIR TRAINERS
The film titled Hollywood Horses focuses on the great Silver Screen Movie Horses from the old Hollywood movies, westerns, frontier epics, and the Trainers Cowboys, Wranglers and rental stables.
Information on Hollywood’s movie stable owner Fat Jones, and others including Glen Randall, Corky Randall, Tom Sweet, Ralph McCutcheon, Jack Lindell, Les Hilton, Kenny Lee, Denny Allen, Dave Richardson, and two women who ran a business together, Stevie Myers and Joan Edwards. Many have since passed away – and in several instances, their children, are running the remaining stables. Fat was in business until his death in 1963. Then it was sold to Dyke Johnson whom is NOT related to actor Ben Johnson. Ben also started out as a wrangler and was Fat’s son-in-law.
This is a tribute to the old horses and the popularity they enjoyed from the 1930’s to the 1960’s. The Californian local history of the San Fernando Valley where the rental stables were located and many films were shot. In the early days, before large trailers were used to haul the horses to their location, wranglers and cowboys would round them up herding them to the movie sets. The old western cattle driving technique met the modern world of motion picture making.
What attributes are desired in film animals? They must be manageable, but they will also need to have attributes that are complementary to their roles in the script.
How are the animals paid and who receives the payment? The animals are leased from various stables with their trainers that are in the business of making them available to Hollywood Producers. The stable receives payment for the loan of the animals.
Are there rules regarding how often the animal(s) get a break and for how long? The animals would be governed by each State’s animal advocacy groups like PETA, ASPCA, Humane Society, etc.
MULE AND DONKEY TRAINING FOR FILM
Donkeys and horses are frequently used over mules in films because they are easier to train for specific roles.
Mules are often found in the background of numerous films
Mules have specific likes and dislikes when it comes to people so actors with an “attitude” could have problems with them.
Horses frequently have more “starring” roles in films.
Rumors about Longears supersede the reality of their true character and skill.
Training horses for movie roles is a fascinating process that combines equine expertise, patience, and creativity, but much of the training used is “Old School.”
Here are some key steps involved that are used primarily with horses. They don’t always work well with mules the way they execute the training. You MUST train mules the way that horses SHOULD be trained. That is probably why the mules don’t seem to have very many leading roles.
Desensitization:
Horses need to become comfortable with unusual sights, sounds, and props they’ll encounter on set. Trainers gradually introduce them to things like cameras, lights, costumes, and loud noises.
Basic Obedience: Horses must respond to cues reliably. They learn commands like “walk,” “trot,” “canter,” and “stop.” Rein pressure, leg cues, and voice commands play a crucial role.
Stunt Training: For action scenes, horses learn to perform specific movements, such as rearing, bucking, or falling. Stunt doubles may handle these challenging sequences.
Trick Training: Horses can learn tricks like bowing, nodding, or lying down. These add flair to character interactions.
Mounted Actors: Horses must adapt to different actors’ riding styles. They practice working with specific performers to build trust and coordination.
Trail Exposure:
Movie sets often involve outdoor locations. Horses train on trails, bridges, and uneven terrain.
Crowd Scenes: Horses learn to remain calm amidst crowds, crew, and other animals.
Transportation Training: Loading onto trailers or standing still during transport scenes is essential.
Emotional Scenes: Horses can convey emotions. Trainers work on expressions like fear, curiosity, or relaxation.
Safety Measures: Trainers prioritize safety, using protective gear and ensuring horses are comfortable.
Remember, each horse has its own individual personality and learning pace. Patience, positive reinforcement, and understanding contribute to successful equine performances on the big screen!
People might be surprised at the number of films where you can find mules and donkeys. Mostly, they were used as “stand-ins,” but as time passed and the old rumors became diluted, they claimed their place in the film industry. Here are some of the more popular movies that were produced with Longears starring roles, but there are even more where they are shown in a positive light.
Any unusual moments on film that you would like to share?
When we were filming and doing the narration for Jasper: The Story of a Mule with Animator, Bill Melendez, our narrator, Lee Horsley and I went for a ride on my mules. He had a scar on his face, so I asked him about it. During a shoot, he was thrown to the ground when his horse tripped and fell. He was rushed to the hospital, treated for a broken nose and jaw, and then had to return to the set to finish his shoot right afterward. That was when I discovered how merciless Hollywood could be…it’s all about the money! I think Lee decided that day that he’d rather ride a mule!
LONGEARS MOVIES. Mules may not have played a lot of starring roles, but they have always been “Stand-ins” in the background of historic movies and hold a very special place in people’s hearts that know them. Rumors have it that mules and donkeys are stubborn and not a pleasant animal to ride. Their history actually proves otherwsie. They have an incredible sense of self-preservation and will not be forced to put themselves at risk. When treated with a polite attitude and the right approach, there is no better equine as a companion…they wil keep you SAFE if you are willing to listen to them!
OBJECTIVE BURMA! (Errol Flynn – Merrill’s Marauders – Parachute Mules into Burma 1945) Objective Burma is a gripping war drama film that was released in the year 1945. The movie stars the legendary actor Errol Flynn in the lead role, along with James Brown and William Prince. The film is directed by Raoul Walsh and is considered to be one of the best war movies of all time. The movie takes place during World War II in the year 1942. A group of American soldiers, led by Captain Nelson (Errol Flynn) are sent on a mission to destroy a Japanese radar station in Burma. The mission is considered to be one of the most dangerous military operations of the time and the soldiers have to face numerous obstacles along the way.
The film begins with the soldiers being dropped off by the Allied Forces near the Burmese border. They trek through the dense jungle, where they have to fight off various enemies and dangerous animals. Finally, they reach the location of the radar station and successfully destroy it.
However, things take a turn for the worse when a group of Japanese soldiers spot the Americans and decide to retaliate. In the ensuing battle, many of the American soldiers are killed or captured by the enemy forces. Captain Nelson, along with a handful of soldiers, manages to flee and seek refuge in the jungle.
The remaining soldiers are faced with the daunting task of trying to make their way back to their base, which is located hundreds of miles away. They have to navigate through the treacherous jungle, evade the enemy forces that are pursuing them, and survive without proper food and water.
As they journey deeper into the jungle, the soldiers come across a tribe of friendly Burmese people who agree to help them on their journey. Together, they face numerous challenges and obstacles, including hostile Japanese troops, natural disasters, and unpredictable terrain.
Throughout the movie, the soldiers are confronted with the brutal reality of war and are forced to rely on their training and instinct to survive. The performances of the lead actors, especially Errol Flynn, are remarkable and bring a sense of authenticity and credibility to the film.
In conclusion, Objective Burma is a timeless classic that captures the true essence of war. It showcases the bravery and courage of the soldiers who fought for their country, as well as the hardships and struggles they had to endure. The movie is a poignant reminder of the sacrifices made by those who fought in World War II, and it remains a must-watch for anyone interested in war movies.
MULE TRAIN (Gene Autry 1950) The film was released on February 22, 1950, by Columbia Pictures. Prospectors have discovered a natural cement mine that yields material of astonishing durability. But greedy contractor Sam Brady enjoys a monopoly on the transportation of crushed rock, which is being used to build a local dam. U.S. Marshal Gene Autry, however, discovers that Brady has used this method before, and his dams always burst shortly after construction, flooding entire towns. Despite Brady’s power, Autry campaigns to have the new dam made of cement.
FRANCIS THE TALKING MULE (Donald O’Connor 1950-56)
The book and film series focused on the exploits of Francis, an experienced Army mule, and Peter Stirling (played by Donald O’Connor), the young soldier whom he befriends. Francis then stays with Peter through civilian life and back in the military. In the original 1950 film, the mule identifies himself to the commanding general as “Francis…123rd Mule Detachment…[serial number] M52519.” With a plot device like the later series Mister Ed, Francis would usually talk only to Peter, thus causing problems for his nominal “master.”
As the titles indicated, each film had a different setting or gimmick, exposing the world-wise mule and the naive GI to race track excitement, the world of journalism, and many branches of the military, from West Point to the WACs to the Navy. The basic plots were fairly similar, however. Stirling, with the sage but sardonic advice of Francis (gleaned from overhearing generals plan strategy or from discussions with other equines), would triumph over his own incompetence. However, inevitably he would be forced to reveal that his adviser was a mule, and be subject to mental analysis (sometimes more than once per film) until the grand reveal, when Francis displayed his talent (usually either to individuals, or to a large group). Some of the Francis films had animated trailers.
Francis (1950) a.k.a. Francis the Talking Mule
Francis Goes to the Races (1951)
Francis Goes to West Point (1952)
Francis Covers the Big Town (1953)
Francis Joins the WACS (1954)
Francis in the Navy (1955)
Francis in the Haunted House (1956)
The mule who appeared on-screen was a female named Molly, selected because she was easy to handle. She was purchased from Ed Frazier in Drexel, Missouri. According to author Pauline Bartel, Universal Studio paid $350 for the animal but made millions from the film series. Mollywas trained by Les Hilton, an apprentice of Will Rogers; Hilton went on to train Bamboo Harvester, the horse that played Mister Ed. To create the impression that the mule was actually talking, Hilton used a thread fed into the animal’s mouth which would cause Molly to try to remove it by moving her lips, the same technique used for Mister Ed.
DEATH VALLEY DAYS (Stanley Andrews as “The Old Ranger”, first host of Death Valley Days 1952-1970) Death Valley Days is one of the first anthology series to appear on television, featuring different characters and stories each episode.[5] The stories were based in fact, all within the legends and lore of California’s Death Valley. Style varied by episode, with some being drama and others comedy. Most were human-interest stories of miners and homesteaders in Death Valley, where borax was mined.As the series continued on the air, episodes began to focus on nearly any portion of the American West, not just the Death Valley country. Most episodes portrayed events in the late 19th century, the heyday of the “Old West”. Some, however, were set in much earlier times, especially the Spanish colonial era, and a few recounted stories from the early 20th century. Each of the 452 television episodes was introduced by a host. The longest running was “The Old Ranger,” a character played by veteran actor Stanley Andrews from 1952 to 1964. While the series followed the anthology format, with all new stories and characters in each episode, the series utilized many character actors over its 18-year run.
GUNSMOKE (James Arness & Ken Curtis & Mule Ruth 1955-1975) Curtis remains best known for his role as Festus Haggen, the scruffy, cantankerous, and illiterate deputy in Gunsmoke. He joined the regular Gunsmoke cast in 1964, superseding the previous deputy, Chester Goode, played by Dennis Weaver. While Marshal Matt Dillon had a total of five deputies over two decades, Festus held the role the longest (11 years), in 304 episodes. Festus was patterned after “Cedar Jack” (Frederick Munden), a man from Curtis’ Las Animas childhood. Cedar Jack, who lived 15 miles south of town, made a living cutting cedar fence posts. Curtis observed many times that Jack came to Las Animas, where he would often end up drunk and in Curtis’ father’s jail. Festus’ character was known, in part, for the nasally, twangy, rural accent which Curtis developed for the role, but which did not reflect Curtis’ actual voice.
LEGEND OF THE LOST (John Wayne 1957) Legend of the Lost is a 1957 Italian-American adventure film produced and directed by Henry Hathaway, shot in Technirama and Technicolor by Jack Cardiff, and starring John Wayne, Sophia Loren, and Rossano Brazzi. The location shooting for the film took place near Tripoli, Libya.In Timbuktu, experienced guide Joe January (John Wayne) reluctantly joins a Saharan treasure hunting expedition led by Paul Bonnard (Rossano Brazzi), a man obsessed with confirming his dead father’s claim to have found a lost city. Dita (Sophia Loren), a woman of dubious reputation, becomes infatuated with Paul and his willingness to overlook her past. She invites herself along, despite Joe’s protests. During the tough, dry ordeal, Joe and Dita become attracted to each other, raising tensions.Just as they run out of water, they stumble upon the ancient city and a well. There, they find three human skeletons, a woman and two men. It becomes evident that Paul’s father had found his woman in the arms of his guide, killed them and then himself. There is also no obvious treasure to be found. Paul’s faith in his father is shattered and he becomes drunk.However; they find the treasure after Joe deciphers the clues left by Paul’s father in his bible. They load it and prepare to leave in the morning. Paul makes an attempt to seduce Dita; she rejects him and he gets into a fight with Joe, who protects her. Joe and Dita wake up to find that Paul had sneaked away during the night, taking all the animals, supplies and treasure with him and leaving his companions to die.Joe and Dita pursue him on foot and eventually catch up. Paul is unconscious from dehydration. While Joe and Dita dig for desperately needed water, Paul regains consciousness. He buries the treasure and attacks Joe from behind with a knife. Dita shoots and kills Paul. When they spot a caravan approaching in the distance, Joe and Dita are saved.
MR ED (1961-1966 The horse Bamboo Harvester portrayed Ed throughout the run. Ed’s stable mate, a quarter horse named Pumpkin, also served as Bamboo Harvester’s stunt double for the show. Pumpkin later appeared again in the television series Green Acres.Bamboo Harvester’s trainer was Les Hilton. To create the impression that Ed was having a conversation, Hilton initially used a thread technique he had employed for Lubin’s earlier Mule films; in time, though, this became unnecessary. As actor Alan Young recounted: “It was initially done by putting a piece of nylon thread in his mouth. But Ed actually learned to move his lips on cue when the trainer touched his hoof. In fact, he soon learned to do it when I stopped talking during a scene! Ed was very smart.”
BRIGHTY OF THE GRAND CANYON (Joseph Cotten – January 1966) Based on the novel Brighty of the Grand Canyon by Marguerite Henry (New York, 1953).
DINGUS MCGEE (Frank Sinatra, George Kennedy – Mules Pulling Stagecoach 1970) Hoke Birdsill rides into Yerkey’s Hole demanding the law take action because Dingus Magee has robbed him. Since no law exists, the mayor, Belle, who also runs the town’s bordello, sees to it that Hoke himself becomes the new sheriff. Dingus keeps getting away with his crimes, helped by Anna Hot Water, his young Indian companion, but when he tries to steal from Belle, he finds Hoke has beaten him to it. Hoke and his mule enjoy being on the other side of the law, so Dingus turns the tables, becoming sheriff to go after him. After being rivals for so long, Dingus and Hoke eventually team up, burning Belle’s brothel to the ground.
TWO MULES FOR SISTER SARA (Clint Eastwood & Shirley Maclaine 1970) Just after the American Civil War, a former soldier named Hogan rides up on a naked woman about to be raped by bandits. He kills the bandits and discovers the woman is a nun, Sister Sara, who is raising money to assist Mexican revolutionaries fighting French occupying forces. When Sara requests that Hogan take her to the Mexican camp, he agrees, as he had previously arranged to help the revolutionaries attack the French garrison in exchange for half the garrison’s treasury.As the duo heads towards the camp, evading French troops all the while, Hogan is surprised that the nun swears and drinks whiskey. While on their way to destroy a French ammunition train, Hogan is shot at by Yaquis and seriously wounded with an arrow. Sara is able to tend to his wounds, and she is able to set the charges that Hogan detonates to destroy the train. Eventually the two reach Juarista commander Col. Beltran’s camp. Sara begs the local villagers for money needed to purchase dynamite for the assault on the garrison. In the lead-up to the attack, Sara reveals to Hogan that she is not a nun, but a prostitute posing as a nun because she is wanted by the French for her support of the revolutionaries. Although Hogan is shocked, the two team up to infiltrate the fort and let a squad of revolutionaries in through a trapdoor, while two other squads attack the gates and a fourth act as sharpshooters.Expecting the French army to be drunk for Bastille Day, they instead find that the train’s destruction has put the garrison on high alert. Hogan and Sara infiltrate the fortress by Hogan posing as a bounty hunter who has captured Sara and is turning her in for the reward. The ruse works, and Hogan and Sara engage the French commanding officers while the garrison’s gates are breached for the Mexican revolutionaries to swarm through. A battle ensues; the French are defeated, and the Mexicans capture the fort. As promised, Hogan receives half the riches. Now wealthy and with his job completed, Hogan sets off with Sara, with whom he has fallen in love, to open a gambling house in San Francisco.
GUS (Don Knotts & Tim Conway 1976) Low-ranking football team The California Atoms are at a constant loss until they recruit a new player – a mule named Gus. It turns out that Gus is an amazing placekicker with a 100-yard field goal ability! Just as the Atoms begin to leave their losing streak in the dust, crooks attempt to kidnap their new star. Whether it’s a surefooted race to the goal posts or a riotous chase down the supermarket aisles, the action in this Disney favorite is sure to make your family cheer!
MULE FEATHERS (Rory Calhoun & Don Knotts 1978) A preacher travels with a telepathic mule In this Western comedy, a sagebrush flim-flam man makes a career out of swindling naive settlers and pulling off the occasional train robbery.
THE APPLE DUMPLING GANG (& RIDES AGAIN– Don Knotts, Tim Conway & a mule named Clarise1975) Set in the Wild West in the year 1879, a slick gambler named Russell Donovan (Bill Bixby) comes to the town of Quake City en-route to open a casino in New Orleans. In Quake City, Donovan meets his old associate, John Wintle. Wintle is leaving for San Francisco that night and asks Donovan to sign for valuables coming in on tomorrow’s stagecoach. Donovan accepts a down payment and promises to pick up the valuables. The next day, Donovan realizes he has been duped into taking care of three little orphans, Bobby, Clovis, and Celia Bradley. The stagecoach driver Magnolia “Dusty” Clydesdale (Susan Clark) explains that Wintle is in fact the children’s relative and their legal guardian. With him gone and Donovan promising to care for the “valuables”, they are now wards of Donovan. The town’s sheriff, barber, Justice of the Peace, and judge Homer McCoy (Harry Morgan) tells Donovan that he is legally obligated unless he can have someone else take custody of the children.
THE POSTMAN (Kevin Costner 1997) In a post-apocalyptic world in 2013, an unnamed nomad wanders the scattered communities of the Utah flatlands, trading performances of long-forgotten Shakespearean plays for food and water. At one town, the nomad is forced at gunpoint into the ranks of the Holnists that killed his mule. This neo-feudalist militia, brand him on his shoulder with their symbol, a figure 8. The Holnists, under their leader, General Bethlehem, are the de facto authority in the area, collecting tribute and recruits from local towns. When the nomad escapes, he takes refuge in a long-deceased postman’s mail vehicle.With the postman’s uniform and mail bag, he arrives in the settlement of Pineview claiming to be from the newly-restored U.S. government. He convinces Pineview’s leader, Sheriff Briscoe, to let him in by showing a letter addressed to elderly villager Irene March. The postman inspires a teenager named Ford Lincoln Mercury, who asks to be sworn in as a member of the postal service and even helps him to reactivate the long abandoned post office in the town. When the postman leaves for the town of Benning, he carries a pile of mail left at the post office door by the townspeople.In a recitation of King Henry V’s speech prior to the siege of Harfleur, the postman rallies himself and his followers to war. The mounted carriers and Holnists meet across a field. Not wanting any more carnage, the postman instead challenges Bethlehem to a personal hand-to-hand duel, with their troops as witnesses, which is his privilege due to once having been a member of Bethlehem’s troops. The postman wins the fight but spares Bethlehem’s life to maintain morale.Thirty years later, the postman’s grown daughter Hope, accompanied by other public figures and servicemen (including postal workers), speaks at a ceremony unveiling a bronze statue by territorial waters in St. Rose, Oregon, in tribute to her father, who has recently died (1973–2043).
MULE PEOPLE (Ted Faye – Gold Creek Productions 1997) People who appreciate mules are a unique breed of folks. In this video you’ll get to know some of them at Bishop Mule Days in Bishop, California. You’ll meet eleven-year-old Cameron Brooks along with trainers Cindy Powell and Jerry Villines whose mules, they all claim, can do anything a horse can do…only better. Hang onto your hats for a wild ride with Ron “Tash” Hudson. Then share in the poignant climatic moments as Mr. Jensen has to sell his pride and joy. His 20 well-trained mules, and all of his wagons. If you didn’t know any before, after watching this video, you’ll be glad you met these…Mule People.
MULE FOR SALE (Ted Faye – Gold Creek Productions 2003) Join the fun and excitement of the world’s largest mule auction. Filmmaker Ted Faye takes you on a journey to Dickon, Tennessee where Dickie and Rufus Reese carry on a family tradition: The Reese Brothers Mule Auction. Find out why people buy mules, what they are used for and where the mules end up. We follow a mule from the time it is brought to the auction to the time it is sold. Discover the story of the mule and meet the people who buy and sell them. An intriguing look at the event that few have experienced first-hand.
LONGEARS EVERYWHERE (Video Mike Kerson 2004) Bishop Mule Days with Jerry Tindell & Video Mike: Twitchell, Von (Actor), Shields, Bonnie (Actor), Kerson, Mike (Director) Format: DVD
HOOVES AND ROSES (Video Mike Kerson 2006) Pasadena Tournament of Roses Parade
LOVE THOSE LONGEARS (Video Mike Kerson 2006) Video Mike is passionate about equines – and all his love and respect for both the critters and their people shines through in this video. Every year Video Mike produces an action-packed Bishop Mule Days Highlights video, and each year he chooses some aspect of the week-long event for a more in-depth look.
MULES ON SNOWSHOES (Video Mike Kerson 2006 ) Bill Balfrey’s family came to the remote Northern California town of Etna by covered wagon in the 1850’s. As Bill was growing up, he made friends with the Smith brothers, Bill and Ralph, who, in the early 1900’s, delivered the mail by mule train from Etna to Sawyers Bar and points down river. Come along with the two Bills, Ralph and others as they take us back to a time when tunnels had to be hand-dug through the 10-foot snowdrifts, the mules wore snowshoes, and the mail was delivered!
CHASING THE RAINBOW: ADVENTURES OF THE DESERT PROSPECTORS (Ted Faye – Gold Creek Productions 2007) The last great Gold Rush in America played out in the deserts of Nevada and California. It began with those who roamed the barren hills seeking their fortune. Most traveled with their tools, some food, a blanket and a jackass. They were called single-blanket-jackass-prospectors. Most never made the fortune they sought, but many discovered something else: freedom and a kind of peace in the wilderness and every now and then, some wild times in the local towns. This the story o those who spent their lives “Chasing the Rainbow.”
TOMMY AND THE COOL MULE (Grant Barker & Ice T 2009) Tommy Braxton’s father goes to war and never returns, forcing Tommy to become the man of the house and help support his mom and sister. Tommy makes a friend and finds a way to save his family’s farm when he meets Jackie-A – a talking mule. Against all odds, Tommy and Jackie-A triumph in a race over the other bullies and their horses in the country stock show, in a spectacular display of resolve and determination that caps off a winning family adventure!
SEASONS: A YEAR IN THE LIFE OF A PACK STATION (Video Mike Kerson 2010) Follow the Virginia Lakes Pack Outfit through springtime preparations, competing at Bishop Mule Days, and on to the summer pack season. You’ll ride with guests, scientists, and government work parties into the spectacular Eastern Sierra Wilderness, and experience back country life at its finest. You’ll meet the people who work at the pack station, as well as the guests. Take a look behind the scenes as problems are solved, crises are met, and the crew lives the disappearing life of the back country. With the coming of autumn, the pack station gets ready for winter, and the cycle begins again.
HITCH UP YOUR MULE & THE HIDDEN TRAIL (Ted Faye – Gold Creek Productions 2010) Hitch up your mules, mule-skinner Bobby Tanner of Bishop, California shows how to hitch up a 20-Mule Team. Bobby has revived the art of driving a long line of animals with a single rope called a jerk line, which is tied to a lead mule. The Hidden Trail is an expedition to the China Lakes Naval Air Weapons Station in the Mojave Desert to retrace the historic route of the Twenty Mule Team from Death Valley. Ruts from the original Twenty Mule Team can still be seen.
BISHOP MULE DAYS (Video Mike Kerson 2011-2019) At 4000’ elevation, Bishop is nestled between two beautiful mountain ranges midway between Los Angeles, California and Reno, Nevada on U.S. Highway 395. Bishop is the center for recreational activity in the Eastern Sierra. In addition to the packing activities specific to the region, there are activities such as fishing, hiking, hunting, and fantastic sight-seeing of fall colors, mountains, creeks, and high desert. World class skiing is also available on nearby Mammoth Mountain in Mammoth Lakes, California.Mule Days is a six-day event that takes place each year Tuesday to Sunday the week before Memorial Day. Mule Days is held on the Tri-County Fairgrounds in Bishop, California. Our 14-show event begins with preliminaries on Tuesday through Thursday and features event finals, comic events and packing events Friday through Sunday. Video Mike Kerson has been filing this from 2011-2019.At 4000’ elevation, Bishop is nestled between two beautiful mountain ranges midway between Los Angeles, California and Reno, Nevada on U.S. Highway 395. Bishop is the center for recreational activity in the Eastern Sierra. In addition to the packing activities specific to the region, there are activities such as fishing, hiking, hunting, and fantastic sight-seeing of fall colors, mountains, creeks, and high desert. World class skiing is also available on nearby Mammoth Mountain in Mammoth Lakes, California.Mule Days is a six-day event that takes place each year Tuesday to Sunday the week before Memorial Day. Mule Days is held on the Tri-County Fairgrounds in Bishop, California. Our 14-show event begins with preliminaries on Tuesday through Thursday and features event finals, comic events and packing events Friday through Sunday.
PALOUSE THRESHING BEE (Video Mike Kerson 2012) The Palouse Empire Threshing Association holds an old-fashioned wheat threshing bee in Colfax, Washington – the heart of the Palouse. Using only authentic, original equipment and raft animals, the public is treated to a day of living history, featuring the majesty of draft horses and mules.
THE TWENTY MULE TEAM OF DEATH VALLEY (Ted Faye – Gold Creek Productions 2012) This program will show you how the Twenty Mule Team rose from a mundane means of transportation to become a national icon. Using spectacular, original color film, archival footage, photographs and reenactments, this documentary brings to life the Twenty Mule Team of Death Valley.
HISTORY OF THE ARMY MULES (2013) Just outside of Fort Brag on a ranch in Lumber Bridge North Carolina there are two brothers mules unaware of how their lives are about to change forever. These animals the embodiment of strength hardiness and perseverance are about to embark on a journey that will lead them through the gates of the world’s Premier leader development institution. They are about to take their place in history as the new generation of mascots for the corps of cadets at the United States Military Academy at West Point. The tradition of mules as mascots for the Army dates back to 1899. Mules were an obvious choice. The mule reflects the long-standing usefulness of the animal in the United States Army, enabling soldiers to perform military operations, transporting guns, supplies and ammunition. Strong, hardy and durable, the mule is the perfect symbol for the corps of cadets. Not much was known about the official mules until 1936 when Mr. Jackson, named for Thomas J. Stonewall Jackson, arrived from Fort Royal, Virginia. Starting with him there have been 15 official mules: Poncho, Hannibal 1, K.C. MO, Trotter, Hannibal 2, Buckshot, Spartacus, Ranger I, Blackjack, Traveler and Trooper. At time this video was made, the members of the current and now retiring mule Corps are Raider, Ranger I and General Scott.We bid farewell and honor them for their service and now, as the Legacy continues, the two new mascots embark on their Journey several hundred miles north to West Point’s hallowed grounds just outside the greatest city in the world. They will be entering into a story of tradition where their presence represents inspiration, strength and steadfast perseverance They will help to reinforce the motto of duty, honor and country that continues to sustain the corps of cadets and the long gray line. Currently, those who have been added are: Ranger II, Stryker, Raider, Ranger III and Paladin.
STORM RIDER is a 2013 American drama film written and directed by Craig Clyde and starring Kevin Sorbo, Kristy Swanson and C. Thomas Howell. It was filmed in Wallsburg, Utah.Cast:
Kevin Sorbo as Sam Fielding
Kristy Swanson as Jody Peterson
Danielle Chuchran as Dani Fielding
Jacob Buster as Jordan Fielding
Darien Willardson as Kevin Winslow
Sam Sorbo as Vanessa Fielding
Terence Goodman as Cameron Winslow
C. Thomas Howell as Mitch
Sarah Bernstein as Brooke
Jacque Grey as Marie Houghton
Amanda Swanson as Addy Jane
Joey Miyashima as Sheriff KikuchiEdwin L. Carpenter of The Dove Foundation gave it a positive review, writing that it “is well worth your time.” Tracy Moore of Common Sense Media gave the film two stars out of five.
THE MULE (Clint Eastwood 2018) The Mule is a 2018 American crime drama film starring and directed by Clint Eastwood, who also produced with Dan Friedkin, Jessica Meier, Tim Moore, Kristina Rivera, and Bradley Thomas. The screenplay, written by Nick Schenk, is based on the 2014 The New York Times article “The Sinaloa Cartel’s 90-Year-Old Drug Mule” by Sam Dolnick, which recounts the story of Leo Sharp, a World War II veteran in his 80s who became a drug courier for the Sinaloa Cartel. Toby Keith contributed the theme song “Don’t Let the Old Man In”, which reached number 41 on Billboard’s Country Airplay chart and became Keith’s highest-charting single since “Drunk Americans” reached number 27 in early 2015.
LOST SEA EXPEDITION (Bernie Harberts 2019) The true story of a lone 14-month wagon voyage across America. Filmed by Bernie Harberts, it is a tale of water and desert, loneliness and companionship. Lakota, Christian and secular beliefs about the origin of a land. Harberts, his mule and his lens capture the essence of the American West. The Lost Sea Expedition is the story of a solo mule wagon voyage across America. Because mule Polly and I (Bernie Harberts) traveled alone, without a film crew or chase vehicle, It took a lot of people and communities to turn the experience in to a series for Public Television. This is where we thank them. The credit list is ongoing. If you were part of the Lost Sea Expedition series and didn’t find yourself on the list (hey, some days I forgot to hook Polly’s traces chains too…) then drop us a line.
TWO SINNERS AND A MULE (Cam Gigandet 2023) Two ladies of pleasure were kicked out of town and run across a Bounty Hunter shot to hell. After nursed back to health, the ladies decide he needs their help to track down, Gila Grimes, a ruthless, murdering bandit, for half of the bounty.
Mules and donkeys are working their way into the hearts of many people in this new Industrial Age. Horses have been used for so many films for decades, but the unique character of mules and donkeys are drawing attention from everyone…everywhere!
Now it is time for your donkey to learn to move laterally. Lateral movements are essential to the overall balance and posture of your donkey. It will improve muscle strength throughout his body and will reduce the risk of injury or soreness while he is being ridden or driven.
You can begin his lateral work on the drivelines in the large arena. Begin by driving your donkey through the hourglass pattern (after review). As he approaches the first corner cone, ask him to circle it and then turn down the centerline instead of moving down the short side to the next cone. Let him move straight for a few steps, and then, with your assistant at his head, ask him to move forward and sideways away from your circle. The centrifugal force from the circle should send him onto the diagonal with little resistance and your assistant will be in front to keep him from just running forward. If he is to move laterally to the right, you should make a small circle to the left and drift out and onto the right diagonal. If he is to move laterally to the left, you should circle to the right and allow him to drift out and onto the left diagonal. As your donkey is on the circle, maintain the bend with a shortened inside rein. As he comes up the centerline, maintain the bend as he moves forward on the straight line, then begin to give distinct pulls and releases on the outside rein to encourage him to follow it, and back this up with a light tap of the whip on his opposite hip if he does not begin to move diagonally. As he begins to walk diagonally, so should you—step for step. Pull the outside rein in unison with his front legs, pulling back when the outside leg comes back, allowing freedom for the front leg that is to cross over. It takes a little coordination, so don’t be discouraged if things aren’t working well the first few times. Just keep practicing and you will eventually get it, and so will your donkey!
As he gets better at the lateral walk this way, you can add various patterns, which will increase his lateral response. And above all, do not forget those verbal commands: “Haw-over” for left and “Gee-over” for right. You have made it easy for him by asking him to perform the lateral response out of the circle. Another circular lateral response is the spiral. Have him walk in a large circle and spiral down to a very small circle. Then ask him to gradually work back onto the larger circle again by spiraling out in a yielding fashion. Watch his legs to make sure he is crossing over properly.
Now it is time for him to listen even more carefully to your rein and whip cues. You will begin to ask him to change his bend for you before he moves laterally. Walk the perimeter of the arena and this time, you will circle on the second corner. When he has completed the circle and his nose comes to the diagonal track, ask him to halt and move his hindquarters over until he is parallel to the long-side rail. Then give the proper cues for the direction in which you wish to travel, as designated earlier. This exercise helps promote good listening skills on the part of your donkey and more increased coordination for yourself. There are several different variations on this theme. The first time you will want to cross the long diagonal (see diagram), allowing your donkey all the time he will need to complete the lateral exercise with the least amount of angle.
As he becomes more adept, you can teach your donkey to cross the short diagonal from the corner to the middle of the long side of your arena. Then proceed straight through the next corner to the second cone and repeat (see diagram).Always be sure to stop, correct the bend, and then proceed—one step at a time if necessary. He can learn to cross two short diagonals by circling at the middle of the rail on the long side after the first short diagonal, then proceeding laterally to the corner. Two short diagonals would create a change of lateral direction, so be sure to execute your cues very concisely with pauses between your transitions. Circle, halt, move hindquarters, move laterally, halt at the center of the long side, change to the bend of the new circle, complete circle, halt, move hindquarters, move laterally. Take it one segment at a time, one step at a time.
Next you will ask him to move laterally through the hourglass pattern, with a change of direction in the center of the arena. Move into the short side of the arena, pass the first cone and go on to the second corner. Circle at the second cone and halt, move his hindquarters over until he is parallel to the long side then proceed laterally to the center cone gate. At the gate, circle around the cone nearest the rail from which you began, halt, move his hindquarters and continue laterally to the next corner, which should be on the same long side on which you started (see diagram). Continue around the cone, across the short side to the next cone, and repeat as before to complete the hourglass. Use an assistant to help direct your donkey in the beginning and fade out the assistant as your donkey understands and complies with your wishes. Do all of these exercises at the walk until he is impeccable. Then you can drive him through them at the trot with slows and halts in appropriate places.
If your donkey is large enough and seems to react better when you are in the saddle, you can begin these exercises mounted and teach him the ground-driving afterwards. Donkeys are very different in the way they each learn. The other consideration is your own skills. Handling drivelines is sometimes really tricky and you may be better with reins, legs and a crop than you are with drivelines and a whip. The important thing is that you give your donkey a clear message as to what is expected, so he can learn easily and without resistance. Just remember that, when you are riding, your cues need to be just as clear as they are when you drive him. You need to tell him verbally what is expected at each segment of the exercise and make clear pauses through transitions. Use your assistant whenever necessary to minimize resistance at any particular stage and reward your donkey lavishly for his honest attempts.
Once he has learned to drive and ride laterally in the arena, you can take your donkey to the obstacle course to put these movements to work. Begin with your assistant aiding you first in side-passing a log placed near the fence (to discourage your donkey from going forward), then a log in the open and side-passing a “T.” Try backing through two barrels in a figure-eight pattern using turns on the forehand and haunches to negotiate the pattern. Finally, teach him to move appropriately while you are opening and closing a gate, both on the drivelines and under saddle. Once he gets the idea on each obstacle, you can eliminate the assistant and ask him to take more responsibility for himself. He should be able to do everything he learns both under saddle and on the drivelines. There is no rule as to which he needs to learn first, but he should learn both under saddle and on the drivelines to be as responsive as he can possibly be, either in harness or under saddle.
If your donkey has any problems with the trot after the previously described exercises, it will probably be in the hourglass pattern while under saddle. If he has difficulty maintaining the trot through the turns and serpentines through the middle, and continues to bulge either one way or the other, you can try one more thing to help him. Have your assistant ride a seasoned animal through the pattern ahead of you while you follow a few strides behind. Don’t ride too close, or too far away. Your donkey should be more than willing to follow. After all, doing things with friends is always more appealing.
When his trot work is going well, it is time for your donkey to learn to canter. Begin with a complete review in the round pen—lunging at the walk and trot, ground-driving at the walk and trot, turns at the walk and trot, and riding at the walk and trot. Then dismount and try lunging, first at the trot, then ask him to “Canter.” Use the same cues you did at the walk and trot. Give the verbal command first, then shuffle your feet while raising both of your arms, one pointing in the direction in which you wish to travel, and the other one raised behind you, with the whip in-hand. If he does not comply, then lightly tap the whip to his gaskins once just above the hock, then tap it harder on the fence behind him. He should begin to canter. Even if he canters only two steps, stop him, reward him and then try again. Don’t keep asking for more right away, because he will only get frustrated and stop. If you are patient and consistent, he will canter farther each time. Once he canters fairly well while lunging, you can skip ground-driving and go straight to riding him at the canter. Have your assistant stand in the center of the round pen with the lunge whip and “lunge” him while you ride and cue from his back. Sit very quietly and with a very loose rein, allowing him to canter until you say “Whoa.” Make sure you and your assistant are exactly in unison with your verbal commands, since you do not want to confuse the donkey. If, after a few sessions, he positively refuses to canter, fear not. You can try something else first, and come back to cantering later.
If your donkey hasn’t cantered in the round pen, go back to his lesson at the trot and allow him to succeed and be rewarded. Then take him into the large arena and allow him to follow an experienced animal through the hourglass pattern and along the perimeter of the arena at the walk and trot. Afterwards, go to the perimeter of the arena and have your assistant begin to canter out of a short side and down the long side. Encourage your donkey to follow. If he does not want to canter, slow him down through the short side and encourage him again on the next long side. If he wants to canter but is cutting the corner, let him. It is more important at this stage to get the canter than it is to stay on the rail. Be sure to call out your verbal commands repetitively as he learns to canter. You will say “Canter-Gee” for right and “Canter-Haw” for left. These are really important commands, as donkeys are more responsive to verbal commands than they are to your legs and reins. Let him canter for as long as he will, then stop and reward him. He will go longer periods of time as he gains strength and coordination. Make your circles as large as possible, at least fifty feet in diameter.
When he is cantering—or loping—easily around the arena, you can begin to facilitate control at the canter by varying your exercises. Have him trot the short sides and canter the long sides of the perimeter of the arena. Be sure he is picking up the proper lead in each direction (more on leads in discs #5 and #6 of my DVD training series, Training Mules and Donkeys). Pick up the lead in the corner each time to help him. Then you can trot the hourglass to the corner of the short side, pick up the canter and canter a circle, half of the arena, come back where you started, trot, and resume the pattern. Just be sure your circles are large enough to encourage good balance. You can ask him to trot along the rail, do a turn on the haunches and canter away on the correct lead. This will help him to learn to canter without the use of a corner. Take him out into the open on the obstacle course and let him canter for some longer distances, both in a straight line and in very large circles. If he breaks to the trot at any time during any of the aforementioned exercises, do not let him continue on at a fast trot. Slow him to the walk, then halt, regroup and begin again. You want to always maintain control.
As your donkey canters more and more, he will become better balanced and better coordinated. He will become stronger and be able to carry the canter for longer periods of time, so don’t get in a hurry. He will DO as he is ABLE. This is the nature of the donkey. When he is cantering easily and is obedient through his transitions from walk to trot to canter and from canter to trot to walk, you can begin to teach him to change leads and negotiate smaller circles. Begin in the large arena and review his previous lessons, ending with turns on the haunches along the rail. Designate a circle in the middle of your arena, and, starting along the rail, pick up a canter, make a full circle, ride along the rail a short distance, then ask him to stop, do a turn on the haunches into the rail and resume the canter on a circle the opposite direction and repeat. This will help him to be more prompt into the canter.
Next, you will circle at one end of the arena, taking up half of the space. After about two or three circles, straighten your donkey as he rounds toward the middle of the arena. Ask him to trot through the center on a straight line, then pick up the opposite lead and circle once or twice in the other half of the arena. Ask him to “Canter-Gee,” “Canter-Gee,” “Canter-Gee,” and “Trot-Trot.” “Trot-Trot,” and “Canter-Haw,” “Canter-Haw,” and so on. If he misses the change of lead, just stop him and start again, only this time, bring him to a walk in the middle, then pick up the trot and canter as you round the new bend. If he gets strong and tries to rush, you may even have to stop him in the middle, walk, then trot, then canter on the new bend. Remember, you do not want to teach your donkey to run through any of your cues! That’s a really tough habit to break. Don’t canter for too long and be sure to reward him after every lead change at the end of at least one circle following the change. Neither do you want him to change leads and stop.
The most important thing is to reinforce the verbal commands. Donkeys can be very dead-mouthed and very dead-sided, but they have the most acute hearing you’ll ever perceive and they rarely miss a verbal command. If your donkey is well schooled in his verbal commands, you will never need to set him up for his lead changes—he will always take the one you call for, even if it is a counter-canter. The same goes for every other command. If you want to stop and he is cantering, don’t forget to speak in order: “Canter, Canter, Trot, Trot, Walk and Whoa!” If you say “Canter,” then just “Whoa,” you will produce a sloppy and resistant transition, since donkeys aren’t into sliding stops, although they can do small sliding stops (Lucky Three’s Little Jack Horner was able to slide for fifteen feet). Even professional reining trainers will tell you that an equine has only so many good stops in him, and it is not advisable to do such strenuous and abrupt movements too often. So be concise with your verbal commands and try not to leave any out when “conversing” with your donkey.
While in the open, after he is getting more adept at the canter and he’s changing leads fairly easily and accurately, you can begin to teach him to change leads on a straight line. You will need a large open area, as you will be doing fairly big circles off each side of the straight line. Step One: Begin at walk, then trot (don’t forget your verbal commands!), then canter-haw, small circle, then straight for a few steps, trot-trot, then canter-gee, small circle, straighten, and repeat on the straight line. . Step Two: Ask for the new lead without the circle. If he starts rushing and ignoring your aids, just have him come down to walk, then trot, then canter again. If he doesn’t quite get it, go back to the exercise with the circles. You can add an interim step, provided he does not get too bent. You can begin on the straight line at the canter, ask for the trot and slightly bend him onto a new circle, then bend him back to the straight line once he has the lead. Be careful with this, though. If he is too committed to the circle, you can throw him off balance and defeat your purpose.
Now you can go back to the round pen and lunge at the canter. Many times, donkeys are just not comfortable with the size of a round pen canter circle. It seems to worry them because they are so sensitive to even the slightest loss of balance when trying to perform. I think you will find that your donkey, after learning to canter in a more open space, is more than willing to accommodate you in the round pen. By the same token, we have not bothered with the lunge line in the round pen and in the open for the same reason. After your donkey is sufficiently broke to saddle or harness or both, he will lunge very nicely on the lunge line.
With the hectic schedule of spring and summer slowly tapering into fall, thoughts of cool, refreshing mountain streams, the sight of a massive bull elk, or the quiet majesty of the rugged mountain peaks on a relaxing trail ride, mountain hunt or pack trip begin to ease their way into our minds. What better time to share with your mule or donkey? What better place for him to show you what he was born to do? A mountain trail ride or pack trip are both perfect ways for you to get to really know your Longears and strengthen the bond between you.
Mules are remarkably strong and durable animals, making them excellent mountain partners. The cupped shape of their hooves allows them to track the rough mountain terrain with much more surefootedness than their counterpart, the horse. A mule’s superior intelligence and strong sense of survival help him to carefully negotiate the placement of his feet, insuring the safest ride possible. This is both important and comforting to know when heading for the mountains. The mule’s strength and endurance are sometimes unbelievable, but always dependable. On a hunting trip, he will take you through rough mountain terrain for days then pack out the “elk of your dreams” with the greatest of ease.
Around the campfire, he is wonderful company on those lonesome mountain nights. His blatant curiosity can make for some fun—and funny— situations, and his loving ways will win your heart. But first and foremost, he is a reliable companion when the going gets tough.
A few years ago, some close muleskinner friends of mine decided to take a hunting trip into the Rocky Mountains. Packing in, the weather was beautiful with warm temperatures, calm breezes, and not a cloud in the sky. After setting up camp and tending to their horses and mules, the hunters set off tracking elk. Hunting was good, but after a few days, the evening brought with it an unpredictable snowstorm of incredible intensity. The hunters crawled from their tents the next morning to discover their camp buried in more than four feet of snow!
With no chance of the storm lifting, the hunters packed up what they could on their horses and mules and quickly got under way. Since time was of the essence, tents and much of their gear had to be left behind. As they left the campsite, the snow deepened and the terrain underneath was steep, rocky and treacherous. They had gone only a short distance when the snow became so deep and the terrain so hazardous that the horses refused to go one step farther. Anxiety was high when the horses could not blaze a trail out. The hunters were worried they wouldn’t make it off the mountain alive.
In the face of this great danger, my friend asked his trusted mule, Goliath, to break trail for the others. With slow, careful, deliberate steps, this well-trained, loyal mule led them all down the mountain to safety. Once there, they freed their trucks and trailers, which were buried in snow, loaded them up, and made their way back to the lowlands to safety. The storms on the mountain worsened and it was spring before the hunters could return for the rest of their gear, but they were eternally grateful to Goliath the mule for leading them safely down the mountain!
There are many stories like this one, where mules and donkeys have emerged as heroes in precarious situations. However, if you prefer not to take risks like my hunter friends, there are other less daunting activities you can enjoy with your donkey or mule.
Why not take your longeared companion along to the mountains for a hike or a picnic? He would thoroughly love just being with you in those beautiful surroundings. While you walk the trails, enjoying the marvels of nature, your donkey or mule can carry the lunch essentials. While you enjoy the wildflowers or try your hand at fishing a mountain stream, you can be confident that your Longears will enjoy the peaceful solitude and be able to stay out of serious trouble at the same time.
If you question taking excursions such as these with your longears because of a lack of training, there are fellow Longears lovers who can help you. All over the United States, excellent mule trainers are available to help beginners. A Longears lover once told me that his love for burros and mules began years ago when he found Dusty, a three-month-old wild burro caught in a blizzard. He took her home and cared for her, and, a year later, he entered her in the National Western Fall Classic Donkey and Mule Show. He and Dusty were awarded the title of Reserve Champion Donkey of the Show! Ever since, he has sought to help others enjoy Longears and horses in any way he can. In addition to breaking and training wild mustangs at his Medicine Bow Stables, he has included free clinics for burro owners to teach them how to handle and care for their animals.
We are fortunate to be able to share our time with such intelligent, tough and durable equines as our beloved mules. But you should also remember to do your part in the relationship. Be patient and willing to take the time to allow your relationship to grow and for training to become solid before you indulge in the challenges that trail riding can present. Plan ahead and scout the locations where you desire to ride. With the growth of urban populations, open areas that welcomed riders in the past are not as numerous as they once were. Many areas now welcome hikers and even bicycles, but not equines. Find the designated trails and camp grounds that will accept equines when planning your treks.
Even a ride that is planned to be short can turn into challenge if the weather changes suddenly, so be sure to plan for the worst case scenario. Tack up your equine in comfortable tack and equipment that fits like a glove. I like to ride with a crupper because it will hold the saddle in the correct placement when adjusted correctly and will allow for full range of movement, particularly behind when climbing uphill. If you use a breast collar, make sure it is loosely fitted so it does not pull your saddle forward and into the shoulder blades. Be sure to pack your saddle bags with the barest necessities for any ride far from home: Compass, water, rain gear, a Swiss Army knife, buck knife, hoof pick, lighter, fence pliers, Granola Bars or Trail Mix, a sleeping bag, a warm coat, Bear Spray and a First Aid Kit (at the very least Gauze, Vet Wrap and Neosporin).
If planning an overnight trip, you will probably need a pack mule, or horse, to carry the extra food and additional necessities you will need like tents, blankets, sleeping bags, more food, extra clothes, High Lines and extra halters, and food for your equines. Lots of places will not allow your equines to graze in the parks, but some do. I do not like using picket lines where the equine is tied low with a halter, or with a rope around a foot. I do not like to use hobbles either (Mules can run off in hobbles with no trouble at all!). It is too easy for equines to get tangled up or injure themselves when they are restricted this way. They can get sprained tendons and ligaments, or severe rope burns that will leave them scarred for life. I prefer to bring their favorite horse “friend” along and tie the horse, and mules that tend to wander, to a High Line. Most of the mules can be allowed to run free and won’t leave your camp with the horse there, but do not leave halters on them. Again, they could become tangled up and injure themselves. If you have spent adequate time during training to build a solid relationship with your mules, they are much less likely to wander off and get lost. They will choose to stay near you.
If you can, choose a place where you can establish a base and park your truck and trailer. You can then tie them on a High Line during the evening and put them back into the trailer for the night. This might be better if you are an area where there are a lot of large predators. Just don’t leave the truck and trailer windows open so a predator can get in. Stock trailers are the best for this purpose since they also have more room in them and are fully enclosed. Any food that could be attractive to predators should be mounted high in a tree, at least 50-100 yards away from your camp and your equines.
Getting the proper in-depth training for your donkey, or mule, can only enhance your relationship with them and in turn, they will enrich your life. This year, why not take the time to really get to know these remarkable animals by letting them share in the fun, be it hiking, hunting, packing, or picnicking. The life you enhance may be your own!
By walking your donkey through all the different phases of training, and before going on to the trot, you have given yourself and your donkey an opportunity to learn to negotiate and perfect your movements before you ask for speed. This allows for a lot more perfection of coordination to take place, so things are less likely to fall apart when you do add a little speed. This is the most obvious difference between mules or horses and donkeys. Horses and mules are difficult to slow down in training because of their flight instinct and are better equipped to handle walk, trot and canter all at once, moving from a confined area to more space and, ultimately, through obstacles. Donkeys, however, with their freeze instinct, get worried and won’t move if they are overwhelmed and confused. For this reason, their training is approached a little differently.
By now, your donkey should be walking really well in the round pen, both lunging and in the drivelines, on straight-aways and turning. He should be walking the hourglass pattern and the perimeter of the larger arena, circling at the cones in the pattern, doing circles off the wall on the perimeter of the arena, and crossing straight diagonals for changes of direction. He should be walking through straight-forward obstacles and getting in and out of your trailer. He should be moving away from pressure a lot more easily through the turns on the forehand and haunches while on the lead line.
Next, you will ask our donkey to begin to do his turn on the haunches while on the drivelines. This will take place in the round pen. You have already asked for the reverse and smooth turns with which he should be familiar. Now, you are going to ask him to plant a pivot foot through the turn. Do this by simply keeping the outside rein a little tighter than you did for the reverse along the rail. Hold your donkey’s head and neck straight with the outside rein while giving pulls/releases in the direction of the turn and backing it up with your driving whip on the opposite side. As he completes the turn, be sure to give a full release and ask him to walk out promptly afterward. It shouldn’t take long for him to get it. After he understands with the drivelines in the round pen, you can mount him and walk him through it, paying attention to the correct rein and leg cues. Then you can move to the open arena and practice along the rail, first on the drivelines and then under saddle.
Once he has learned the turn on the haunches in the round pen, he can also learn his turn on the forehand on the drivelines. This is a little more difficult, as he will want to try the turn on the haunches. Ask him to “Whoa”” along the rail. Then, keeping your reins taut and even, take a step to the side, away from the direction you wish him to turn. The rein will tighten on that side and will drape around his hip. You will have the sensation of pulling his hip around with the rein. If you are turning right, ask him to “gee around” and give short tugs on the direction rein, while keeping him straight with the other taut rein by holding steady. He will probably want to pull forward the first few times, but hold him as steady as you can, and if he doesn’t want to move his haunches over, just tap him LIGHTLY with the driving whip on the direct rein side. After a couple of tries of “gee-around,” ask him to “haw-around” and track left. Have patience and he will eventually get it. When he is doing fairly well at executing his turns on the haunches and turns on the forehand on the drivelines, you can progress to doing them under saddle. Just remember to keep things slow and accurate. Speed will only bring confusion and resistance at this point. It is better to opt for perfection at a slower and more controllable pace. When you are both more practiced and coordinated, you can add speed.
Your donkey should be willing to trot in the round pen with just his tack. Up to this point, he has learned his turns at the walk both on the drivelines and under saddle in the round pen, in the open arena and over obstacles. Now he will learn to trot on the drivelines and under saddle. Begin with the usual review, then after he has lunged at the trot, put on the drivelines and drive him at the trot. If he gets balky, your assistant can trot ahead of him with the treat bag and no lead line. Initially, if he goes too fast, just slow him down easily by giving the command to “Whoa” and create a drag on the lines. Your assistant can help if necessary by stepping ahead of him with her arms up, as you did when you were lunging him. Have him go around only as many times as he is willing in the beginning, and reward him for his efforts.
When he has complied on the drivelines, you can then mount him and try him under saddle. Your assistant should remain in the middle with her lunge whip and back up your verbal and leg cues with action from her whip. After a few hesitations, your donkey should understand what you want and be happy to comply. Just remember not to overdo and your assistant should stop using the whip when the donkey is complying with your cues. Also, remember to stop him any time there is resistance—regroup and then try again. This will let him know that you wish to halt any time there is a problem. When we get into lateral moves, this will be of the utmost importance with your donkey. He needs to learn to not just bully his way forward and out of a difficult situation. If there is a problem, most donkeys will attempt to evacuate the scene in slo-mo! It is better to teach them right from the beginning to stop and wait.
When he trots well in the round pen, you can begin to add trot to your sessions in the open. Always review first then add the new movement at the end of his lesson. After the review, begin by having him trot through the hour-glass pattern on the drivelines with your assistant, then without. It will be shaky at first and you may feel like you’re riding a drunken sailor! Just be sure to make your rein and leg cues as subtle as possible to prevent over reactions and keep him encouraged forward with a loose rein as he is going forward. Learn to vibrate the reins rather than pulling—this helps to minimize over-reactions. Soon, your donkey will be doing the pattern smoothly on your commands alone.
When he has learned the pattern well, he can progress to the perimeter of the arena at the trot. Do this only AFTER he is going well in the pattern, or you may find the pattern impossible after he learns the trot on the perimeter. After he has learned to trot smoothly and obediently without interruption, you can vary both of these exercises by walking part of the pattern, then trotting some, then walking again. Do the same on the perimeter of the arena. It is best to walk the short sections and trot the longer ones. For instance, in the hour-glass, walk the short side of the arena and trot out of the corner through the cone gates to the next corner, then walk the short side and repeat the trot out of the comer, through the cone gates in the middle of the next comer. On the perimeter, he would walk the short sides and trot the long sides. When he is exhibiting good control, you can then add circles at various points along the way: around the cones in the hour-glass and along the long side of the arena and in the comers. Always end his sessions with the walk, halt, then back.
Using the trot on the obstacle course requires that you be very definite about where and when you do it, so plan ahead. You may ask him to trot straight over ground poles or a tarp, but he must be willing to stop immediately on the other side. In the beginning, having your assistant waiting with a reward on the other side will help to encourage him to comply. When you take her out of the picture, be ready to treat him for good behavior yourself while ground-driving and under-saddle. When your donkey has completed an obstacle, he should always be willing to stop and wait for your next command for as long as it takes. This is the foundation for learning to stand quietly both in harness and under-saddle. This means that you, too, must learn to approach him slowly and quietly from behind while in the drivelines and to sit quietly when halted under-saddle until you present his reward and ask him to move on.
When executing the mailbox, bridge or tractor tire, you would trot to it, halt, then execute the obstacle and trot away. This teaches them to be careful about executing more difficult maneuvers and to listen carefully to your cues. Always stop for a reasonable amount of time in the middle of obstacles like these, as you need to have time to pull mail out of the mailbox, check for loose boards on a bridge and, later on, execute the turns on the forehand and haunches while in the tractor tire. This keeps your donkey alert! When he is listening well and responding accordingly at the trot, you can add the turns on the forehand and haunches while in the tractor tire. He would do his turn on the forehand with his front feet in the middle of the tire, and his turn on the haunches with his hind feet in the tire. Cue him the same as you normally would, just don’t let him step out of the tire and reward him lavishly for even just a couple of steps in the beginning. He will give you more as he understands what you are asking of him.
Trot him into the straight back-through, halt and back out. You can even add an angled back-through at this point, as he is now ready to begin to move his shoulders and haunches while moving. Just be sure to lead him through, drive him through and then ride him through at the walk. Then you can do it at the trot. Start leading and ground-driving over raised obstacles such as cavaletti, using the same formula we have established: Lead and walk with the assistant behind with the driving whip, then without the assistant; ground-drive and walk with the assistant, then without the assistant; and ride at the walk with the assistant, then without the assistant. Finally ground-drive and ride at the trot with the assistant, and then without the assistant.
The donkey is an animal that was born for no other purpose than to serve. If he understands what you are trying to convey, he has the innate desire to please. Remember this and be patient with your donkey. Each individual learns at his own pace, but rest assured, he will never forget what he has learned!
I remember back in 1982 when summer came and we had to search high and low for shows in which we could compete with our mules! As they say, “You’ve come a long way, baby!” Mule shows are now so numerous that it is becoming very difficult to decide which ones to attend. Years ago, our mules were not necessarily welcome at horse competitions, and today that has changed as well – making our decisions about where to compete is even more complicated. It is truly amazing to see the tremendous growth in popularity of the mule over the past 30 to 40 years, but then I guess it was inevitable given all their redeeming qualities! It really isn’t that unusual that people would begin to prefer mules once they received accurate and truthful information about them. Granted, you have to be smarter than the mule in order to train one, but once you train one properly, you have a wonderful companion and a top competitor in the equine world. More and more, the criticism of mules has changed to general curiosity and a willingness to learn more about these unique animals. Many people have taken a great deal of time and effort to bring these animals into the public eye. To name them all would take volumes, but their work is certainly appreciated!
As I said, there are many all-mule and donkey shows that you can attend in most states across the U.S. Most of them are held in conjunction with State Fairs. However, there are others that are promoted with horse and mule races as well. The American Donkey & Mule Society sponsors a National Mule and Donkey Show that floats from state to state. The 1992 A.D.M.S. Nationals were held in conjunction with the South Carolina State Fair. There were some truly lovely mules to see in our eastern United States.
Breed shows are another place you will see mules today. In many places, you will see mules competing in their classes sandwiched between classes for anything from Draft Horses to Arabians and Saddlebreds. Many of these breed shows not only included a mule division, but allowed mules to compete in their Open Classes as well against the various horse breeds. In 1991, our own Lucky Three Mae Bea C.T. competed in an Open English Pleasure class of primarily Saddlebreds and American Show Horses to sixth place of 20 entries. It is nice to know that the judges were taking mules seriously, as well!
The American Driving Society has been quite supportive itself! They encourage mules to participate in the many facets of driving that they offer, from pleasure, to fun events to actual marathon driving. In these shows, the mules are allowed to compete directly with the horses. Shows such as these tend to really test the knowledge and expertise of the trainer and the conditioning and response of the animals. Integrity in progressive learning is encouraged while stark competitiveness and politics take a back seat. This type of situation is much more appealing to the novice who wants to learn and improve his and his animal’s skills.
The United States Dressage Federation is another group that has encouraged mules to come and compete in their schooling shows, giving mules the opportunity to train and show with the best that Horsemanship has to offer. Showing was limited to non-A.H.S.A. (American Horse Show Association) shows, but nevertheless, quite adequate and beneficial for our mules. It is understandable that they should not compete with horses and riders that are competing for National and International Championships, and sometimes for Olympic recognition. It could offset the points system drastically should a mule compete, being ineligible for such events anyway. The A.H.S.A. has stated that these championships are horse competitions.
The United States Combined Training Association left it up to each region to decide whether, or not, to allow mules to compete and some areas are more tolerant than others. Dressage and Combined Training offers the ultimate in fitness and conditioning of both animal and rider. Because it requires so much physical exertion and skill, everyone is accustomed to discussion on gross errors and wrecks with little or no embarrassment. This makes for a great learning environment with a lot of positive social interaction. We have had a lot of fun for three years competing with the Mountain States Combined Training Association and the Windy Wyoming Combined Training Association. They were a great group of folks from the organizers to the competitors. When Lucky Three Mae Bea C.T. came in second in 1992 in the Open Novice Division at the Abbe Ranch Horse Trials in Larkspur in June, organizer Susan Farmer presented our ribbon and warmly said, “We’re not prejudiced here! Congratulations!” I think it is more important to these folks to see that people enjoy the sport and more over, to continue to want to participate and learn. This makes for attainable long term goals, and even more… it makes for long term friendships.
If you are not really the competitive type, but enjoy the simpler side of showing in gymkhana events and pleasure classes, there are a lot of small Open Shows that you can attend sponsored by various saddle clubs across the U.S. They will usually let the mules compete right along with the horses. Learning and having fun are again the key issues here.
The mule has been proving his worth now, more than ever in Competitive Trail Riding and Endurance Racing. When you talk about Competitive Trail Riding in Colorado, you have to give credit to Cee Wolf who really excelled with her mules in this area of equine athletics, even at 80 years of age! She is another lady who has done great promotional work for mules! I would like to thank the millions of people who have given of themselves, that mules might be seen for whom they really are… a truly wonderful companion and a magnificent athlete and performer!
By now your donkey should be getting much better at his turns on the forehand and haunches on the lead line. He should be leading easily at the walk and trot and squaring up while stopped. He should be lunging at the walk and trot in the round pen, and ground-driving at the walk in the round pen, both straight and through turns and reverses. He should be walking and trotting with a rider in the round pen, without the assistant. He should be both ground-driving and walking with a rider through the hourglass pattern and on the perimeter of the larger arena. Now you are going to ask for a little more detailed control by asking him to walk over and through some very straight-forward obstacles.
Set up some obstacles in a confined area. Obstacles might include a tarp, four ground rails, a bridge, a straight back-through, a mailbox and a tractor tire. Your donkey should have been led through these obstacles as part of his leading training, so he should be familiar with these obstacles. Now you can begin to ask him to negotiate these obstacles more on his own by first ground-driving him through them, then (if he is large enough) by riding him through them. Begin by reviewing his turns on the forehand and haunches. Then attach the drivelines and have your assistant lead him as you drive him from behind. Start with something simple such as ground poles, a tarp or a bridge that he can easily walk over. If he is negotiating the tarp or bridge, ask him to “whoa” when he is standing on it with all four feet, reward him and then proceed. If he is negotiating the ground poles, walk over them. Once he is on the other side, stop him immediately and reward him. Then proceed. Then have your assistant lead him to the mailbox while you ground-drive him, and have him stop parallel to it. Reward him for stopping, then have your assistant open and close the mailbox and reward him again for standing still. Then proceed. Walk him through the parallel poles and stop him. Reward him. Then ask him to back out of them. Reward him again. Then proceed to the tractor tire. Make sure your assistant walks through the tire and not around it, because the donkey will do exactly as he sees her do! Once on the other side of the tire, have your assistant stop and allow the donkey to put his two front feet in the tire and halt. Reward him. Then proceed forward and allow him to walk through the tire to the other side and halt. Reward him again. Your assistant will be giving the treats, since you will need to maintain the drivelines.
After he has negotiated all of the obstacles with the assistant leading him, it is time for him to negotiate them on his own. Have your assistant stand on the ending side of the obstacle while you ground-drive him through exactly as you did before, stopping in the appropriate places. Whenever you stop, have your assistant come to him and reward him, then have her go back to the starting position, where she will reward him again as he completes the obstacle. If you have any problems with him at all, have your assistant come back and lead him through it again, then try to ground-drive him through again on his own. Do not try to bully him into doing it. This will only cause resistance and a failure to understand how to properly negotiate the obstacle.
Once your donkey is going smoothly and obediently through the obstacles on the drivelines, you can ride him through (if he is large enough). Begin as you did with the drivelines and have your assistant lead him through first or ride through ahead of him on a schooled animal that he likes, stopping in the appropriate places and rewarding him each step of the way. Depending on how willing your donkey is, this could be the next lesson, on the very same day. Each time you go to the obstacle course, repeat this entire process each time, first on the drivelines with the assistant, then without, ride with the assistant leading, then ride through the obstacles without her. It will not be long before he is going well, as donkeys learn things quickly and thoroughly, although they do have off days and may decide not to comply with a particular obstacle on that particular day. Tomorrow, it may be an entirely different story and he may have no trouble at all with any of them. It’s just the nature of the donkey to “change things up a little” from day to day. They like to keep us honest and on our toes. This is why I have included a separate section in my Training Mules and Donkeys series just for donkeys that is designed to be used WITH the other DVDs. Do the obstacles in a different order each time to prevent your donkey from anticipating and ignoring your cues, and be sure that you are cueing him properly for each obstacle, making your movements as light as possible.
If you encounter resistance at any obstacle, just stop, have your assistant come back and lead him through again. Then try it again. If you encounter only mild resistance at any obstacle, try to straighten your donkey out and repeat the obstacle again without the assistant. For instance, let’s suppose your donkey goes through the parallel poles, but won’t stop for the back. Stop him as soon as you can after the poles and ask him to back. Then go forward again in a large circle and come back through again and try to stop him in the middle, between the poles, then back. Give him every opportunity you can to succeed on his own and be sure to reward him for it.
Often, a donkey will create resistance by sticking his nose out and pulling his head to one side. If this becomes a perpetual problem, you can use the elbow pull to help to keep him straight and to discourage this kind of resistance. Take a 12-foot length of 3/8″ rope with snaps on both ends. Fold it in half and drape it over his poll. Run the two ends through the snaffle bit rings from the outside toward his mouth, down between his legs and over the back on each side. Tie it off with his head pulled to a level where his poll is about six inches above his withers. This is called an “elbow pull” and instructions on how to make and adjust it are included in my Equus Revisited DVD. This will keep him from sticking his nose out and will encourage good posture as he goes through the movements. It is a better way to deal with this problem than it would be to use draw reins (as shown in photos), as draw reins need to be held and adjusted in your hands. Draw reins can too often produce an over-reaction, even in the most experienced hands. Do not use the elbow pull in any other part of his training until he has learned to trot well, both in the round pen and in the open. This comes later than the walk work we are doing now.
To vary the routine and to keep things interesting while cultivating the best responses in your donkey, you should spend one day in the round pen, the next day in the open area doing the hourglass, and the next session on the obstacle course. Be sure to include a review of turns on the forehand and haunches, and ground-driving both straight and with turns preceding each session. And always, before you ride off and immediately after mounting, ask your donkey to bring his head to your knee on each side by offering a treat and vibrating the rein on that side. This encourages light responses in your donkey. Don’t drill your donkey every day. He only needs clear and consistent lessons to learn well, and he needs rest in between so as not to establish any soreness or side effects from using muscles he hasn’t used before. Don’t worry, he will not forget what you have taught him, and even if you have three days or three weeks between lessons, he will be right where you left him! Herein is the beauty of training a donkey or mule.
You have, thus far, begun to teach your donkey several things: how to begin to execute the turn on the forehand and turn on the haunches, how to walk forward in a round pen from the lunge whip without a saddle or harness (then with the saddle and harness), on the drivelines, and while being ridden. He has also begun to learn how to “trot on” from the lunge whip while tacked up, and how to walk and trot on the lead with an assistant aiding from behind. Do not be alarmed if your donkey’s movements are not perfect. Each time you work with him, he will get better at each of these things, especially if, at the start of each lesson, you review before adding anything new.
At the next lesson, if he is large enough, he will learn to trot with a rider onboard. If he is too small to ride, skip this lesson under saddle and do it with the drivelines. As always, begin with a complete review. After he has done his turns on the forehand and haunches, walked both on the lunge and with the drivelines, done right and left turns both on the drivelines and with a rider, and trotted with tack, he is ready to trot with a rider. Before you begin, here is a little exercise you can use to help your donkey stay light in the bridle. When you have mounted, take a treat in your right hand and your right rein in your left hand, and ask him to bring his head around to your knee and take the treat from your hand. Then take the treat in your left hand and the left rein in your right hand, and ask him to bend his head around to your opposite knee and take the treat from your hand. (Don’t pull—just vibrate the rein as his head comes around, and don’t try to hold him there. He will be very light in the bridle later on, once his neck muscles are stretched and flexible.) Now you will school the trot: Do it just as you did the walk. First ask your donkey to walk while your assistant, with the lunge whip, acts as a backup. You will give the command to walk, squeeze and release your legs and use your riding crop, if necessary.
Your assistant will come into play only if your donkey does not respond to your cues first. When he is in a good free walk on a loose rein, give the command to “trot.” Use your voice, then your legs and then go to your crop, if necessary. If this doesn’t work, your assistant can step in behind and encourage him with the lunge whip with one smart strike to the gaskin above the hocks, while shuffling his or her feet to create some noise. This should work, but you, as the rider, must sit absolutely still, maintain a very loose rein and allow the donkey to comply on his own. (Do not keep thumping his sides with your legs, nor keep hitting with the crop.) If all this fails to make him move on, just stop, pet him (no treat this time) and wait until he sighs or resumes chewing, then start over again. He is just trying to figure out what you are asking. This is not disobedience. It is important to note that you should not move from one attempt to the next without letting him chew. This is the way your donkey tells you that he is relaxed and ready to listen. If he just won’t do it, then go back to the lunging and have him trot without the rider once more, then try again at the next lesson. Each donkey is a different individual and will learn at his own pace.
As a trainer, I do not ask for perfection on the movements previously described, just cooperation and a reasonable effort. Repetition, over time, will take care of the rest. It is more important that you and your donkey have fun together and learn together in a way that is pleasing to you both. Your donkey may get bored with the round pen if you are there often. Varying the routine and place of training can alleviate this. He should be doing well with the walk at this point and be ready to move into an open arena for further lessons.
Set four cones in the four corners of your arena, with ample space for him to walk around the outside of them. Then set two cones in the center of the arena, creating a gate through which the two of you will pass. This will outline an hourglass pattern for you and your donkey to follow, as he perfects the verbal commands to “walk on,” “haw,” “gee” and “whoa.” “Trot” will come later.
First, lead your donkey (fully tacked up with either saddle and bridle or harness) around the perimeter and let him inspect the new area in which you will work. Remember to use your showmanship techniques. Then find a spot in the arena and review the turns on the forehand and haunches. Next, attach your drivelines and, with the assistant leading him, ground-drive him through the hourglass pattern. As you drive him, talk constantly, telling him what he is doing: “Walk on, walk on, good boy, walk on, haw, haw, haw, walk on, walk on, haw, haw, haw, walk on, walk on, good boy, walk on, gee, gee, walk on, walk on, walk on, haw, haw, haw,” etc. This is how you will reinforce the meaning of the verbal commands to your donkey for a good, solid foundation, and you will not have to repeat yourself as often later on. First, loop the pattern one way, then cross a nice straight diagonal and loop the other way. Have your assistant try to do as little as possible and let you actually drive him from behind. As you make each turn, give the command, pull/release the rein VERY lightly, and tap him VERY lightly with your driving whip on the opposite side, whether he needs it or not.
When he is executing the pattern without any deviations, you can eliminate the assistant and ask your donkey to respond to your cues alone. Use your verbal commands, reins and whip to help keep him straight. If he tries to deviate from the pattern, either stop him and resume, or just pull the rein in the direction he is to travel and help him get back on track with the driving whip. Use your whip lightly, but definitely on one side or the other to “push” him in the right direction. Use your whip directly over the croup for forward. Do NOT let him circle and come back to the track. He needs to learn to go in the direction in which you are pulling, and if you allow him to go in the opposite direction and circle back, you will find that he will be doing it a lot more than you would like. It’s better to stop a bad habit before it has a chance to become habit at all. To prevent a memorized response, stop him and ask him to back at different points on the pattern every so often to vary the pattern. Donkeys have terrific memories and if you stop him in the same place all the time that is where he will ALWAYS stop, no matter what you are trying to do. Do this pattern this way for a couple of sessions, and when he is going easily you can add circles at the cones to create a more interesting workout.
When he is steering well, it is once again time for your assistant to aid you in getting your donkey to go straight along the rail of the arena. Have your assistant walk along the rail, between it and the donkey, with the lead line held loosely in her hand, allowing you to drive the donkey from behind. If you tryto do this without the assistant, you will find that your donkey remembers the hourglass pattern and will try to go to the middle. He needs assistance in learning this deviation from what he has previously learned. When you change direction, keep your assistant between the wall and the donkey to help maintain his straightness. After about two times around in each direction, he should “get it,” and you can drive him without the assistant. Each time you change direction, do a straight crossing on the diagonal. (Short diagonals and half-turns will be taught later in this series.) Donkeys like to bend in half far too much, so you want to discourage this in the beginning and opt for straightness.
The next step for the larger donkey is to be ridden at the walk through the hourglass pattern, both with the assistant and without, as outlined in the ground driving lesson. Do this exactly as you did before and don’t forget to repeat, repeat and repeat your verbal commands! Vary the stop and reward him with treats every time you stop to reinforce the good behavior. Be very exact and consistent with your rein and leg cues and don’t use your crop unless absolutely necessary. Rein cues should be only vibrations of the rein, legs should stay quiet while the donkey is in motion and should come into play only to urge him forward when he stops, and to support his body and keep it upright in conjunction with your rein cues through the corners.
The leg to the inside of the arc should remain at the girth and serve as a support post while the leg to the outside of the arc is at the back cinch and drives him forward into impulsion. The inside rein tells him what direction to turn while the outside rein stays steady in a straight position so he does not turn too abruptly. If you persist with continuous motion in your legs and hands, you will dull your donkey’s response and you will find that he begins to ignore you. If he does begin to make a mistake, just stop, wait until he has sighed or is chewing, then resume. Again, do not let him veer off and circle back. If he does run off to the right, for instance, you must turn him back to the left to bring him back, since that is the rein he pulled away from you. Conversely, if he runs off to the left, you would bring him back with the right rein, but you NEVER circle and come back in the direction HE has chosen. If you can manage it, it is best to just stop, regroup and go on, but sometimes they do take you well out of the desired pattern.
During the next lesson, you can add the perimeter of the arena, just as you did on the drivelines. Have your assistant lead your donkey twice around both directions and across a straight diagonal to change direction. Then you can ride solo. The same rules apply here as they did when learning the pattern. Keep him straight, repeat commands, back up verbal commands with consistent rein and leg cues and if he pulls out to the left, bring him back with the left rein. If he starts to trot, pull straight back and give the command to “whoa.” If· he still won’t stop, keep him straight and stop him at the fence. DO NOT TURN HIM! If you start this, it will become a practically impossible habit to break.
As you have probably noticed, donkeys think a little differently than do horses and mules, and must be approached accordingly for the best and most non-resistant response, but there is no reason that you cannot accomplish this with a little patience and understanding. While you may have to teach, “Walk here, walk there, walk this way and that,” and it seems that you are progressing at a snail’s pace, remember that it takes less time for your donkey to really process what you are teaching him. So, in essence, he is learning more quickly than a mule or horse, he doesn’t need as much repetition and the training time is about the same, and, in some cases, shorter! So stop worrying and have a good time.
Across the United States and around the world, as mules are given more and more opportunities to perform in many diverse situations, they are exhibiting their exceptional beauty, athletic ability, endurance and intelligence. There are definite physical and psychological reasons for these outstanding abilities. It has been proven that the mule not only inherits the mare’s beauty, but is also more athletic than the mare out of which he came. The mule is an exceptional hybrid not only because he inherits these qualities from his dam, the mare, but he also inherits the best qualities from his sire, the jack who is responsible for his muscle structure, thickness of bone, strength and intelligence.
The muscle structure of a mule is noticeably different than that of a horse. His body is covered with masses of long, smooth muscle whereas the horse has more differentiated bulk muscle masses.
The most apparent example of this difference is seen in the chest of the mule. The horse’s chest has two distinct muscle groups, which creates a very distinctive line of separation in the middle of his chest. However, the mule’s chest is composed of one wide muscle mass that resembles a turkey’s breast, which greatly enhances the mobility of the front quarters. Another example is found in the mule’s hindquarters, where the long, wide and smooth muscles enable the mule to kick forward, backwards and sideways—he can even scratch the top of his head with a hind foot if he wants to! Mules are also quite capable of climbing under, over and through most kinds of fencing. Restraints that are used with horses often do not work with mules because of their astounding ability to free themselves from annoying circumstances with their strong, quick and agile movements. Because the hindquarters of the horse possess bulkier muscle masses, the horse does not have this incredible range of motion. The difference in muscular structure is similar to that of a ballet dancer versus that of a weight lifter—the ballet dancer’s longer, smoother muscles are more conducive to elasticity and agility.
In addition to this physical structure, which allows him more diverse range of movement, the mule also inherits from his sire (the donkey jack) the strength to tolerate prolonged and strenuous use of his muscles. One need only try to budge an unwilling donkey to realize his incredible strength! Donkeys traditionally possess an unbelievable vigor, and this vigor is passed on to the mule, adding to his superiority over the horse in strength and endurance. The donkey jack also contributes to the superior, tough hooves of the mule and a unique resistance to parasites and disease. Throughout their long history, the donkey’s natural ability to survive and thrive in habitats both desolate and unyielding guarantees that donkeys and their mule offspring are more sure-footed than other equines and masters of self-preservation.
Donkeys have long been referred to as “stubborn,” but this is a false and unjust perception. It is not stubbornness that causes an overloaded donkey to stop dead in his tracks to rest his body, but rather common sense and a strong desire for self-preservation. After all, would a sensible human being deliberately pack more than he could comfortably carry, and then continue a hike until he drops from heat and exhaustion? No. Would his refusal to do so be considered as being “stubborn?” Certainly not—it’s just common sense. The same common sense should be applied when understanding a mule or donkey’s behavior—and this holds true in any potentially dangerous situation a donkey may face. For example, when crossing a body of water, the donkey does not possess a human’s acute visual depth perception. Therefore, when he refuses to step into water that seems perfectly safe to us, it is because his depth perception is telling him to use caution and to take his time in evaluating the situation before he proceeds. His behavior is determined by the way he is asked to perform a task and by his concern for his welfare and safety.
As a rule, donkeys are equipped with the innate intelligence to sense that humans are not always concerned with what is really best for them, yet they are still willing to gives us the opportunity to convince them otherwise. Donkeys also have a natural social attraction to humans and, when treated with patience, kindness and understanding, they learn to trust and obey. On the other hand, if they are treated with pain and abuse, they are not likely to comply and can become very dangerous to handle. Mules and donkeys have an honest way of responding to our demands, so if your mule or donkey is not complying with your request, you need to review the clarity of how you are communicating your desire and adjust your approach accordingly. The intelligence of the donkey is no accident.
When a male donkey, with his traits of superior intelligence, strength and muscle structure is bred to a female horse with a calm disposition, good conformation and athletic ability, the result is an exceptional and incredibly beautiful animal—the MULE!
All of us here at Lucky Three Ranch would like to wish longears everywhere and those who love them a very happy Mule Appreciation Day in the fall! October 26th has been popularly designated as National Mule Appreciation Day, but anyone who’s ever been lucky enough to nuzzle a muzzle knows that these magnificent, gentle, bright, honest, upbeat, funny, patient and loyal friends need our appreciation and guardianship not just once a year but every day. Let’s spread the word whenever we can—mules and donkeys are truly amazing!
Prior to each training session with your donkey, review all that he has previously learned: Always lead him to and from the work station in a showmanship manner, holding the lead in your left hand with your right arm extended forward; groom him and clean his feet; review the turn on the forehand and turn on the hindquarters in the round pen; and send him forward to the rail in the round pen at the walk. You may have discovered that you need to follow him more closely than you would a horse or mule. Staying in the middle of the round pen while you lunge your donkey may not be practical to keep him moving. Just stay behind him and to the side while driving him forward with your lunge whip, touching him with it only when absolutely necessary. Match your steps with his steps—walk only as fast as HE chooses. If you get in a hurry, he will stop. Be sure to give the command to “whoa” each time you want him to stop, and then reward him.
Now that he is moving out well at the walk, you can teach him a reverse. As he is walking forward easily around the round pen, turn away from him, completely around, until you are in front of him. Step toward him, lay the whip ahead of him and give the command to “reverse.” Be aware of his space. Do not rush at him, or he may turn improperly. You want him to turn into the rail and resume the opposite direction. Give him plenty of time to make the turn and ask him to “walk on.” If he has difficulty, take a few steps forward and, with the whip, tap him gently on the shoulder to encourage him to turn. There is a purpose to turning away from him to turn him rather than just running ahead of him. By turning back the opposite way that he is traveling, you are establishing a new direction of travel, as well as giving him time to see that there will be a change in his movement. Most donkeys learn this very quickly.
So far, your donkey has worked only in his halter. This is the point at which mules and donkeys may differ. Your donkey has learned the walk and the reverse. Now he needs to learn the command to “trot.” Some donkeys will take exception to this command if they do not see a purpose in it. It is at this point that you should introduce the saddle, and/or driving harness (if he is too small to ride). You should also introduce him to the bridle at the same time. Let him see the harness (or saddle), then slowly put it on him. Most donkeys will let you do this quite easily.
Once he is tacked up, send him, at the walk, to the rail of the round pen again. Then give the command to “trot” and move toward his hindquarters with the whip, shuffling your feet in the dirt to make some noise. If he trots at this point, do not strike him with the whip or he will stop. If he isn’t trotting, you may strike him with the whip once at the gaskin, above the hock. Then keep shuffling your feet and move forward as he does, maintaining the same distance between the two of you. Move your arms up and down in big motions to encourage him forward. If needed, you can strike the fence behind him. If you invade his space, he will stop. If he trots, even a few steps, stop him with the command to “whoa” and reward him for his compliance. Do this one more time to clarify that you DO want him to trot. Then end the lesson here. He will be better at the next session, and at each new session, he will offer more steps of trot. Each time he trots, ask him to go only as far as he is comfortable, as long as it is just a little farther than the time before, and ask him to trot only twice in each direction. Donkeys don’t appreciate too much repetition.
After his first lesson of trot, you can begin to integrate rein cues. During the second trot lesson, you will review all that he has learned up to the trot. Before you go to his trot lesson, you can attach your drivelines and ground-drive him through the walk and reverse while on the lines. He should have no trouble with you at his rear, since you have been lunging him from a close proximity from the beginning. Use your whip as you did for the turn on the haunches—at the shoulder for his turns, and at the gaskin to encourage him forward—but just touch him with it to remind him, don’t strike him. You want his movements to be smooth and correct, not abrupt. Pull as lightly as you can with a squeeze/release on the lines to encourage the turns, and make him move off more from your body language and the whip than you do with the lines. If he does well, stop, remove the lines, and send him back to the rail for his trot work—twice in each direction. (This means twice with trotting steps, not twice around the pen.) Then stop, reward him and tell him school’s out until the next time. Whether you come back tomorrow or a week later, rest assured that your donkey will be right where you left him in his training. They have an incredible memory!
At the next lesson with your donkey, review all you did before and add turning through the middle of the pen, and turning both into the rail and away from the rail on the drivelines using your body language and your whip cues (as lightly as possible). Be clear with your verbal commands. For instance, tell him to “walk on,” and repeat the words as he walks on. When you wish to turn, give the command to “whoa,” then “gee” for a right turn, and “walk on” to continue forward. When you wish to turn left, ask him to “whoa” then use the command “haw” for the left turn, and “walk on” to continue forward. Be very careful not to pull too hard on the reins, as this will cause an over-reaction. After his ground-driving lesson, take off the drive lines and resume his lesson on lunging at the trot. Remember not to overdo any one stage of training. Two times seems to be the magic number, then go on to the next step. In other words, lunge at the walk twice each way, ground drive straight twice each way, ground drive reverse twice each way, ground drive turns twice each way, and lunge at the trot twice each way. This will keep him from becoming bored and resistant.
When he ground drives fairly well at the walk, you can mount him if he is a large enough donkey to ride. Mount him from both sides and dismount a few times at first. When he seems calm, you can stay aboard. Take a treat in your hand and encourage him to bend his head and neck around to each side to take the treat from your hand. At the same time, give short, light tugs on the rein on that side. This will encourage lightness in the bridle later on. Now he is ready to move with you aboard. It is best to use an assistant at this stage.
Have your assistant lead your donkey forwards a few steps with you aboard. Both of you should give the command to “walk on” as you squeeze with your legs once or twice, then the assistant can lead your donkey off. Have a riding crop in your hand to use if he does not comply. This will take the place of the lunge whip. Use it only if you have to and tap him only once lightly for every command you give. After just a few steps, say “whoa” and reward him, even if it is just two steps. You can continue this lesson until he has completed one rotation of the round pen in each direction. Then stop him with “whoa” and ask him to go back a step or two. Give light pulls on both reins in a squeeze/release fashion to start, then, as he begins to move his feet backwards, alternate your pressure on the reins with the front foot that is forward. If he does not wish to back, your assistant can help with pressure to his chest as you did on the lead. Always end your riding or ground-driving lesson with a back, and don’t pull so hard on the reins that he resists by jutting his head out. Encourage him to stay light in the bridle. Then finish your lesson with lunging at the trot.
Donkeys learn a little differently than do mules or horses. Their responses are initially much slower but if you are clear with your intent, they learn completely. In halter training, your donkey learned to walk when you pull and to move away when you apply pressure to a certain area of his body. In the round pen, he learned to walk away from you and to walk and turn on the drivelines. He learned to walk with you on his back (with someone leading him to help reinforce the cues you were giving him). You and your assistant must be in tune with each other so as not to confuse your donkey. He will learn that the verbal command comes first, the legs come second (when you ride), and the crop (or whip) comes last. As he learns, he will begin to respond more closely to the initial verbal command. Ground driving is the same, with the reins in place of the legs. At first, you may need to use the voice, reins and whip, but as he learns, you will find him reacting sooner and sooner, until he is actually complying on the verbal command alone. Yes, donkeys are that smart!
You may have been having trouble with the trot on the lead up to this point, but now your donkey should be ready to do that as well. After your trotting lesson in the round pen, leave the area in a showmanship fashion, with the lead in your left hand and a treat in your extended right hand. Give the command to “trot” and slowly move into a trot yourself. If he still does not wish to trot, have your assistant move up from behind, just as you did when you were lunging him at the trot in the round pen, and he should comply. Take a few steps of trot, then ask him to “whoa,” give him his treat and “walk on.” It won’t take but a few lessons before he begins to understand the verbal commands. You just need to take it slowly enough and be consistent enough so that he has the opportunity to understand. Don’t get in a hurry, or you will find yourself in a sea of confusion!
If you have followed the steps outlined in Donkey Training, Part 1, your donkey should now—be easy to catch, let you put on his halter and lead, stand quietly while being groomed, allow you to pick up and clean his feet, follow you on the lead both over and around obstacles, load into a trailer, and follow your shoulder and your verbal commands. He should be happy and willing to be with you. This is a good time to let him watch other animals being worked, if possible. Donkeys and mules really can learn the purpose of their training when they see other equines being worked. When they are watching, you can almost hear them saying, “When is it going to be my turn?” They may actually be jealous of time spent with someone other than themselves. They’ll get to see other animals being tacked up in bridles and saddles and handling it well. When it is their turn to be saddled or bridled, they are not as afraid as they might have been if they had never watched.
Another good idea is to lead them around the area in which you will be working, so you can “inspect” it together. This allows them time to see if there is anything to which they may take exception before you start asking them to do anything. They will appreciate your consideration and be more willing to work for you. Don’t assume that, just because they were there the day before, they will remember that it was all right. Begin each new day with a brief walk around the schooling area. After all, things do have a way of changing from day to day, even if it is as slight as a new plant, or a stick, or anything that wasn’t there before. You may not remember things in such minute detail, but donkeys definitely do. This is one way you can minimize distraction and resistance during the actual training process.
Now you and your donkey will begin his training in a round pen, or a small pen that has been modified so that the corners are rounded. Take him into the round pen with only his halter and lead. The first thing he will need to learn is to move away from pressure. Donkeys naturally move into pressure and are terrific “crowders.” They always seem to want to be as close to you as possible. I would suspect that this is a defense tactic. Horses and mules have the initial natural instinct to flee when they think they are in danger. Donkeys are just the opposite and will freeze. If a donkey is attacked, he will move his body into the predator in hopes of knocking him to the ground, where he can then use his hooves and teeth for defense. It is important that you teach him right from the beginning that you are not a predator and that he must not move into you. If he does knock you down, it could be very dangerous, especially if he is a jack.
Take your donkey to the middle of the pen and ask him to “whoa.” Reward him for whoa, then step toward his shoulder—pulling his head toward you—tap him on the flank and stifle, and ask him to “move over.” Do not move your body unless you absolutely have to. You want him to keep his front end bent toward you, step under with his near hind leg, and begin to execute a turn on the forehand. This means his front legs will stay stationary while the hind legs move around them and away from you. You want your donkey to take only one step each time you tap him, so don’t get carried away and tap him too hard. We are laying the foundation for hindquarter control and it is easier to let him move slowly, one step at a time, in the beginning than it is to ask him to slow down from too many steps later on. Watch his hind legs to make sure he crosses in front of the offside hind, and stop and reward him after each tap and step. He will probably double in the barrel and move his front legs as well in the beginning. As long as he moves his hindquarters away from you, reward him and repeat. We can perfect his style as he learns what is expected. The first few times, ask only for one or two steps. When he has done this exercise on the near side (left), repeat them from the off side (right). During each session, you can ask for a few more steps in each direction.
When he is doing the turn on the forehand fairly easily (it doesn’t have to be perfect), you can begin to teach him to move his shoulders away from you with a turn on the haunches. This is much more difficult, since donkeys love to “glue” their front feet to the ground. Take the side of his halter in your left hand, ask him for one step forward and push his face away from you as far as your arm will reach. Then, in the right hand with the end of the lead, tap him firmly on the shoulder and give the command, “Over.” If his hindquarters come around, leave your left hand on the halter and take your right hand and use your body weight to shove him over one step. Stop, praise and reward him for moving his shoulders (even if you had to do all the work). Now try again, tapping him with the end of the lead. If he still won’t move his shoulders, repeat as before. If he does not begin to try to move his shoulders after three tries, use a riding crop in your right hand and tap the shoulders sharply with it—only once! He will probably be so surprised that he will step over quickly. Be ready to reward him when he does. Then stop your lesson there. You can ask for two steps in each direction during the next session. If you try to do any more, you will encounter resistance and he will be unwilling to perform and may run off, so be patient and be ready to take all the time HE needs.
Next, you will teach your donkey to back up. Hold the lead in your left hand, pull down and back, release, down and back, and release while you give the command, “Back.” If he doesn’t take a step back, use your right hand to push and release on the middle of his chest. It is most effective if you use only one finger, and you may have to push hard before you release to get the desired response. When he takes one step back, no matter how small the step is, reward him with a treat, praise him and stroke him on the shoulder, wither, or poll, or scratch his chest—whichever pleases him most. Do this exercise no more than three times, and then end your lesson. You can ask for a better response the next time.
Repeat these three exercises until he begins to move easily away when you ask. It may take three or four sessions. When he does comply easily, you can begin to teach him to lunge. Review these exercises every time you begin your training session. Then release the lead from the halter. Hold the lunge whip in your left hand and use your right hand to point to the right (the direction you wish him to go). Raise both your arms in unison and tell him to “walk on.” If he doesn’t move away, lower both arms and raise them again, repeating the command. If he still won’t move out, give the verbal command again and give him a firm tap on the gaskin, just below the tail and above the hock, then take a step back and wait for him to comply (donkeys need time to think). If he still won’t move, repeat this action until he does. Once he does start moving away, follow behind and to the side at a distance that he will tolerate. This distance will vary with the individual donkey.
You can determine the distance you need to keep from your donkey to get the desired response by watching his reaction to you. When you are too close, he will stop and tuck his tail. If you are too far away, he will slow his gait and begin to wander. When you are the correct distance, he will walk forward, although, in the beginning, he will hesitate after every step or two. Practice moving into him and away from him to get him to move. Try to stay out of his space and keep him moving forward after the initial tap of the whip. If he stops and doesn’t seem to want to move, strike the fence behind him once you have him on the rail. Try NOT to hit him if at all possible. Remember, donkeys freeze when they are confused or frightened and you will get nowhere with him at that point. He needs to learn, but he also needs to enjoy what he is doing. Don’t forget to reward him frequently, but be sure that you ask him to go further each time, or you may find yourself training him to walk only so many steps at a time. In the beginning, ask him to go in only one direction and change directions at each session. You can teach him to reverse and go forward later, once he has learned what you are asking.
When training your donkey, make sure you have plenty of time: You never want to get in a hurry. You want your time together to be a fun and enjoyable experience, with each of you learning about and from the other. Most of us today are on fast-forward but remember—your donkey is in slow-mo!
You really don’t want to desensitize your animals to everything. Here is Webster’s Dictionary’s definition of the word “desensitize”:
1) to make (a sensitized or hypersensitive individual) insensitive or non-reactive to a sensitizing agent.
Some people have the misconception that, in order to desensitize an animal, you have to make it numb to its surroundings and any stimulus it encounters. Not true! What you really want to do is sensitize your equine to different body language and cues from you, as the trainer. So “desensitization” does not mean achieving a total lack of sensitivity. Rather, it should be approached as a way of training your equine (in a way that is quiet and calm) to be less sensitive to certain objects or events that may be cause him to be fearful, so he can move forward with confidence and the right sensitivity toward the communication between the two of you.
When incorrect, harsh or overly aggressive desensitizing techniques are used on equines, the handler is met with either a very strong flight reflex or a stand and fight reflex. In either case, an equine will either put up a fight and be deemed a rogue and, therefore, untrainable, or eventually just “give up” and succumb to the trainer’s wishes. This is a sad situation because the equine is not given the opportunity to make reasonable choices in his relationship with his trainer. The equine’s instinct to warm up to the person training him is hampered by his fear of more desensitization techniques. Thus, he becomes resigned to his work and is not fully engaged in the training process.
Often, trainers will put obstacles such as a trailer, tire or tarp in an equine’s pen in the hope of getting him used to it by making him live with it. But ask yourself this: How much rest would you get if someone put a blaring radio in your bedroom to desensitize you to noise? Equines have many of the same reactions to their personal space that we do, and they do much better when their place of rest is just that—a place of rest and comfort. And when lessons are approached in a considerate, respectful and rewarding way, an equine is more likely to approach them with an eager and positive attitude that facilitates better learning. It is always better to turn your equine’s fear into curiosity than it is to just assault his senses.
When doing obstacle training, it is better to allow your equine a gradual approach with small steps and great rewards for his honest effort than to whip and spur him through just to get to the other side. When his fear is converted to curiosity, the chance of his refusal to go forward is lessened and his trust in you as the trainer allows you to, eventually, ride through any obstacle at the slightest suggestion. This is because he trusts your judgment and has not been frightened, hurt or made uncomfortable during the training process. This is your equine developing sensitivity to your demands and learning to willingly comply so he can become a participating partner in each activity.
Some trainers believe that breaking down tasks for the equine into tiny steps is a waste of time and that giving a food reward prevents an equine from learning to respect the trainer, but I disagree. When you break tasks down into understandable steps in the beginning stages of training, you will eventually begin to get solid, reliable behavior from your equine. You will have to pay attention to a lot of little details at the beginning stages of training (and that can seem overwhelming at first), but if you take the time to pay attention to these small steps in the beginning stages and through the ground work and round pen work that will follow, when you finally do move on to riding under saddle the lessons will go much more quickly.
Each stage of training should become easier for you and your equine to master. For instance, it actually takes you less time to train in something like a side pass if you have done your groundwork training with the lead line and drive-line lateral training before you even get into the saddle. It also follows that the side pass will come more easily for your equine if he has first learned to move on an angle in the leg yield before having to move straight sideways. This is an example of taking things in small, logical steps, keeping your equine sensitive to his surroundings and tasks without fear. It also greatly lessens the chance for a fear or anxiety-driven blow up from your equine later on.
There is a physical as well as mental aspect to all of this technique. While you are training your equine to perform certain movements and negotiations over obstacles, his muscles, ligaments and tendons are all involved in his actions. When an equine is asked to do a movement for which his muscles have not first been properly conditioned, he will not only execute the motion incorrectly, but his premature attempt will undoubtedly compromise his muscles, ligaments and tendons. Even if he can adequately assimilate a requested movement while he is young, he could easily be creating problems in his body and joints that will cause him escalating problems as he ages.
If you were asked to go on a 25-mile hike with a 50-pound pack on your back, how would you prepare in order to safely and successfully perform this task? You would break it down into small steps, working up to it by first running a short distance with a very light weight, and then gradually increasing the distance you run and the weight you carry, which may take as long as a couple of years of careful training and conditioning. But if you tried to prepare for this kind of grueling hike by simply walking around the block a few times for a couple of days, you’d wreck your muscles, compromise your health and probably fail—all because you attempted to do the task when you weren’t physically or mentally ready. And depending on how much you strained your body, you just might discover down the line that the damage is permanent and will worsen over the course of your life. I use this illustration to show that, just as with humans, when it comes to training and conditioning your equine, it’s always better to take it slowly—one step at a time. Your equine will learn to enjoy being a partner in your challenges and goals if you give him the time he needs to be able to do these activities comfortably and with success.
An equine that learns in this sensitized way can also make judgments that might even save your life when you might not be paying attention. This is because when your equine is calm and well rested, he actually seems to be able to anticipate consequences, making him more likely to stop and wait for your cue. The equine that is “forced” during training will most often become anxious about a challenging situation and will seldom stop and calmly alert you to a potential peril—and he most likely will not trust your judgment.
It is because I have trained my mules in this sensitized way that I once avoided going over a 100-foot drop up in the Rocky Mountains while on a trail ride. On that particular day, I was in front, riding my mule, Mae Bea C.T. with four horses behind us. When we came to a giant boulder semi-blocking the trail, I told the people on the horses to wait and rode ahead. I soon found that the trail had narrowed to an impassable two feet wide and a rockslide had wiped out the trail ahead completely! It was straight up 100 feet on one side of the trail and straight down 100 feet on the other side and there was no going forward. The horses behind me were still on the wider part of the trail on the other side of the boulder and were able turn around, so they were safe, but backing my mule around the boulder on that treacherous trail would be very dangerous. I thought we were stuck. At that point, my mule calmly looked back around at me as if to ask, “Well, Mom, what do we do now?” I thought for a minute and then shifted the weight in my seat toward my mule’s hindquarters. This movement from me allowed her to shift her weight to her hindquarters. Then, with pressure from my right leg, she lifted her shoulders, pivoted on her left hind foot and performed a 180-degree turn to the left on her haunches, and with her front feet in the air, she swept them across the open precipice of the cliff and turned us back around to face the wider (and safe) part of the trail. After completing the turn, she stopped again, looked back at me to see if everything was okay and waited for my cue to proceed back down. I believe, without a doubt, that my mule’s incredible and calm response to a life-threatening situation was the direct result of the sensitized training methods I used that created our unbreakable bond of trust.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, TRAINING DVD #2 and EQUUS REVISITED at www.luckythreeranchstore.com.
Training your donkey is not really much different than training horses and mules, although there are differences in instinct and attitude that will determine your approach in given situations. The mechanics and techniques, however, remain the same.
The donkey foal needs to begin his life of training with imprinting. Imprinting is simply getting your donkey accustomed to your touch, your voice, your smell, the way you look and the way you interact with him. These are all the things he learns from his mother that will determine the design of his character as he grows older. If he is to be a trainable and tractable individual, you and his mother must teach him to be accepting and willing from the day he is born. This also implies that you and the mother cannot be at odds. She needs to possess the traits you wish to instill in the foal. A well-trained mother will help to produce a well-trained foal. If your jennet is not easy to handle, then she needs this training as well and should be started with imprinting and progress through the steps of training before the foal is born.
When imprinting the foal, think of the kind of attitude you want to cultivate in him—do not come at him with the idea that he must accept you. This is a forceful and intrusive attitude and can foster resistance. Come at him with love, patience and kindness and these are the things he will learn. Give him respect and ask that he respect you and he will begin to learn about behavioral limitations. If he were in a herd, the adults would demand that he respect their space with well-placed discipline. You must learn to do the same without overdoing it. If he bites or kicks, a well-placed slap on the side of the mouth for biting and on the rump for kicking and a loud, “No!” will do the trick. Rewarding his good behaviors consistently will reinforce repetition of what you desire from him and will foster understanding between you and your donkey. This is the beginning of a long-lasting bond of friendship.
Friendships would not be complete without a good balance of work and play. Teachers who make learning fun for children make it easier for the child to learn what he needs to, as well as encouraging a good attitude towards life in general that can carry the child through the most trying of situations. The donkey is no different than a child. If learning is fun and non-threatening, he will enjoy his time with you and you will discover his innate desire to please and to serve. The best teachers are those who realize that they too can learn from the child in this process. Each individual is different in his or her own way, and it is important to recognize the differences in order to foster confidence and self-assurance. Your donkey will appreciate that you not only wish to teach him, but to learn from him as well. This will encourage his enthusiasm for learning and will ensure that he learns well and with confidence. He will learn, right from the beginning, to want to follow you anywhere because it’s the best place to be!
Don’t get in a hurry with your donkey. As a rule, horses have a very quick response time, but with minimal comprehension and memory retention. A mule’s response time is slightly slower than that of the horse, but their comprehension and memory retention is very keen. A donkey’s response time is measurably slower (they appear to be in deep thought for what seems like an eternity to you and me), but their comprehension and memory retention is the keenest of all three. When training each of these different equines, you need to learn to gauge your body language and expectations accordingly.
Whether your donkey is a young foal or an older animal, begin with imprinting and do the steps in sequence. Learn how to properly put on the halter. Let him wear it for a while then take it off, as he could get it caught and injure himself if it is left on. When your donkey is not bothered by you putting on and taking off the halter, you can teach him to be tied. Put the halter on him and tie him to a safe post for one hour. Come by to see him every 10 or 15 minutes, untie him and ask him to “come.” If he does not take a step toward you, just retie him and leave. Come back in 10 minutes and try again. When he takes a step toward you, reward him with a treat and lots of praise. Stroke him on the neck and shoulder or on the poll between the ears, or scratch his chest or rump—whatever he finds most pleasing. Then try a few more steps. Don’t ask for any more steps each day than he is willing to give. Save them for the next time and soon he will lead easily. When he is leading easily, you can start taking walks around the farm and you can begin to introduce him to things he may find frightening. Lead him as close as he will go at your shoulder, then step toward the obstacle as close as the lead will allow and coax him to you. Offer a reward if necessary to entice him, and be sure to reward him when he comes forward. When he is confident about investigating “things” with you, you can progress to an obstacle course.
At your first try going over logs, a bridge, tires, or other such obstacles, you may find your donkey reluctant to pick up his feet to negotiate an obstacle. He will probably try to go around it any way he can. Stand close to his head, holding him on a shorter lead, and ask him to “come.” If he moves only one foot over a log or tire or onto a bridge, stop, hold him there and give him a reward for his effort. Next, ask for the other foot and, if he is willing, let him walk over the obstacle, then reward him again. If he moves only one foot more, reward that, and proceed—slowly! You don’t want him to just run through it. You want him to come when you say “come” and to whoa when you say “whoa.” You are beginning to establish verbal communication with your donkey, so keep it simple and consistent. Do all obstacles the same way. Donkeys like to get crooked over obstacles. When he has learned to step through or over an obstacle but is not going straight, you can step directly in front of him, holding the halter on both sides, and ask for straightness as he negotiates the obstacle.
Once he has learned to follow you over and around obstacles, he will be ready to begin the fundamentals of showmanship. Hold your lead in your left hand, keeping your right hand free and straight out in front of you. He should learn to lead with slack in the lead and to follow your shoulder. If he gets too close, you can use your right hand to push him back into position. Once you have begun showmanship training, ALWAYS lead him this way. Teach him to stand squarely on all fours every time he stops. You are not just teaching him to set up, but to carry his body in a balanced fashion so he will develop good posture and balance. When you want to teach him to trot on the lead, give the verbal command to “trot” and slowly move your own legs into a very slow trot. If he is difficult, do not go to the whip. Try to find something toward which he wants to trot. Above all, don’t get discouraged if he won’t trot the first few times, just slow back down and do something he already knows, then quit for the day and try again the next. Eventually, he WILL get it!
Do the same exercises (outlined in DVD #1 of my Training Mules and Donkeys resistance-free training series) with your donkey as you would with your horse or mule, but be prepared to go much slower and to be calm and supportive when he complies. Learn to reward even the slightest movement in the direction of compliance and allow him to progress at his own speed, not yours. Soon he will be wearing his halter and lead, standing tied quietly while you brush him and clean his feet, following you around and over obstacles, loading into a trailer and learning the beginning stages of showmanship. You will have a good, solid foundation on which to begin your donkey’s formal training.
It is important that your donkey be in the best posture he can be in while he is performing at this stage of training. The way that he is moving with his body is the way his muscles and tendons will be strengthened and toned, and the way his bones will become permanently aligned. It is difficult for a rider to maintain this impeccable balance through every step and every stride. For this reason, you will use your “elbow pull” training aid to encourage your donkey’s good posture throughout training, once he has learned the right moves. Adjust your “elbow pull” so that, when tight, his poll can be raised about six inches above his withers. The “elbow pull” will help to maintain his proper frame and good balance without you having to fuss with anything. The “elbow pull” is most helpful during lateral movements, but it also helps him to maintain his balance through transitions and changes of direction. Get in the habit of using it all the time during intermediate training. When he is going well, staying in proper frame, light on the bit and responsive to your cues, and when the “elbow pull” is loose throughout all of his workouts—only then should you remove it. (Use of the “elbow pull” and instructions on how to make it are covered in my Equus Revisited DVD.)
Now you need to teach your donkey to lengthen his trot. The elbow pull should have helped you to get a true trot out of your donkey. He will not be able to lengthen from a single-foot trot. Do not begin lengthening until the true trot is well established. When you wish to start schooling the lengthening, begin by asking him to lengthen on the long diagonal and corner-to-corner in your arena. Ask him to cover more ground going toward the center and as he approaches the corner, ask him to shorten his stride and collect the trot before the corner. Do not just ask for more speed. A lengthening is a more ground-covering walk, trot or canter, but maintains the same rhythm and cadence. In the beginning it will seem like there is very little difference between the working and lengthened gaits, but as he gets stronger and more agile, the difference will become more apparent.
You can use ground poles to help lengthen the trot. Begin with four ground poles spaced about two and a half to three and a half feet apart, depending on the size of your donkey. He should trot easily through, with one foot landing between each two poles. This is also essential for preliminary jumping to help his stride become cadenced and regular. Trot your donkey around the arena and come up over the poles. If he is too sluggish, you might have to encourage him with the crop. If he is too enthusiastic and wants to run through the poles, tripping and jumping all the way, just stop him before the poles and back him. Do this a couple of times, and then come back and allow him to go over the poles. This does a couple of things. First, he will expect to stop, so he will stay slow and listen to your aids. Second, by the time he does realize that you are going over the poles, it is too late for him to bolt and run and he will negotiate the poles correctly. When he is trotting over the poles calmly and correctly, you can begin to school the lengthening over them by spacing them farther apart at each session. Don’t add more than an inch at each session. If you do, he will not do it correctly.
Next you will begin to regulate the canter. Place a pole perpendicular to the long side of your arena. Canter around the perimeter of the arena, coming down the long side and over the pole. Each time you approach the pole, about three strides out, start counting to your donkey, “One, two, three, pole.” This will accomplish several things. First, you will learn to gauge your distances and measure your donkey’s strides. Second, your donkey will learn to adjust his strides and they will become more balanced, rhythmic and cadenced. Next, he will become more obedient to your aids. Don’t forget to count out loud to your donkey every time you do this exercise. Remember, donkeys respond best to verbal commands. Do the canter pole several times in each direction, during each session that you work in the arena to help improve his canter.
Whether you plan to jump or not, the next exercise is beneficial to your donkey’s body conditioning. It will help him to become agile and strong and he will be able to carry your weight a lot more efficiently. First set four cavalletti in your arena and have your donkey trot through them during several lessons. Then, set a cavalletti or cross rail jump in your arena with a ground rail one stride before and after. Begin each session with review and warm up with stretching—turns on the forehand and haunches on the lead; feeding treats from his back, bending his head to your knee on both sides; walking and trotting through the hour-glass pattern on the long rein; walking, trotting and cantering the perimeter of the arena on the long rein. Then you should do a collecting exercise. Ask him to collect on the short sides, and lengthen on the long sides at the walk and then do this at the trot. After the warm-up, stop and rest for three minutes. After the collection exercise, stop and rest for three minutes. He will be working in approximately 15-minute intervals with three-minute breaks in between. This is standard for mules, donkeys and horses.
For the final segment of his workout, take him along the rail at the trot and come up over the cavalletti or cross rail jump. Two strides out from the ground rail (three strides from the cavalletti), start counting out loud, “One, two, three, JUMP!” Allow your donkey to trot after the cavalletti the first two times through, and the third time over ask him to canter away to the rail and down the long side of the arena. Then stop and reward him for his effort. Give him a brief rest and then repeat the exercise the same way three times with a brief rest after each canter pass. When he has done this pattern three times going in one direction, do the same thing three times going the other direction. If he is lazy, he may need encouragement from the crop, or you may need to wear BLUNT spurs. If he wants to run at the cavalletti, you will need to school him a little differently. You will need to walk to the ground rail, stop and back. Then turn away from the cavalletti, do a circle and approach again at the walk, stop and back. Circle again—at the trot this time—stop, back. Do this twice. The third time, let him trot and jump the cavalletti. After he jumps the cavalletti, a few strides out, ask him to stop and back. This is to help him to let YOU maintain control. It will also help him to maintain his balance and jump correctly, thus avoiding a mishap or fall.
When he has done three sets over the cavalletti in one direction (two trot approaches and one canter), you should change directions and repeat the exercise. When he does this obediently, you may canter him to the cavalletti and away three times in each direction, but during each session, preface the canter with the trot work. If you were to go on to other kinds of jumps, you would approach them the same way. Your donkey needs to be strong to jump and should be schooled so he can jump from the trot or canter equally well. If he is built up slowly and becomes strong in a healthy way, there is no reason he shouldn’t be able to do this. Do not just trot around and jump or canter around and jump. This accomplishes nothing but risk to you and your donkey—it is both unsafe and unhealthy. End each workout by allowing your donkey to trot then walk on the long rein around the perimeter of the arena in both directions. If you school him properly, you and your donkey will have many enjoyable years together!
In Part 1 of Equine Behavior: Look Who’s Talking, we discussed the evolution of man’s self-discovery and how he applied this to his approach to equines. If we want to manage our equines in a healthy way and accomplish even the most basic performance with them, there is much to consider during the training process. In Part 2 of Equine Behavior: Look Who’s Talking, we learned that equines are honest in their nature, and produce quick and honest reactions to a stimulus. Therapeutic Riding provides and exemplary teaching experience for both the human and the equine. Those of us with our own equines can now derive much more from our relationships with equines than we ever thought possible.
During centuries of use, equines have been asked to perform many tasks, as they have always been essential in agriculture, for transportation in cities and as fighting partners in the military. People who worked regularly with these animals had an appreciation for their overall health and longevity. Although people were limited by their own experience, they would generally provide the best possible care because the equine was an integral part of their economy. Many horses, and most mules and donkeys, worked hard to build this world and support people in their endeavors. It is always amazing when one realizes the expanse of equines’ contributions to our wealth and welfare.
Original Dressage training was concerned with the systematic conditioning of the body of the horse in a way that would make him a durable and viable war partner for soldiers. The horse was revered and allowed time for his body to mature and grow slowly. The training followed suit, yielding a healthy and formidable opponent in any competition. This goal was achieved only when the animal was trained in good posture, and given adequate time to complete each stage of training as his own potential dictated.
When proper attention is given to the development of balanced, postural core muscle strength from the very beginning, the equine develops strength symmetrically throughout his body as he grows. Muscles are stressed and relaxed at critical intervals, allowing for healthy mental, physical and emotional growth. When the equine feels good in his body, it clears his mind to concentrate on his performance. The result is an equine that is happy in his work and in his world.
Colonel Alois Podhasky (1898-1973), former head of the Spanish Riding School in Vienna, Austria said, “I’ve got time!…We can only achieve the highest goals in the art of riding when we increase our demands on the horse in a systematic manner.” (1)
The same holds true with any athlete. No animal can perform at their highest level and remain healthy without building the body correctly over a significant period of time. Forcing things and moving too fast through training levels does not allow healthy athletic conditioning to take place. This conditioning art is becoming lost in the economic world today as equines are no longer being used as a necessity. They have become a hobby, or a sport in more developed countries, and are an economic necessity only in Third World countries that are not equipped to provide the extensive care that a healthy equine demands.
Dressage training has evolved from a useful tool to strengthen and balance a useful horse to just another name in Big Business. Today, equines are thought of as economic commodity, or a breeding investment, and are used in events such as Reining, Cutting, Stadium Jumping, Racing, Steeplechase, Eventing, Hunting, Dressage and just-for-pleasure riding. Monetary investment is high, and never was the old adage of “horse poor” more prevalent than now!
Owners can expect to spend thousands of dollars in a year for no more than a pleasure riding equine, and the cost increases with the status of the activities. The cost of supporting an equine provides economic success to a multitude of businesses such as feed stores, tack and equipment, truck and trailer sales, drug companies, motels, gas stations, county fairgrounds, breed registries, brand inspection, clothing stores, veterinarians, farriers, and the list goes on.
In any business, moving product faster is always better because it decreases overhead costs. Anything long-lasting takes more expense to produce and does not afford repeat customers as often. The same product is therefore, less valued. But good business sense is in direct opposition to what is actually good and healthy for the equine. Good business sense is what drives people to train equines faster, and why people ask young equines to perform way beyond their level of capability, to promote a faster sale of the equine, which ultimately results in the untimely demise of the equine.
Breeding for bigger, better and faster equines, has given people the false idea that these horses perform almost solely from their heredity. This has changed how they are being trained and judged. Today, many equine competitions are no longer judged by an expert who really knows the definition of correct movement. We are inundated with terminology from the Masters that is most often misunderstood and distorted.
For instance, collection is defined by the United States Equestrian Federation as, “a. to further develop and improve the balance and equilibrium of the horse which has been more or less displaced by the additional weight of the rider, b. to develop and increase the horse’s ability to lower and engage his hindquarters for the benefit of lightness and mobility of his forehand, and c. to add the ‘ease and carriage’ of the horse and to make him more pleasurable to ride.”
To those who are not schooled in Dressage, collection can mean a lot of things that are contrary to the actual definition, including the belief that it means to merely break at the poll and arc the head and neck. People also believe that an equine is on the bit if he arcs his head and neck and flexes at the poll. What this actually means is that the equine has taken contact with the bit, and can feel the hands of the rider through the reins, and respond lightly and obediently whether his head and neck are arched or not. Vertical flexion is the result of correct collection that involves the entire body of the equine, when the equine is flexible from head to tail with the hindquarters properly engaged. It is not the act of bringing the equine’s chin to his chest. Lateral flexion is when the equine bends his whole body through his rib cage to the arc of a circle, and is not just bending his head and neck to your knee.
All of these movements take many years to cultivate if they are to be done correctly. There are specific exercises to do at every stage to make sure that the equine is developing properly and executing these movements on his own, with only the most subliminal support from the rider’s aids. Most equines that are shown today are not engaged sufficiently behind and are doing “High School” movements out of good equine posture. They are clearly on the forehand and unbalanced.
If one is to develop the equine in a sound manner, then one must learn to appreciate the smaller victories at each stage of training and during every lesson. One needs to learn to appreciate the incredible ways that one can affect balance and movement during Leading Training. Leading Training can teach the equine good balance, proprioception (body awareness) and regularity of the footfall patterns.
The equine will become strong and balanced in his core muscles (and all the elements that support his skeleton) using simple tasks that appear in the Hourglass Pattern and later through obstacles for coordination. Only after your equine is able to take responsibility for his own balance and negotiation of these movements should he be asked to go to the Round Pen to learn to balance on a circle at all three gaits. Only then will he be able to maintain equal weight over all four feet, bend properly through his torso and not lean like a motorcycle.
Only after he is able to sustain his own balance on the circle through all three gaits (walk, trot and canter), stop, back and reverse, and has been Ground Driven long enough to submit lightly to the bit through all movements, should he be mounted and asked to carry a rider. Even lunging on the lunge line should first be taught in the Round Pen, so when you do lunge him in an open area, he will know the cues to keep him on the circle and has the ability to balance himself.
You would teach him to lunge on the lunge line in the Round Pen first with enough slack in the line so it drags on the ground as he circles. Keep a slightly open fist on the line and close your first as the outside front leg comes forward into suspension. He will feel this pressure and bring that front leg onto the circle instead of going straight forward with it. This is the cue you will use when lunging him on the line in the open arena.
The equine that has had the benefit of postural core strength training will be safer on the trail and flawless in the show ring. If you take the time to develop your equine properly, during these seemingly boring tasks, you might very well discover a healthier and happier YOU!
It is difficult for judges without roots in agriculture to conflict with the roar of the crowds at shows as they see fancy movements. If the judge does not hold true to what is truly correct and allows himself to be swayed by the audience, the integrity of the equine industry is lost. Our equines will continue to suffer at the hands of ignorance because there are no clear standards by which to educate people. The equine that is properly trained should appear to be performing of his own volition. If he does not appear this way, and is constrained or forced, he is not in correct posture or balance and cannot perform correctly. The integrity of his movement is lost and the longevity of his life is compromised.
When you take the time to feed, maintain and train your equine as he should be trained as an athlete, his personality will begin to emerge. You will be surprised at the relationship you will have with him and the wondrous sensations you can feel when you are in true harmony with him. You will no longer be just an observer, but rather, a friend and partner in performance, and in life! You have laid the foundation for both of your personalities to grow in the most positive way and will develop the deepest bond possible.
To learn more about Meredith Hodges and her comprehensive all-breed equine training program, visit LuckyThreeRanch.com or call 1-800-816-7566. Check out her children’s website at JasperTheMule.com. Also, find Meredith on Facebook, YouTube, Pinterest, Instagram, MeWe and Twitter.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com
“Neonatal isoerythrolysis (N.I.) is a condition in which the mare creates antibodies against the foal’s red blood cells, and then passes these antibodies to the foal via the colostrum. Once the foal absorbs these antibodies, they result in lysis* of the foal’s red blood cells within 24 to 36 hours after birth. This red blood cell destruction is widespread throughout the foal’s body and can lead to life-threatening anemia and/or jaundice. (This is similar to the human Rhesus, or Rh, factor, where a woman who is Rh-negative gives birth to her second or subsequent child that is Rh-positive, resulting in destruction of the newborn’s red blood cells.)”1
All legitimate mule breeders should be aware of this condition, especially because it can occur more often when breeding donkey jacks to mares than it does when breeding stallions to mares within the same species. If the hybrid foal’s blood type is the same as its mother’s, then there is no problem. However, when the jack and the mare have different blood types, and the foal possesses the jack’s blood type, there is potential for N.I. to occur.
On the surface of the mare’s red cells are antigens that will stimulate the production of antibodies against incompatible red blood cells (R.B.C.s). There are basically two ways that these R.B.C.s can get into her system:
1) If the foal’s R.B.C.s enter the mare’s circulation via the placenta during pregnancy or during delivery.
2) If the mare obtains these incompatible cells during a blood transfusion.
If neither of these conditions occurs, the mare can carry, birth and nurse her foal with no problem. However, if the incompatible red cells do somehow get into her system, she will begin making antibodies against those cells that, in turn, will be passed into the foal’s system via the mare’s first milk, or colostrum.
“Signs of neonatal isoerythrolysis depend upon the rate and severity of red blood cell destruction. Affected foals are born healthy, and then typically develop signs within 24 to 36 hours. In severe cases, the signs of N.I. may be evident within 12 to 14 hours, whereas in mild cases, signs may not be present until three or four days of age. N.I. foals will develop progressive anemia, thus leading to depression, anorexia, collapse and death. These foals may also develop pale mucous membranes that later become yellow or jaundiced.”2
The mare’s blood can be tested ahead of time to determine if she has a different blood type than the jack (or stallion), but a positive test result does not necessarily mean that N.I. will automatically occur, only that there is the possibility for occurrence. Blood samples from the mare and jack should be taken two to four weeks before the mare is due to foal to determine if she is producing antibodies against the foal’s red blood cells. If the blood test is positive, then precautions must be taken to save the foal at birth by making sure it is prevented from nursing its dam for the first 24 to 36 hours. The foal should be muzzled and bottle-fed colostrum from a mare that has not produced these same antibodies, and therefore is compatible with the foal. To be absolutely safe, the colostrum should be obtained and tested from a mare that has never had a mule foal.
For the best results in building the foal’s immune system, this “replacement” colostrum should be collected within the first six hours after birth. The mare being used does not need to be the same blood type as the foal, but her blood must not contain antibodies to the foal’s R.B.C.s. The quality of the colostrum will determine the amount fed to the foal. Immediately after birth, the foal should be given two to three feedings of colostrum within the first two hours, and then be given milk (for energy) for the first 24 to 36 hours after that. Goat’s milk is best for this purpose. After 24 to 36 hours, the foal should be able to be safely returned to its dam’s milk. If N.I. is present but is caught early enough, the foal can be transfused with blood and there is a chance that it may live, but this transfusion procedure has inherent risks and there are no guarantees of success.
Out of concern for future mule offspring, the Lucky Three Ranch—with the assistance of our veterinarian, Kent M. Knebel, D.V.M.; Colorado State University researcher, Josie Traub-Dargatz, D.V.M., M.S.; and Louisiana State University researcher, Jill McClure, D.V.M., M.S.—began thorough testing of Lucky Three Ranch stock in the early nineties, with particular attention paid to our breeding jack, Little Jack Horner. It was discovered by Dr. McClure that Little Jack Horner’s R.B.C.s were resulting in unidentifiable antibodies in many of the horse mares that carried his foals. The mares that were sampled had antibodies present, but Dr. McClure was unable to “type” the antibodies found in the mares.
The next step was to immunize some research horses at L.S.U. using Little Jack Horner’s R.B.C.s. If they made antibodies, Dr. McClure would have a more readily available source of antibodies for further research. She also took samples from some burros from another L.S.U. project and discovered that they, too, had the same R.B.C. factor that occurred in Little Jack Horner, but the antibodies produced in the mares were still unidentified. There was already quite a bit of medical and scientific data on N.I. that could help in the prevention of this potentially fatal condition. However, this discovery of new antibodies stimulated by the jack and produced by the mare proved that there was still a lot more that needed to be learned. All of Little Jack Horner’s tests showed him to be of a compatible blood type to the mares if he was a stallion of the same species, and yet these unknown antibodies were being produced. Perhaps future research will hold the answer to this puzzle.
A debt of gratitude is owed to veterinarians like Dr. Kent Knebel, who take time out of their busy schedules to collect samples for this research, and to dedicated researchers like Dr. Josie Traub-Dargatz and Dr. Jill McClure, who continue with this important research that benefits our mule industry and its future generations. Their ongoing research will continue to have a significant impact on mule breeding programs, not just here in the United States, but all over the world.
Research on N.I. has been done over the years on Thoroughbred horses, and statistics indicate that 20 percent have incompatibilities between dam and sire, yet only one percent of foals develop N.I. The incidence in mule breeding suggests that the rate is higher. The University of California at Davis has a laboratory set up to do this initial N.I. testing on mares. Consult with your veterinarian about contacting any facilities for information on how to collect and ship samples for N.I. testing, and for resources that can help in the process.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.